De Vlaamse auteur Stefan Hertmans (1951) is in Nederland vooral bekend als romancier, zeker sinds hij met de prachtige autobiografische roman Oorlog en terpentijn de AKO Literatuurprijs en de Gouden Boekenuil Publieksprijs won. Maar naast schrijver van romans, verhalenbundels, essays en theaterteksten, is Hertmans bovenal dichter. Samen met zijn broer Peter Hertmans brengt hij zijn gedichten op muziek. De gedichten zijn afkomstig uit de bundels Muziek voor de overtocht, Gedichten 1975-2005 (2006), De val van vrije dagen (2010) en Onder een koperen hemel (2018). Composities, arrengementen en muziekproductie: Peter Hertmans 'Music for a while' compositie: Henry Purcell 'Lilac Wine' compositie: James Shelton Gitaren, synthesizers, elektrische bas, zang: Peter Hertmans Trompet en bugel op 'De Notenkrakers', 'De Uitverkorene' en 'Tango Saudade': Nicolas Thys Drums op 'De Notenkrakers', 'De Uitverkorene' en 'Tango Saudade': Dré Pallemaerts Bandoneon op 'Tango Saudade': Rony Verbiest Opname van 'De Notenkrakers', 'De Uitverkorene' en 'Tango Saudade' in studio 'The Red H' door Michel Andina op 17 april 2019 Opname van 'Music for a While', 'Lilac Wine' en 'Late Vormen': Peter Hertmans Opname stem Stefan Hertmans: Peter Hertmans Editing en mixing: Peter Hertmans Mastering: Frank van Bogaert in studio Ace op 18 juni 2019

Open de deur van het gedicht

Pfeijffer dicht als niemand ooit tevoren. Hij viel de poëzie binnen als Genghis Khan. Zijn verzengende verzen verpletterden de horigen die rilden van angst en ontzag. En toen zweeg hij. Zeven jaar dacht hij na over de wereld en de woorden. En nu is er Idyllen: een vloedgolf van zilte vragen en zwarte conclusies die zwelt als de zee bij nacht, terwijl de verlaten sloepen kraken in de haven en netten van vissers huilen. In de klassieke vorm van rijmende alexandrijnen, die komen en gaan als golven over kiezels, spoelen steeds meer zekerheden weg. De winter komt. Waarschijnlijk zijn dit de laatste idyllen die we zullen horen.

Idyllen

114 gedichten bevat de gedichten uit de bundels Manke vliegen (1963), Almanak (1965) en God en Godin (1967). Daarnaast zijn hierin opgenomen Poems in English (1953) en een afdeling `verspreide gedichten . Deze bundeling is een vervolg op de verzameluitgave 126 gedichten. Beide uitgaven presenteerden aan het eind van de jaren zestig het grootste deel van Vromans poëzie.

114 gedichten

In Berichten van het front hervat Anna Enquist de grootse en bittere expeditie die ze voor de duur van één bundel (haar vorige, Hoor de stad) had opgeschort: 'het losmaken/ van de dochter uit ons'. Losmaken ook om de verlorene vervolgens weer in het wild te kunnen aantreffen. Maar nooit eerder werd er zo systematisch en verbeten jacht gemaakt als nu. In vier keer tien gedichten wordt het ontbrekende kind gezocht in de onderwereld, de witte koude van het hooggebergte, de omringende natuur en de jacht van het spel. De buit? 'Wantrouw / de woorden. Luister goed. En koester de muziek.' Over Berichten van het front: 'De "Demetercyclus" van Enquist raakte me diep. De "ik" laat de radeloosheid zien van deze godin van de landbouw (ook wel beschouwd als moeder aarde) als zij denkt dat haar dochter dood is.' - Hans Puper in Meander 'Een bijzonder indringende cyclus [...] waarin de gang van de seizoenen wordt verbonden met de onderwereld, met dood en verrijzenis.' - Dirk de Geest in MappaLibri

Luisterbundels

Berichten van het front

De wereld lijkt langzaam in een donkere nacht te verdwijnen en dat vraagt om reactie. Yannick Dangre gaat in dit vijfluik op zoek naar wat de wereld en onszelf bezighoudt en hoe die beide op elkaar inwerken. We kunnen de buitenwereld immers alleen begrijpen door onze binnenwereld, de nacht slechts aan de hand van de navel. Nu eens hard, dan weer vol empathie, maar altijd lyrisch ontleedt Dangre wat een dichter deze tijd nog te bieden heeft. Geloof me, mijn lief, er is geen wereld die zichzelf niet als onze navel ziet.

Nacht en navel

De ‘Hotsy Totsy Club’ in de Hoogstraat in Gent was vanaf 1973 de place-to-be voor de artistieke incrowd van Vlaanderen en Nederland. Onder de begeesterde leiding van Guido en Motte Claus was deze kroeg de ontmoetingsplaats voor creatievelingen. Daar waren Hugo Claus, broer van Guido, en zijn vrienden vaste en graag geziene stamgasten en daar was het dat Steef Verwée, als jong muzikant, bevriend werd met dé grootmeester van de Nederlandse Letteren. Daar vond in 1983 de première plaats van Het Verdriet van België, het meesterwerk van Hugo Claus, meer bepaald op 17 maart. 25 jaar later, op 19 maart 2008, nam Hugo op waardige wijze afscheid van het leven, hij koos zelf om op deze manier te sterven, vandaar de titel Nee, ik beslis. Het luisterboek Nee, ik beslis is opgevat als eerbetoon aan de Heer Hugo Claus en omvat twaalf gedichten gekozen in nauw overleg en in samenspraak met de dichter. De gedichten werden getoonzet door Steef Verwée, oorspronkelijk voor de muziektheaterproductie Claus on the Rocks die in 1978 in première ging in het theater Arena te Gent. In het luisterboek worden deze gedichten vertolkt door Steef Verwée. De song In Memoriam Ferdi komt uit de musical Casanova, gecomponeerd in 1987 in opdracht van het Arca (Tinnenpot) Theater te Gent. Voor Claus on the Rocks vertrouwde Claus tien ‘liedteksten’ toe aan Verwée. Deze teksten waren oorspronkelijk geschreven voor Liesbeth List maar werden door de zangeres ter zijde gelegd. Deze teksten werden eveneens door Verwée op muziek gezet en exclusief in het programma verwerkt, toen in het theater Arena en ook nu in dit luisterboek gezongen door Patricia Beysens. Deze teksten werden niet gepubliceerd en geven daarom een genuanceerd beeld van de uitzonderlijke gaven van Claus als woordkunstenaar. Een derde luik is voorbehouden voor de meester zelf, Hugo Claus leest zeven gedichten (ontmoeting, devotie, huwelijk, ongenoegen, reaktie, dekadentie, berusting). De aanwezigheid van de originele stem van de dichter geeft een absolute en blijvende meerwaarde. De studio opnames dateren van 1985, jaar waarin Steef Verwée zijn TEO of The Erotic Opera componeerde op erotische teksten van Engelstalige dichters, première in theater Arena en tegelijk in de Stadsschouwburg van Amsterdam. Hugo Claus verleende zijn medewerking aan TEO in de vorm van zeven gedichten als exclusieve bindteksten tussen de thematische opera-acts, deze werden bij elke uitvoering live uitgestuurd. Nee, ik beslis, waarvan Motje Claus met genoegen en fierheid het meterschap aanvaardt, is een ode opgedragen aan het werk van Hugo Claus en bedoeld om de geest en het talent van de meester voor eeuwig te laten verder leven... Zang: Patricia Beysens, Steef Verwée Muziek: Steef Verwée Piano: Eddy Aelbrecht Cello: Dankaart Elst Gitaren: Steef Verwée Accordeon: Rony Verbiest Arrangementen: Piano: Eddy Aelbrecht - Cello en Gitaren: Steef Verwée - Accordeon: Rony Verbiest Opnameleiding: Rudy De Keyser Productie: Hans Kusters voor HKM Literatuur De teksten van Hugo Claus zijn afgedrukt met de toestemming van uitgeverij De Bezige Bij. Lay out: Eric Fimmers Illustratie cover: Hugo Claus Een boekje met alle liedteksten wordt als pdf-bestand meegeleverd. Inhoud Liederen: 1. Ouverture 2. Je bent er niet 3. Oefening 7 4. Jij kwam langs 5. Zijn relikwie 3 6. Ik schrijf je neer 7. De anderen 8. Oefening 8 9. Oefening 9 10. Jij, jij, jij 11. Zijn relikwie 7 12. Gek van jou 13. In memoriam Ferdi 14. Mijn leven 15. Liedje 16. Wat wil je nou 17. Blauw 18. Oefening 4 19. Onze nacht 20. Romantisch 21. Ik hou niet van jou 22. Bewegen 1 23. Ha seele Hugo Claus leest: 24. Aanvang 25. Ontdekking 26. Huwelijk 27. Ongenoegen 28. Reaktie 29. Dekadentie en hoop 30. Laatste groet

Nee, ik beslis

Het alledaagse bijzonder maken, de ernst met humor omgeven, zoet en zuur mengen tot een nieuwe smaak, mistroostigheid met optimisme te lijf gaan, vragen stellen die nieuwe vragen oproepen: dat is wat de gedichten van Jaap Robben doen. In toegankelijke taal werpt Jaap Robben nieuw licht op gedachten en gevoelens die herkenbaar zijn maar niet altijd herkend worden. Het is alsof je samen met hem, gezellig onder een paraplu, door een verrekijker naar de wereld tuurt en je voortdurend verbaast over het aards gewemel.

's Nachts verdwijnt de wereld

In het poëziedebuut van Libris Literatuur Prijs-winnaar Rob van Essen blijft in toegankelijke, troostende gedichten niets onbesproken: leven, liefde, dood en doem. Met ‘Alleen de warme dagen waren echt’ debuteert Rob van Essen als dichter. Elke overeenkomst met zijn romans en verhalenbundels berust op toeval, al is er ook hier sprake van ontregeling en herkenning, melancholie en ontroering. Van Essens poëzie is toegankelijk maar niet zonder verborgen betekenissen, met aandacht voor de mensen op straat en de bewegingen van het eigen hart. Leven, liefde, dood en doem – niets blijft onbesproken. Een melodische, troostrijke bundel waarin zomerse en winterse dagen elkaar afwisselen en het besef van eindigheid wordt bestreden met verdriet, aanstekelijke vrolijkheid en serene berusting.

Alleen de warme dagen waren echt

Hoe keren we terug tot onszelf anders dan door de bladzijde om Te vouwen en zo de spannende passage te markeren In zijn uiterst persoonlijke tweede dichtbundel De tijd is een moeder gaat Ocean Vuong op zoek naar manieren om te leven na de dood van zijn moeder. Er is rouw, maar ook de overtuiging dat hij daaruit kan komen. Hij worstelt met zijn eigen verlies, maar ook met het gegeven dat hij rechtstreeks het product is van de oorlog in Vietnam, een thema dat we herkennen uit Vuongs indrukwekkende roman Op aarde schitteren we even. Zijn gedichten zijn sprankelend, compromisloos en onontkoombaar en maken voelbaar hoe het is om te leven als de bodem onder een verscheurd bestaan wegvalt. Vuongs eerste bundel Night Sky with Exit Wounds werd bekroond met de Whiting Award (2016) en de T.S. Eliot Prize (2017) en hij werd in 2019 benoemd tot MacArthur-fellow. Zijn poëzie is bij uitstek menselijk, en daar hoort een scherp oog voor de maatschappelijke werkelijkheid bij. In De tijd is een moeder experimenteert Vuong op een vernieuwende en gedurfde manier met taal en vorm, zonder dat de inhoud abstract wordt. Hij aarzelt niet om eeuwig terugkerende levensvragen steeds opnieuw te stellen. De tijd is een moeder is een eerbetoon aan de kracht van zachtheid in tijden van geweld.

De tijd is een moeder

In 1974 maakte de Nederlandse musicus en componist Theo Loevendie een muzikale bewerking van De nachtegaal, het schitterende sprookje van Hans Christian Andersen. Sindsdien is deze compositie over de hele wereld vele malen uitgevoerd. Kees van Kooten schreef een gloednieuwe, sprankelende tekst bij deze muziek, die hij zelf voordraagt, onder begeleiding van Het Noord Nederlands Orkest, met dirigent Hans Leenders. Naast deze orkestversie bevat deze download ook een kamerensembleuitvoering. De kinderen kunnen hierbij, al 'karaokend', zelf de rol van verteller spelen. Verder bevat dit luisterboek een video waarin een kijkje achter de schermen wordt gegund bij de opnamen en een PDF bestand met de volledige tekst. Inhoud 1. Zo mooi, net echt 2. De keizer kwam nooit buiten 3. Feest in het paleis 4. Leve de kleine nachtegaal! 5. Gaat de keizer dood? 6. Karaokeversie 7. Zo mooi, net echt 8. De keizer kwam nooit buiten 9. Feest in het paleis 10. Leve de kleine nachtegaal! 11. Gaat de keizer dood? Video Een kijkje achter de schermen.

De dag- en nachtegaal

Na de publicatie van zijn verzamelde gedichten in 2005 verrast Stefan Hertmans met een nieuwe bundel, waarin de beste elementen uit zijn werk triomferen: een open oog voor de wereld, een gepassioneerde mengeling van kosmopolitisme en intimiteit, een bondige stijl in combinatie met een grote beeldende kracht. En sterker dan ooit is er een veerkrachtige melancholie, die al deze gedichten doortrekt: 'Nee, uit deze rij stapt niemand die ons hoort,/ De engelen zijn lang voorbij./ De hand die naar de stilte grijpt, krijgt niets/ Dan ruis in ruil, het vallen van de dingen,/ Ontwakend in een nacht die, net voor het vertrek,/ De dromen bergt die angstzweet brengen./ Want wie uit dood ontwaakt, het krakend lot/ Van nooit geziene vogels bij een oever zonder stroom,/ Die zal niet ondergaan tenzij hij droomt.'

De val van vrije dagen

NIETS Niets eindigt zoals het hoort. Niet het dankwoord en niet de lustmoord, niet het rustoord en niet het slotakkoord. Geen enkel rijmwoord. niets zoals het hoort. Inhoud De monniken van Senanque Voor de gevallen zusters Begrafenis West-Vlaanderen Biografie Dikke mensen I Nichtje De zwijger Samenhorig Thuis I+II Album III Een zoon van niemendal Kortrijk K.I K.II K.III K.IV K.V K.VII Nocturne Een man en een vrouw Ars Amandi Altijd I Oma Winnetou Coureur fin de siecle Mijn engel moet nog komen Het geslacht Speech God schrijft een brief Vriendinnen Sprookje Brief aan een architect Voliere Solo e pensoso Di pensier in pensier Cantai or piango Mia benigna fortuna I'vo piangendo Moeders Lamento voor Julea Rideau Versterving Aan een collega Visite Hasselt Hoevenzavel Aan tafel III Mijn buurvrouw de weduwe Abattoir Over het verrichten van een heldendaad Over het niet verrichten van een heldendaad Niets

Een wereld van verloren dingen

Ibbeltje is een doodgewoon meisje. Niet altijd even schoon, niet altijd even kalm, en soms een beetje stout. Ze woont met haar vader en moeder en de katten Rosencrantz en Guildenstern in een slaperig stadje. Eén ding is niet zo gewoon: haar moeder is vroeger een kat geweest. Ze spint als geen ander, verstaat kats en is als de dood voor honden. Om de haverklap vliegt ze de boom in en durft er niet meer uit: Moeder, kom ’s uit de iep, moeder, kom ’s uit de takken, toe dan, kom ’s uit de iep, je moet de vis gaan bakken. Moeder, morgen heb je griep, dat heb je zó te pakken! Moeder, kom ’s uit de iep. Samen met haar ouders beleeft Ibbeltje de spannendste avonturen, waarbij ze geholpen worden door alle poezen uit de buurt.

Ibbeltje

'De meeste rijke meiden met wie ik het in mijn Gooise jeugd heb gedaan of graag had willen doen wonen er nog steeds en zijn veel beter getrouwd dan mijn vrouw.' Aldus Youp van 't Hek die op zijn inmiddels bekende, kleurrijke wijze terugkijkt op zijn jongensjaren en op die meisjes met hun kniekousen en parelkettingen, hun hockeyclub en ongecompliceerde au pair-tijd in Parijs. Een cynische ondertoon ontbreekt dikwijls niet. In de andere verhalen die deze bundel bevat toont Van 't Hek zich een wat ernstiger observator, vol mededogen en inzicht in de mensen die hem omringen. Ook is in Rijke meiden een aantal gedichten opgenomen die deze uitgave tot een rijk geschakeerd werk maken, van de schrijver Youp van 't Hek. Youp van 't Hek (1954) is naast cabaretier en columnist, schrijver. Zijn eerste boek Rijke Meiden met verhalen en gedichten werd meteen een groot succes. Inmiddels zijn er meer dan 270.000 exemplaren van verkocht.

Rijke Meiden

The "Bhagavad Gita" (Song of the Lord), often referred to as simply the Gita, is a 700 Shlokas - Sanskrit verses, Hindu scripture in Sanskrit that is part of the Hindu epic Mahabharata. The epic Mahabharata is traditionally ascribed to the sage Vyasa; the Bhagavad Gita, being a part of the Mahabharata's Bhisma Parva, is also ascribed to him Translated by Sir Edwin Arnold (10 June 1832 – 24 March 1904), English poet and journalist.

Bhagavad-Gita

*** Premium Ebook with beautiful layout *** "This book has a way of speaking to people at different stages in their lives. It has this magical quality, the more you read it the more you come to understand the words," Reverend Laurie Sue Written by one of the world's bestselling poets, The Prophet, since it was first published in 1923, has been translated into more than 50 languages. Made up of 26 prose poems, delivered as sermons by a wise man called Al Mustapha, The Prophet is a timeless poetic story, a great book of wisdom.

The Prophet

Leaves of Grass by American poet Walt Whitman was first published in 1855. The work was an attempt at reaching out to the common person with an American epic (a lengthy narrative poem.) He continued expanding and revising it until his death in 1892. The work started as a collection of 12 unnamed poems. However, Whitman spent most of his life writing and re-writing Leaves of Grass, resulting in many different editions published throughout his life. The final collection, which is recorded here, is a compilation of about 400 poems separated into 35 books. This book is notable for its discussion of delight in sensual pleasures and exalting the body and the material world. At the time, such candid displays were considered highly immoral, which led to reviews considering it "offensive", "obscene", "a mass of stupid filth", or suggesting it should have been burned after writing. Leaves of Grass even became banned in various locations, which only led to increased sales, with some printings even selling out on the first day. To this day, the work's legacy remains strong, and is one of the most important collections of American poetry. Among some of the best-known poems contained in this work are "O captain! My captain!", "I sing the body electric", and "Song of Myself". AUDIO: Reading by Mary Foon, running time: 18 hours, 37 min. Unabridged full version. Walter "Walt" Whitman (1819–1892) was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse.

Leaves of Grass

Walt Whitman's "Leaves of Grass" is a seminal work that marks a profound moment in American literature, merging the personal with the universal through its innovative free verse style. First published in 1855, this collection is a celebration of individuality, nature, and the human experience, reflecting the transcendentalist ethos of its time. Whitman's verses are characterized by their rhythmic cadence and expansive imagery, inviting readers to explore themes such as democracy, spirituality, and sexuality, all while portraying the American landscape in a way that was unprecedented for its era. Walt Whitman, born in 1819 on Long Island, was influenced by his experiences as a printer, a teacher, and a journalist. His work in the tumultuous context of mid-19th century America, particularly during the Civil War, deeply informed his vision of a unified nation. Whitman's democratic ideals, coupled with his radical embrace of sensuality and the body, resulted in a poem that sought to dissolve boundaries between the self and society, ultimately redefining the American identity. "Leaves of Grass" is not merely a collection of poems; it is an invitation to connect with the essence of humanity and nature. Whitman'Äôs passionate verses resonate with those seeking enlightenment, self-discovery, and a deeper understanding of life. This timeless masterpiece remains essential for readers interested in the intersections of nature, poetry, and the human spirit.

Collection of 100 Poems to for readers to explore in life and loves emotions captured into poems. Take a sensational journey in 100 poems of love expressions and life encounters. Poetry that will resonate with your soul!

100 Most Popular Love Poems

"Sir Gawain and the Green Knight," a quintessential example of Middle English literature, masterfully intertwines the themes of chivalry, honor, and the supernatural within a rich tapestry of Arthurian legend. Written in alliterative verse, the poem employs a distinctive and lyrical style that captivates readers with its vivid imagery and intricate symbolism. The narrative follows Sir Gawain's quest to uphold his knightly virtues after accepting a challenge from the enigmatic Green Knight, exploring the complexities of morality, the nature of bravery, and the inexorable passage of time. Situated within the context of late 14th-century England, this poem reflects the societal ideals of knighthood, while also subtly critiquing them through Gawain's internal struggles and ultimate vulnerability. The authorship of the poem is attributed to the enigmatic Pearl Poet, a figure whose identity remains largely unknown. His literary oeuvre, characterized by its rich symbolism and deep psychological insight, captures the ethos of his time, likely influenced by the courtly traditions and the burgeoning complexity of human relationships. The blending of moral instruction with narrative innovation suggests that the poet was deeply engaged with the cultural and philosophical currents of his era, aiming to challenge and elevate the ideals of knighthood. For readers seeking an exploration of medieval literature that resonates with timeless themes, "Sir Gawain and the Green Knight" is an essential text. It invites reflection on personal integrity and societal expectations, offering a profound commentary on the human condition. This richly layered narrative not only enchants with its artistry but also serves as a conduit for deeper understanding of the moral dilemmas faced by individuals across the ages.

Sir Gawain and the Green Knight

A beautifully illustrated travelogue, chronicling the life and work of one of the world greatest poets. Du Fu (712-70) is one of China’s greatest poets. His career coincided with periods of famine, war and huge upheaval, yet his secular philosophical vision, combined with his empathy for the common folk of his nation, ensured that he soon became revered. Like Shakespeare or Dante, his poetry resonates in a timeless manner that ensures it is always relevant and offers something new to the modern generation. Now, in this beautifully illustrated book, broadcaster and historian Michael Wood follows in his footsteps to try to understand the places that inspired Du Fu to write some of the most famous and best-loved poetry the world has known. The themes he wrote about – friendship, family, human suffering – are universal and in our troubled times are just as relevant as they were almost 1,300 years ago.

In the Footsteps of Du Fu

Rainer Maria Rilke (4 December 1875 – 29 December 1926), was a Bohemian-Austrian poet and novelist. He is "widely recognized as one of the most lyrically intense German-language poets". He wrote both verse and highly lyrical prose. Several critics have described Rilke's work as "mystical". His writings include one novel, several collections of poetry and several volumes of correspondence in which he invokes images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude and anxiety. These themes position him as a transitional figure between traditional and modernist writers. Translator: Jessie Lemont

Poems

In "The Norsk Nightingale; Being the Lyrics of a 'Lumberyack,'" William Frederick Kirk presents a captivating exploration of the cultural and emotional landscape of Scandinavian lumberjacks in America. The book features lyrical poetry infused with the rustic charm of rural life, blending vivid imagery with folkloric elements that reflect both the struggles and joys of these laborers. Through a series of poignant verses, Kirk captures the essence of camaraderie amidst the challenges of hard work, all while employing a distinctive voice marked by rhythmic cadence and simple diction, which pays homage to the oral traditions of both Norwegian and American culture. Kirk, a noted figure in the early 20th-century literary scene, drew from his experiences in the logging industry and his fascination with Scandinavian heritage. His background in agriculture and personal ties to labor communities profoundly influenced his portrayal of the lumberjack'Äôs life, leading to a deep respect for their contributions to both the economy and culture of the time. Kirk'Äôs work not only serves as a testament to their resilience but also as a bridge between immigrant experiences and American identity. This book is highly recommended for readers interested in Americana, labor literature, and poetry rooted in cultural history. Kirk's vivid portrayal of the lumberyard life and his ability to evoke the sounds and rhythms of this unique community make this collection an essential read for those seeking to understand the intertwining of heritage and labor.

The Norsk Nightingale; Being the Lyrics of a "Lumberyack"

Embark on a whimsical adventure with As if I couldn’t!, a delightful collection of poems, brimming with both tenderness and humour, for small and grown-up children. Each piece brings to life the playful, carefree spirit of childhood. It’s all about having fun, being silly, mischievous or even a little cheeky. It involves girls, boys, and animals. It’s about everything and anything that may spark a child’s imagination or sense of wonder. It’s about finding joy in simple things. Ideal for a bedtime moment or a simple anytime reflection, this collection is not just an audiobook for children. It’s an open door to shared memories, glee, and warmth for small and tall ones of all ages. So, come in and discover the treasures within As if I couldn’t! Let it be the new-classic addition to your bookshelf be it a physical one or one that you'd listen to over and over again. Get on board! We're embarking right now!

As if I couldn't!

In this electrifying debut poetry collection—written with the ferocity of Rita Dove’s groundbreaking Thomas and Beulah—a critically acclaimed award-winning talent explores a wide range of emotions, from anxiety to ecstasy reflecting the moon's phases, from Waning Gibbous to Full. Both intimate and intricately structured Tramaine Suubi’s remarkable work is inspired by the moon—its phases’ effects on water, the Earth, and our bodies. Phases relishes in the beauty of change, even that caused by heartbreak. Suubi’s refreshing, vulnerable verse begs to be underlined, memorized, and shared; each of her poems operate as love letters to the cyclical healing that occurs in nature, in our bodies, and in the bodies that have come before us.

Phases

With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places. Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits. A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.

Why I Was Late

Presented here are the complete stories and poems of Winnie-the-Pooh, as originally conceived and published by his creator, the legendary children’s book author A.A. Milne. Pooh and all of his friends are here: Piglet, Eeyore, Tigger, Rabbit, Owl, Kanga, Roo and, of course, Christopher Robin. As they explore the Hundred Acre Wood, they have all sorts of adventures: tracking the Heffalump, visiting with Rabbit (and getting stuck in a Very Tight Place), dressing up as a little black rain cloud to get honey from the bees and even going on an "expotition" to the North Pole! Along with these tales are two full collections of Milne's poems which have gone on to become some of the most beloved verses in all of children's literature. The complete Pooh collection: Winnie-the-Pooh, The House at Pooh Corner, When We Were Very Young and Now We Are Six are presented here in their original and unabridged format.

The A.A. Milne Collection - Winnie-the-Pooh - The House at Pooh Corner - When We Were Very Young - Now We Are Six - Unabridged

In "The Poems of William Watson," the eponymous poet crafts an intricate tapestry of verse that reflects the profound emotional landscapes of both the human experience and the wider world. Combining modernist sensibilities with the lyrical grace of the Victorian era, Watson'Äôs poetry exhibits a mastery of form and an acute sensitivity to nature and societal change. His predilection for rich imagery and musicality is evident throughout the collection, which traverses themes ranging from love and loss to nationalism and the transcendental qualities of nature, situating him as a bridge between the Romantic and modern poetic traditions. William Watson, a prominent figure in early 20th-century literature, was deeply influenced by the shifting societal dynamics of his time, including the impact of the Industrial Revolution and the World Wars. Born in 1858 in the UK, he was a literary voice that resonated with contemporary concerns while remaining rooted in the lush traditions of earlier English poetry. His work often reflects a profound engagement with philosophical questions, positioning him as a thinker ahead of his time'Äîa quality that adds depth to his poetic output. For readers seeking both aesthetic pleasure and intellectual stimulation, Watson'Äôs poetry offers a compelling exploration of enduring themes, making "The Poems of William Watson" an essential addition to any literary collection. This volume not only illuminates the poet's unique voice but also invites contemplation of the complex emotional and philosophical questions that resonate across time.

The Poems of William Watson

The Odyssey is an epic poem, written by the ancient Greek Philosopher Homer, and is considered to be the second oldest piece of western literature still in existence. Scholars believe it was written at the end of the 8th century BC. Still heavily used in schools because of its unique literary makeup and historical value, the poems follow Greek hero Odysseus, as he journeys home after the ten year long Trojan War. His journey home takes another ten years, and Odysseus encounters many obstacles including adverse weather, mythical beasts, and angry gods. Many Scholars believe the Odyssey was originally composed in an oral tradition, intended to be heard, not read, making this epic classic a must have for audiobook listeners!

The Odyssey

“What Breaks Us” by Megan Davis is a cathartic collection of poetry that channels pain and angst into strength for healing and self-discovery. This poetry collection is a candid reflection on heartache, loss, and the difficult work of self-examination to uncover unhealed wounds. With topics ranging from love to spirituality, grief to psychology, Davis’s poetry is an outpouring of emotion that balances the deeply personal with the universality of the human experience. Davis initially began writing poetry in lieu of journaling, using creative writing as a way to process tumultuous feelings of attraction, loneliness, struggles with mental health, her relationship with spirituality, and the suffering faced by people around the world. She wrote the poems without intending to share them with an audience, and the palpable honesty in each piece of work reflects that intimacy, as well as the author’s approach to poetry as personal catharsis. As the sections of the collection progress, readers move through phases of the author’s life alongside her, from heartbreak and anger to battles with addiction, through to growing self-acceptance, connection with others, and ultimately, a sense of empowerment built on perseverance and a willingness to engage with pain as a source of strength. Beautifully written and poignantly capturing the internal battles faced by many, Davis’s poems are a touching portrait of the things that hurt us – and the ways these damaging experiences can be alchemized into sources of hope and growth.

What Breaks Us

Read by the author, Kae Tempest. Including an audio-exclusive Q&A, in which Kae explores ideas of poetry, music and form. I want to sing you early songs. Go deeper. I want to take you back where you began, Find the scraps of you you hid in secret And bring them back to life beneath my tongue. Divisible by Itself and One is the powerful new collection from our foremost truth-teller Kae Tempest. Ruminative, wise, with a newer, more contemplative and metaphysical note running through, it is a book engaged with the big questions and the emotional states in which we live and create. Some of the poems experiment with form, some are free, and yet all are politically and morally conscious. Divisible by Itself and One is also a book about human form, the body as boundary and how we are read by the world. Taking its bearings - and title - from the prime number, Divisible by Itself and One is concerned, ultimately, with integrity: how to live in honest relationship with oneself and others. “Tempest delivers their thoughts gorgeously, rhythmically, but also with clarity and a fierce grace” Observer

Divisible by Itself and One

Forget what you think you knowInfluencer, rapper and spoken word artist Humble the Poet is here to revolutionise your life and help you reach your full potential. Full of insights, wisdom and clarity, Unlearn is a brutally-honest, empowering book that defies conventional thinking. You will shed the sabotaging habits, fixed mindsets and past regrets that characterise modern life and instead tap into your best, most authentic self. Structured as 101 short and accessible life lessons covering everything from ‘Money is a Funny Thing’ to ‘Love is a Gift Not a Loan’, this is the ideal book to turn to whenever you need a flash of inspiration. Profound in its simplicity, Unlearn is the perfect invitation to a new beginning and to pursue a life of fulfilment.

Unlearn

From the renowned translator of Rilke, Tao Te Ching, and Gilgamesh, a vivid new translation of Western civilization’s foundational epic: The Iliad. Tolstoy called the Iliad a miracle; Goethe said that it always thrust him into a state of astonishment. Homer’s story is thrilling, and his Greek is perhaps the most beautiful poetry ever sung or written. But until now, even the best English translations haven’t been able to re-create the energy and simplicity, the speed, grace, and pulsing rhythm of the original. Now, thanks to the power of Stephen Mitchell’s language, the Iliad’s ancient story comes to moving, vivid new life, and we are carried along by a poetry that lifts even the most devastating human events into the realm of the beautiful. Mitchell’s Iliad is also the first translation based on the work of the preeminent Homeric scholar Martin L. West, whose edition of the original Greek identifies many passages that were added after the Iliad was first written down, to the detriment of the music and the story. Omitting these hundreds of interpolated lines restores a dramatically sharper, leaner text. In addition, Mitchell’s illuminating introduction opens the epic still further to our understanding and appreciation.

The Iliad

The title of this novel is a combination of two Sanskrit words, “siddha,” which is defined as “achieved,” and “artha” which is defined as “meaning” or “wealth.” The word serves as the name for the principal character, a man on a spiritual journey of self-discovery during the time of the first Buddha. Siddhartha is the son of a wealthy Brahmin family who decides to leave his home in the hopes of gaining spiritual illumination. Siddhartha is joined by his best friend Govinda. The two renounce their earthly possessions, engage in ritual fasting and intense meditation and ultimately seek out and speak with Gautama, the original Buddha. Here the two go their separate ways, Govinda joining the order of the Buddha, Siddhartha traveling on in search of spiritual enlightenment. In order to complete this novel Hesse immersed himself in the sacred teachings of both Hindu and Buddhist scriptures and lived a semi-reclusive life in order to achieve his own spiritual enlightenment. Considered one of Hesse’s most important works, “Siddhartha” remains to this day as one of his most popular. It is a work that deals with the quest that we all undertake in some way or another, to define our lives in an environment of conflicting dualities and ultimately find spiritual awareness.

Siddharta

”...a trans-mystical work of love and change...”—Ali Blythe, author of Hymnswitch 		The mystics who coined the phrase ‘the way of affirmation’ understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

The Affirmations

SHORTLISTED FOR THE 2024 WOMEN'S PRIZE FOR NON-FICTION 'Vivid and empowering' GILLIAN ANDERSON 'A stunning book’ BERNARDINE EVARISTO ‘Dazzling’ TARA WESTOVER ‘A story about hope, imagination and resilience’GUARDIAN An award-winning, inspiring memoir of family, education and resilience. Born in Montego Bay, Jamaica, where luxury hotels line pristine white sand beaches, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything. Her mother did what she could to bring joy to her children with books and poetry. But as Safiya’s imagination reached beyond its restrictive borders, her burgeoning independence brought with it ever greater clashes with her father. Soon she realised that if she was to live at all, she had to find some way to leave home. But how? How to Say Babylon is an unforgettable story of a young woman’s determination to live life on her own terms. A Guardian and Observer summer read. ‘I adored this book … Unforgettable’ ELIF SHAFAK ‘Electrifying’OBSERVER ‘To read it is to believe that words can save’ MARLON JAMES ‘Breathless, scorching’NEW YORK TIMES

How To Say Babylon

A Poem For Every Day of the Year is a magnificent collection of 366 of the greatest poems in the English language, compiled by the award-winning poetry curator Allie Esiri. The collection is passionately narrated by Helena Bonham Carter and Simon Russell Beale, with introductions read by Allie Esiri and contributions from Damian Lynch and Peter Forbes. Reflecting the changing seasons and linking to events on key dates – funny for April Fool's Day, festive for Christmas – the book is inspiring, informative and empowering. Perfect for any age, the poems are familiar favourites and exciting new discoveries. T.S. Eliot, A.A. Milne, John Keats, William Shakespeare and Christina Rossetti sit alongside Seamus Heaney, Wendy Cope, Maya Angelou and Kae Tempest. This soul-enhancing book will keep you company every day of the year.

A Poem for Every Day of the Year

A classic in the Bukowski poetry canon, Love Is a Dog from Hell is a raw, lyrical, exploration of the exigencies, heartbreaks, and limits of love. A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power. ""there is a loneliness in this world so great that you can see it in the slow movement of the hands of a clock.""

Love is a Dog From Hell

“Book of Longing has exceptional range. It is clear yet steamy, cosmic yet private, both playful and profound.”—New York Times Leonard Cohen wrote the poems in Book of Longing—his first book of poetry in more than twenty years after 1984's Book of Mercy—during his five-year stay at a Zen monastery on Southern California's Mount Baldy, and in Los Angeles, Montreal, and Mumbai. This dazzling collection is enhanced by the author's playful and provocative drawings, which interact in exciting, unexpected ways on the page with poetry that is timeless, meditative, and often darkly humorous. An international sensation, Book of Longing contains all the elements that have brought Cohen's artistry with language worldwide recognition.

Book of Longing

One of the world’s foremost writing teachers invites readers on a joyful journey into the reading and origins of haiku A haiku is three simple lines. But it is also, as Allen Ginsberg put it, three lines that “make the mind leap.” A good one, he said, lets the mind experience “a small sensation of space which is nothing less than God.” As many spiritual practices seek to do, the haiku’s spare yet acute noticing of the immediate and often ordinary grounds the reader in the pure awareness of now. Natalie Goldberg is a delightfully companionable tour guide into this world. She highlights the history of the form, dating back to the seventeenth century; shows why masters such as Basho and Issa are so revered; discovers Chiyo-ni, an important woman haiku master; and provides insight into writing and reading haiku. A fellow seeker who travels to Japan to explore the birthplace of haiku, Goldberg revels in everything she encounters, including food and family, painting and fashion, frogs and ponds. She also experiences and allows readers to share in the spontaneous and profound moments of enlightenment and awakening that haiku promises.

Three Simple Lines

Running Upon The Wires is Kae Tempest’s first book of free-standing poetry since the acclaimed Hold Your Own. In a beautifully varied series of formal poems, spoken songs, fragments, vignettes and ballads, Tempest charts the heartbreak at the end of one relationship and the joy at the beginning of a new love; but also tells us what happens in between, when the heart is pulled both ways at once. Running Upon The Wires is, in a sense, a departure from their previous work, and unashamedly personal and intimate in its address – but will also confirm Tempest’s role as one of our most important poetic truth–tellers: it will be no surprise to readers to discover that she’s no less a direct and unflinching observer of matters of the heart than they are of social and political change. Running Upon The Wires is a heartbreaking, moving and joyous book about love, in its endings and in its beginnings.

Running Upon The Wires

In Poems to Live Your Life By, Chris Riddell, former Children's Laureate and political cartoonist for the Observer, has selected his very favourite classic and modern poems about life, death and everything in between. This beautiful collection includes forty-six poems and is divided into sections covering: musings, youth, family, love, imaginings, nature, war and endings – with famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create a truly enriching, wonderful collection.

Poems to Live Your Life By

Read by a diverse cast of performers, including the author Olivie Blake Dazzling stories of love, magic and betrayal . . . A sensational collection from internationally bestselling author Olivie Blake. Once upon a time, in a land far, far away, the spirit tethered to a magical bridge rapidly approaches burnout – and craves her freedom. Elsewhere, Congress enacts a complex auditing system designed to un-waste your youth. We also follow a banished fairy, as she answers a Craigslist ad. And we meet a Victorian orphan, who gains literacy for her occult situationship. In another time and place, a multiverse assassin contemplates the one who got away. Escape the slow trudge of mortality with these magical ruminations on life, death and the love (or revenge) that outlasts both. This collection also features modified fairy tales, contemporary heists, absurdist poetry and at least one set of actual wedding vows. Januaries is collection of new and existing short stories from the internationally bestselling author Olivie Blake. ‘Olivie Blake is a mind-blowing talent’ – Chloe Gong, author of These Violent Delights ‘Sign me up for anything she writes’ – Cosmopolitan Also by Olivie Blake: The Atlas Six The Atlas Paradox The Atlas Complex Alone with You in the Ether One For My Enemy Masters of Death Olivie Blake is a multiple Sunday Times and New York Times bestseller - reaching No. 1 for The Atlas Complex in January 2024.

Januaries

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival. Supplemental enhancement PDF accompanies the audiobook.

The World Keeps Ending, and the World Goes On

In "The Poems and Fragments of Catullus," the Roman poet Gaius Valerius Catullus artfully manifests the depth of human emotion through a collection of roughly 116 poems, ranging from passionate love sonnets to biting invectives. Written in a vibrant and dynamic style that defies the conventions of his time, Catullus's work transcends mere lyrical beauty, exhibiting a profound understanding of the complexities of love, friendship, and betrayal. His use of innovative meter and form, coupled with personal and often raw subject matter, situates his poetry firmly within the context of contemporary Roman literature while also revealing the intimate struggles of the poet himself. The fragments that remain further highlight the transient nature of art and emotion, echoing sentiments that remain relevant through the ages. Catullus, often regarded as a pivotal figure in the evolution of lyric poetry, lived during the late Roman Republic, a period marked by social and political upheaval. His own tumultuous personal relationships, particularly with Lesbia, have influenced his work, imbuing it with authenticity and emotional impact. The poet's defiance against societal norms and his candid exploration of intimacy, combined with a rich literary heritage from earlier Greek poets, make his writings not just a personal journey but also an exploration of universal themes. For scholars and casual readers alike, "The Poems and Fragments of Catullus" is a compelling read that invites reflection on the timelessness of human emotion. Its vivid imagery and candid lyrics challenge readers to confront their own experiences of love and loss. With each poem, Catullus offers a glimpse into the tumultuous world of his heart, making this collection an indispensable contribution to the canon of Western literature.

The Poems and Fragments of Catullus

In 1855, Walt Whitman published, at his own expense, the first edition of Leaves of Grass, a visionary volume of twelve poems. Showing the influence of a uniquely American form of mysticism known as Transcendentalism, the writing is distinguished by an explosively innovative free-verse style and previously unmentionable subject matter. Exalting nature, celebrating the human body, and praising the senses and sexual love, this monumental work, now a classic of American poetry, was condemned as immoral upon publication. Included in this edition are some of the greatest poems of modern times, works that continue to upset conventional notions of beauty and originality even today.

Refresh your weary soul with living water from God's Word. Everyone goes through difficult seasons, tough losses, and moments that feel unbearable. In today's world, people thirst more than ever for reassurance and guidance. Streams in the Desert provides a river of wisdom, encouragement, and inspiration to weary travelers. ABC's Good Morning America anchor Robin Roberts reads Streams in the Desert every day. Roberts said, "It's my most prized possession…my family, each of us has a copy and we read it every morning…it just brings us closer together." In this edition, you'll find: 366 devotions that appeal to men and women of all agesA powerful collection of meditations, Christian writings, and ScripturePrecise NIV text to help believers embrace timeless messages of God's faithfulness Easy to understand, yet true to the essence of the original, this Streams in the Desert offers a refreshing daily dip into God's purpose, plan, and enduring promise.

Streams in the Desert

Hugo Claus draagt gedichten voor die hij tussen 1977 en 1985 maakte. Ondermeer een in memoriam voor zijn goede vriend, de Antwerpse dichter H. C. Pernath. Verder een gedicht over een achtiende eeuwse ter dood veroordeelde bandiet zoals ze tijdens de Franse bezetting in Vlaanderen floreerden en enkele liefdesgedichten. Inhoud Het graf van Pernath Halloween Jan de Lichte Sonnetten Envoi

Hugo Claus leest ...

Contemplations from a life in dialogue with Christ

You in Whom We Breathe

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