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Canibalismo cultural y subjetividad en el video indigena

En el umbral del nuevo siglo, las naciones indígenas en Colombia pasaron de ser presentadas en el cine y el video a ser agentes de su representación: para esto, pueblos e individuos han delineado estrategias de apropiación y comunicación. Gente alzada en cámaras analiza cómo dos directores de origen indígena, Mileidy Orozco (embera eyábida) y Luis Tróchez (misak), "canibalizan" o se apropian de las cámaras de video en espacios institucionales occidentales -universidades, en este caso- para adquirir una forma de operar con ellas.

Gente alzada en cámaras

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Gente alzada en cámaras

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