When The Unbearable Lightness of Being was first published in English, it was hailed as ""a work of the boldest mastery, originality, and richness"" by critic Elizabeth Hardwick and named one of the best books of 1984 by the New York Times Book Review. It went on to win the Los Angeles Times Book Prize for Fiction and quickly became an international bestseller. Twenty years later, the novel has established itself as a modern classic. To commemorate the anniversary of its first English-language publication, HarperCollins is proud to offer a special hardcover edition. A young woman in love with a man torn between his love for her and his incorrigible womanizing; one of his mistresses and her humbly faithful lover -- these are the two couples whose story is told in this masterful novel. Controlled by day, Tereza's jealousy awakens by night, transformed into ineffably sad death-dreams, while Tomas, a successful surgeon, alternates loving devotion to the dependent Tereza with the ardent pursuit of other women. Sabina, an independent, free-spirited artist, lives her life as a series of betrayals -- of parents, husband, country, love itself -- whereas her lover, the intellectual Franz, loses all because of his earnest goodness and fidelity. In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence we feel, says the novelist, ""the unbearable lightness of being"" -- not only as the consequence of our private acts but also in the public sphere, and the two inevitably intertwine. This magnificent novel encompasses the extremes of comedy and tragedy, and embraces, it seems, all aspects of human existence. It juxtaposes geographically distant places (Prague, Geneva, Paris, Thailand, the United States, a forlorn Bohemian village); brilliant and playful reflections (on ""eternal return,"" on kitsch, on man and animals -- Tomas and Tereza have a beloved doe named Karenin); and a variety of styles (from the farcical to the elegiac) to take its place as perhaps the major achievement of one of the world's truly great writers.

The Unbearable Lightness of Being

""An intellectual heavyweight and a pure literary virtuoso, Milan Kundera takes some of Freud's most cherished complexes and irreverently whirls them about in acts of legerdemain that capture our darkest, deepest human passions. . . . The tales in Laughable Loves surprise and illuminate. . . . Kundera's world is complex, full of mockeries and paradoxes. Life is often brutal and humiliating; it is often blasphemous, funny, irritating."" — Cleveland Plain Dealer Milan Kundera is a master of graceful illusion and illuminating surprise. In one of these stories a young man and his girlfriend pretend that she is a stranger he picked up on the road—only to become strangers to each other in reality as their game proceeds. In another a teacher fakes piety in order to seduce a devout girl, then jilts her and yearns for God. In yet another girls wait in bars, on beaches, and on station platforms for the same lover, a middle-aged Don Juan who has gone home to his wife. Games, fantasies, and schemes abound in all the stories while different characters react in varying ways to the sudden release of erotic impulses.

Laughable Loves

All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

The Joke

""An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous."" —Newsweek ""The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius."" —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.

The Book of Laughter and Forgetting

New York Times Bestseller ""Inspired. . . . Kundera's most brilliantly imagined novel. . . . A book that entrances, beguiles and charms us from first page to last."" — Cleveland Plain Dealer Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnès becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

Immortality

""Irresistible. . . . Slowness is an ode to sensuous leisure, to the enjoyment of pleasure rather than just the search for it."" — Mirabella Milan Kundera's lightest novel, a divertimento, an opera buffa, Slowness is also the first of this author's fictional works to have been written in French. Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about ""dancers"" possessed by the passion to be seen, for whom life is merely a perpetual show emptied of every intimacy and every joy.

Slowness

Eine der schönsten Liebesgeschichten seit Romeo und Julia Ein erfolgreicher Arzt und Frauenheld trifft ein unbedarftes Mädchen aus der Provinz – so begegnen sich Tomas und Teresa 1968 in Prag. Er lebt seine amourösen Abenteuer aus, sie sucht bei ihm die eine große Liebe und reagiert verletzt und eifersüchtig. Dennoch werden sie ein Paar. Doch mit dem Ende des Prager Frühlings verändert sich ihr Leben dramatisch …

Die unerträgliche Leichtigkeit des Seins

Vittigt og overrumplende afdækker Milan Kundera tilværelsens ulidelige lethed, manglen på virkeligt engagement i såvel kærlighed som politik, og han undrer sig over menneskets forbløffende evne til at glemme såvel historiens fejltagelser som deres egne. Fortællingen om lægen Thomas, der efter russernes indtog i Prag 1968 degraderes til vinduespudser. Skønt hans livsstil som Don Juan med utallige elskerinder følger og tilbeder hans kone Tereza ham overalt.

Tilværelsens ulidelige lethed

De ondraaglijke lichtheid van het bestaan betekende de internationale doorbraak van Milan Kundera. De succesvolle verfilming The Unbearable Lightness of Being door Philip Kaufman maakte eveneens een verpletterende indruk. De bestseller gaat over de essentie van de liefde en seksualiteit tegen de achtergrond van de roerige naoorlogse Tsjechische geschiedenis. Het klassiek geworden meesterwerk weet na dertig jaar nog altijd harten te veroveren en Milan Kundera geldt als een van de belangrijkste hedendaagse Europese schrijvers. Hij ontving talloze onderscheidingen en prijkt al jaren op het lijstje van mogelijke Nobelprijskandidaten.

De ondraaglijke lichtheid van het bestaan

“A magic curtain, woven of legends, hung before the world. Cervantes sent Don Quixote journeying and tore through the curtain. The world opened before the knight-errant in all the comical nakedness of its prose.” In this thought-provoking, endlessly enlightening, and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that “the curtain” represents a ready-made perception of the world that each of us has—a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the novel in Western civilization. In doing so, he celebrates a prose form that possesses the unique ability to transcend national and language boundaries in order to reveal some previously unknown aspect of human existence.

The Curtain

A deliciously witty and entertaining ""variation"" on Diderot's novel Jacques le Fatalist, written for Milan Kundera's ""private pleasure"" in the aftermath of the Russian invasion of Czechoslovakia. When the ""heavy Russian irrationality"" fell on Czechoslovakia, Milan Kundera explains, he felt drawn to the spirit of the eighteenth century—""And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humor, and fantasy, Jacques le Fataliste."" The upshot was this ""Homage to Diderot,"" which has now been performed throughout the United States and Europe. Here, Jacques and His Master, newly translated by Simon Callow, is a text that will delight Kundera's admirers throughout the English-speaking world.

Jacques and His Master

“Slender but weighty. . . . What is moving about this novel is its embrace of what has always driven Kundera, the delicate state of living between being and nothingness.”— Boston Globe From the internationally acclaimed, bestselling author of The Unbearable Lightness of Being, an entertaining and enchanting novel—""a fitting capstone on an extraordinary career."" (Slate) Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism—that’s The Festival of Insignificance. Readers who know Milan Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband: “you’ve often told me you meant to write a book one day that would have not a single serious word in it…I warn you: watch out. Your enemies are lying in wait.” Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

The Festival of Insignificance

“I can’t imagine reading this book without being challenged and instructed, amused, amazed and aroused, and ultimately delighted.” —John Simon, New York Times Book Review Milan Kundera’s brilliant collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterizes his bestselling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author’s signature themes with personal reflections and stories.

Encounter

""I will say no more about this lacerating book except to urge it upon all who care about literature in our difficult era."" — Boston Globe ""A sly and merciless lampoon of revolutionary romanticism. . . Kundera commits some of the funniest literary savaging since Evelyn Waugh polished off Dickens in A Handful of Dust.""— Time Milan Kundera initially intended to call this novel The Lyrical Age. The lyrical age, according to him, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent (""innocence with its bloody smile""!), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud. Rimbaud entrapped by the communist revolution, entrapped in a somber farce.

Life Is Elsewhere

""After Farewell Waltz there cannot be any doubt. Kundera is a master of contemporary literature. This novel is both an an example of virtuosity and a descent into the human soul."" —L'Unite Set in an old-fashioned Central European spa town, Farewell Waltz poses the most serious questions with a blasphemous lightness that makes us see that the modern world has deprived us even of the right to tragedy. In this dark farce of a novel, eight characters are swept up in an accelerating dance: a pretty nurse and her repairman boyfriend; an oddball gynecologist; a rich American (at once saint and Don Juan); a popular trumpeter and his beautiful, obsessively jealous wife; and an disillusioned former political prisoner about to leave his country and his young woman ward. It is perhaps the most brilliantly plotted and sheer entertaining of Milan Kundera's novels. Written in Bohemia in 1969-70, the book was first published (in 1976) in France under the title La valse aux adieux (Farewell Waltz), and later in thirty-four other countries. This beautiful translation, made from the French text prepared by the novelist himself, fully reflects Kundera's own tone and intentions, and offers an opportunity for both the discovery and the rediscovery of one of the very best of a great writer's works.

Farewell Waltz

Two newly translated works from one of the greatest literary writers and thinkers of the modern age, available together in English for the first time. Translating a work from its original language can be complicated; it’s a complex art that can easily mar and twist the intent and meaning of a writer’s words. Precise translations were of particular importance to Milan Kundera, who did not live to see all his books published in his native Czech language. Words, for Kundera, were the object of constant scrutiny. This fascinating volume includes two Kundera works from the 1980s, originally written for the now defunct French magazine Le Debat, which have never been available in in English. In “89 Words,” Kundera wryly recounts the many pitfalls in reading his own poorly translated works. When a friend of Kundera’s asked him about the words he considered the most—the ones he fretted over and loved—Kundera created a personal dictionary—his “89 Words.” This discerning essay, steeped in his signature barbed cheekiness, showcases his casually gutting philosophical reflections on what it means to be a writer in translation—the exile of life and art in another language. In the second work, “Prague: A Disappearing Poem,” Kundera writes with a wistfulness and despair for his ever-more-distant home, offering an intimate look at the specificity of his native culture: the richness of a heritage born in a “small nation” but whose significance is universal. Here, like in A Kidnapped West, we find the double condemnation of “Soviet civilization,” which had suffocated and persecuted Czech culture, and of Western Europe, which refused to neither acknowledge Kundera’s culture or understand it. Prefaced by lauded French historian Pierre Nora and translated from the French by award-winning Matt Reeck, these two texts return us to Kundera’s much-missed living presence. Subtle, alive, and full of wit and irony, 89 Words followed by Prague: A Poem that Disappears is an homage to a literary legend and a reminder of just how prescient his words and insights are today.

89 Words followed by Prague, A Disappearing Poem

“Kundera once more delivers a seductive, intelligent entertainment … [with] elegance and grace.” — Washington Post Book World “Nothing short of masterful.” — Newsweek A brilliant novel set in contemporary Prague, by one of the most distinguished writers of our time. A man and a woman meet by chance while returning to their homeland, which they had abandoned 20 years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence “their memories no longer match.” We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Only those who return after 20 years, like Ulysses returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance first-hand. Kundera is the only author today who can take dizzying concepts such as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.

Ignorance

""A defense of fiction and a lesson in the art of reading."" —New York Times Book Review ""Testaments Betrayed is to be savored paragraph by paragraph. . . . It must be purchased, read, pondered, and argued within the margins. And frequently reread."" — Washington Post A brilliant and thought-provoking essay from one of the twentieth century’s masters of fiction, Testaments Betrayed is written like a novel: the same characters appear and reappear throughout the nine parts of the book, as do the principal themes that preoccupy the author. Kundera is a passionate defender of the moral rights of the artist and the respect due a work of art and its creator’s wishes. The betrayal of both—often by their most passionate proponents—is one of the key ideas that informs this strikingly original and elegant book.

Testaments Betrayed

“Incites us to reflect on fiction and philosophy, knowledge and truth, and brilliantly illustrates the art of the essay.” — The New Republic ""Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express the idea of the novel that is inherent in my own novels."" — Milan Kundera Kundera brilliantly examines the evolution, construction, and essence of the novel as an art form through the lens of his own work and through the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, Musil, Kafka, and perhaps the least known of all the great novelists of our time, Hermann Broch. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

The Art of the Novel

“We should welcome the context Kundera gives for the struggles between Russia and Europe, and the plight of those caught between them. His defense of small languages, small cultures, and small nations feels pressing.”—Claire Messud, Harper's Magazine “Kundera focuses on the relationship of Europe’s central ‘small nations’ like Czechoslovakia and Ukraine to Western culture and argues that their cultural identities were increasingly threatened.”—New York Book Review A short collection of brilliant early essays that offers a fascinating context for Milan Kundera’s subsequent career and holds a mirror to much recent European history. It is also remarkably prescient with regard to Russia’s current aggression in Ukraine and its threat to the rest of Europe. Milan Kundera’s early nonfiction work feels especially resonant in our own time. In these pieces, Kundera pleads the case of the “small nations” of Europe who, by culture, are Western with deep roots in Europe, despite Russia imposing its own Communist political regimes in Hungary, Czechoslovakia, Poland, Ukraine, and elsewhere. Kundera warns that the real tragedy here is not Russia but Europe, whose own identity and culture are directly challenged and threatened in a way that could lead to their destruction. He is sounding the alarm, which chimes loud and clear in our own twenty-first century. The 1983 essay translated by Edmund White (“The Tragedy of Central Europe”), and the 1967 lecture delivered to the Czech Writers’ Union in the middle of the Prague Spring by the young Milan Kundera (“Literature and the Small Nations”), translated for the first time by Linda Asher, are both written in a voice that is at once personal, vehement, and anguished. Here, Kundera appears already as one of our great European writers and truly our contemporary. Each piece is prefaced by a short presentation by French historian Pierre Nora and Czech-born French political scientist Jacques Rupnik.

A Kidnapped West

""Kundera, master of the twosome, finds erotic and existential threads everywhere in daily behavior. Like his previous books, Identity is a cluster of jeweled observations. . . . But Identity has a special charm: suspense. . . . [It] gets us turning the pages in excitement and alarm, and Kundera's wit keeps us turning them to the very end."" — San Francisco Chronicle In a narrative as intense as it is brief, a moment of confusion sets in motion a complex chain of events which forces the reader to cross and recross the divide between fantasy and reality. Sometimes—perhaps only for an instant—we fail to recognize a companion; for a moment their identity ceases to exist, and thus we come to doubt our own. The effect is at its most acute in a couple, where our existence is given meaning by our perception of a lover, and theirs of us. With his astonishing skill at building on and out from the significant moment, Milan Kundera has placed such a situation and the resulting wave of panic at the core of this novel. Hailed as a ""a fervent and compelling romance, a moving fable about the anxieties of love and separateness"" (Baltimore Sun), it is not to be missed.

Identity

Runoilijan henkilökuva tšekkiläiseltä mestarilta. ”Hellä ja säälimätön... Elämä on toisaallaon hätkähdyttävä taiteilijan muotokuva nuoruuden vuosilta.” Newsweek Jaromil kasvaa prahalaisessa porvariskodissa hellittynä ihmelapsena, kuuluisuutta ja ihailua malttamattomasti odottavana nuorukaisena. Eroottiset mielikuvat ja koomiset rakkausseikkailut värittävät hänen elämäänsä, samoin kuin historialliset ja poliittiset tapahtumat. Prix Médicis -palkittu romaani on säälimätön pilkkakirjoitus vallankumouksellisesta romantiikasta ja käsittelee lyyristä runoutta tyyppiesimerkkinä teini-iän neurooseista. Milan Kundera syntyi Tšekissä. Vuodesta 1975 hän on elänyt Ranskassa.

Elämä on toisaalla

Eurooppalaisen kirjallisuuden huikea voimannäyte! Olemisen sietämätön keveys on neljän paikkaansa etsivän ihmisen tarina, filosofinen kertomus rakkaudesta ja seksistä rautaesiripun halkomassa Euroopassa. Tomás on prahalainen kirurgi ja naistenmies. Hänen vaimonsa, herkkä Tereza häpeää kehoaan. Sabina on Tomásin rakastajatar ja ystävä, taiteilija joka pyrkii eroon kaikesta sovinnaisesta. Prahan kevät vuonna 1968 viskoo heidät maailmalle. Genevessä Sabina solmii suhteen Franziin, idealistiseen tiedemieheen. Ihmiskohtalot kutoutuvat romaanissa kuvioksi, jonka moraaliset, intellektuaaliset, eroottiset ja poliittiset kosketuskohdat ovat ainutlaatuiset. Milan Kundera syntyi Tšekissä. Vuodesta 1975 hän on elänyt Ranskassa. “Loistava... Modernistisen leikittelevä ja syvällisen tunteellinen teos.” New York Review of Books ”Kundera nostaa aateromaanin uudelle tasolle unenomaisella lyyrisyydellään ja tunteiden kiihkeydellä.” Newsweek ”Kundera on virtuoosi. Rohkean mestarillinen, omaperäinen ja rikas teos.” Vanity Fair

Olemisen sietämätön keveys

Eurooppalaisen sielun ruumiinavaus. ”Oppinut ja leikkimielinen... Intohimoinen selonteko emigranttihahmosta Euroopan historian näyttämöllä.” New York Times Book Review Irena seurasi miestään Prahasta Pariisiin lapsi sylissään ja toinen vatsassaan. Kaksikymmentä vuotta myöhemmin Irena saa tilaisuuden matkustaa entiseen kotimaahansa. Lentokentällä hän tapaa vanhan ystävän Prahan ajoilta, Josefin, joka asuu nyt Tanskassa. Paluu kotimaassa kesken jääneeseen elämään on molemmille hämmentävä kokemus. Milan Kundera syntyi Tšekissä. Vuodesta 1975 hän on elänyt Ranskassa. ”Upean vivahteikas, koskettava.” New York Times ”Teoksen kohtaamiset kuvittavat kauniisti muistin tuskallista epäoikeudenmukaisuutta ja epätasa-arvoa.” Boston Globe “Ei enempää eikä vähempää kuin mestarillinen.” Newsweek

Tietämättömyys

”Kiihkeä ja vangitseva rakkaustarina.” Baltimore Sun Puolihuolimattomasta toteamuksesta kehkeytyy väärinkäsitysten sarja tšekkiläisen mestarikertojan romaanissa, joka tutkailee ihmisen identiteetin rakentumista. Eräänä päivänä Chantal kertoo alakuloisena puolisolleen Jean-Marcille, etteivät miehet enää käänny katsomaan häntä. Pian Chantal saa nimettömän kirjeen. Sen lähettäjä ilmoittaa seuraavansa häntä kuin vakooja, koska hän on hyvin kaunis. Chantal alkaa jäljittää kirjeen kirjoittajaa ja joutuu samalla pohtimaan perusteellisesti suhdettaan Jean-Marciin sekä omaa identiteettiään. Milan Kundera syntyi Tšekissä. Vuodesta 1975 hän on elänyt Ranskassa. ”Romaani pakkomielteisestä intohimosta saa lukijansa kääntämään sivua jännittyneenä ja varuillaan.” San Francisco Chronicle “Kummallisen kiehtova ja melankolisen lumoava.” Wall Street Journal

Identiteetti

[CDATA[In einem ruhigen Kurort in Böhmen schläft die Krankenschwester Rosa mit Klima, einem berühmten Trompeter, der jedoch nur seine eifersüchtige Frau Kamila liebt. Dafür wird Rosa wie wahnsinnig von Franta geliebt. Der Gynäkologe Dr. Skreta dagegen liebt nur sich selbst und injiziert seinen kinderlosen Patientinnen deshalb reihenweise sein eigenes Sperma, was aber nichts nützt. Schwanger wird nur Rosa. Immer schneller drehen sich Kunderas Figuren in diesem verzweifelten, sehnsuchtsvollen Tanz. Der Schauspieler Wolfram Berger liest des Autors wohl bösesten und zugleich amüsantesten Roman in voller Länge. Ungekürzte Lesung mit Wolfram Berger]]

Abschiedswalzer

Angesichts von Krieg und politischen Zerwürfnissen in Europa sind Milan Kunderas Analysen zur Rolle Mitteleuropas im Spannungsfeld zwischen Zugehörigkeit zum Westen und der Bedrohung durch Russland brandaktuell.Gerade in den mitteleuropäischen Ländern, wo die eigene Sprache, Kultur und nationale Identität dauerhaft bedroht sei, argumentierte Kundera bereits 1983, stehe die westliche Demokratie auf dem Prüfstand. Dort befinde sich die Keimzelle europäischer Werte und möglicherweise der Blitzableiter für die Gefahren, denen sie ausgesetzt sind.In deutlichen Worten prangert Milan Kundera die Vernachlässigung, ja den Ausschluss der Länder im Zentrum Europas an, ihre Unterdrückung durch Russland und die Ignoranz, die der Westen ihnen entgegenbringt. Sein Plädoyer für eine Kehrtwende ist heute wichtiger denn je. Jahrzehnte nach dem Zerfall der Sowjetunion zeigen die Schützengräben auf ukrainischem Boden die Kluft zwischen Europa und Russland auf fürchterliche Weise auf. Ein Abgrund, der nicht nur Mitteleuropa bedroht, sondern unseren ganzen Kontinent.

Der entführte Westen

In una notte di mezza estate si intersecano due storie di seduzione, separate da più di duecento anni e oscillanti vertiginosamente fra il sublime e l’esilarante. Ma questa è solo l’intelaiatura di una vicenda che non si lascia raccontare, perché Kundera sembra avervi miniaturizzato una quantità imponente di «temi esistenziali». Primo fra tutti quello della lentezza: una parola di cui scopriremo un senso nuovo, come se non l’avessimo mai conosciuta prima.

La lentezza

Pietra miliare della letteratura del Novecento, il romanzo mette in scena un perfetto quadrilatero amoroso entro cui le storie dei protagonisti s’intrecciano con le grandi domande della vita, come quelle sul valore delle scelte individuali, sul rapporto tra pesantezza e leggerezza, libertà e costrizione. Alla fine degli anni Sessanta, tra la Primavera praghese e l’invasione sovietica, la giovane Tereza e il marito Tomáš, la pittrice Sabina e il suo amante Franz, oscillando tra fedeltà e tradimenti, esplorano passioni e vertigini di un mondo che è diventato una trappola.

L'insostenibile leggerezza dell'essere

När det kalla kriget var som allra kyligast påminde Milan Kundera oss om att Prag och Budapest var lika europeiska som Paris och Wien. Kunderas essä blev starten på en återupptäckt av Europa bortom järnridån. Om författaren Milan Kundera föddes i Tjeckien. Sedan 1975 är han bosatt i Frankrike.

Ett kidnappat Västerland – eller Centraleuropas tragedi

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