In "The Chronicles of Count Antonio," Anthony Hope masterfully weaves an intricate tale of adventure and intrigue set against the backdrop of a fictional European kingdom. The novel showcases Hope's distinctive style, characterized by eloquent prose and vivid descriptions, while maintaining a spirited pace that propels the narrative forward. Through the lens of Count Antonio, a nobleman embroiled in political machinations, readers encounter themes of loyalty, betrayal, and the quest for justice that resonate deeply with the socio-political climate of late 19th century Europe. Hope's narrative reflects the broader literary context of romantic adventure with a hint of social commentary, positioning him within the canon of his time while advancing his unique voice. Anthony Hope, a British author and playwright, is perhaps best known for his earlier work, "The Prisoner of Zenda," which established him as a key figure in the adventure fiction genre. His personal experiences and fascination with royal politics'Äîespecially during an era marked by nationalistic fervor'Äîlikely inspired his exploration of themes in "The Chronicles of Count Antonio." Hope'Äôs background in law and literature equipped him with the tools to forge complex characters, while his extensive travels across Europe enriched the authenticity of his settings. I highly recommend "The Chronicles of Count Antonio" to readers who appreciate a blend of adventure, romance, and moral complexity. This novel not only entertains but also invites reflection on the political entanglements of power and the human spirit's resilience. Hope's artistry ensures that the tale remains relevant and compelling, making it a must-read for fans of classic literature and adventure alike.

The Chronicles of Count Antonio

An incriminating love-letter from the Queen of Ruritania to Rudolph Rassendyll, the hero of The Prisoner of Zenda, is intercepted by the dastardly villain Rupert of Hentzau, who is intent on causing trouble for the Royal Family. Rassendyll is forced to return to save the day and again assume his impersonation of King Rudolph. Once more he is embroiled in a world of deception, intrigue, deadly swordfights and strained loyalties, but will he be able to restore peace to Ruritania a second time?

Rupert of Hentzau

Anthony Hope's classic novel established the new genre of 'Ruritanian Romance', romantic tales set in the upper classes, aristocracy and royalty of a fictional country. In the fictional country of Ruritania, the new king is abducted on the eve of his coronation. A visiting English tourist who happens to resemble the king is persuaded to act as a political decoy in an attempt to save the situation.

The Prisoner of Zenda

In Anthony Hope's novel 'Rupert of Hentzau,' readers are transported to a dystopian world filled with political intrigue, betrayal, and romance. The book is a sequel to Hope's popular work 'The Prisoner of Zenda' and continues the captivating story of adventure and deception. Hope's writing style is characterized by its vivid imagery and intricate plot development, keeping readers on the edge of their seats till the very end. Set against the backdrop of a fictional European monarchy, the novel explores themes of loyalty, power, and the consequences of ambition. Anthony Hope, a prolific British writer, drew inspiration for 'Rupert of Hentzau' from his own experiences and observations of society. His keen eye for detail and ability to create complex characters make the story come alive, making it a timeless classic in the realm of dystopian literature. Through his writing, Hope challenges readers to question the nature of power and the impact of personal choices. I highly recommend 'Rupert of Hentzau' to readers who enjoy political thrillers and dystopian fiction. Anthony Hope's masterful storytelling and thought-provoking themes make this novel a must-read for anyone seeking a gripping tale of adventure and deception.

Rupert of Hentzau (Dystopian Novel)

I. Neither life nor the lawn-tennis club was so full at Natterley that the news of Harry Sterling's return had not some importance. He came back, moreover, to assume a position very different from his old one. He had left Harrow now, departing in the sweet aroma of a long score against Eton at Lord's, and was to go up to Oxford in October. Now between a schoolboy and a University man there is a gulf, indicated unmistakably by the cigarette which adorned Harry's mouth as he walked down the street with a newly acquiescent father, and thoroughly realized by his old playmates. The young men greeted him as an equal, the boys grudgingly accepted his superiority, and the girls received him much as though they had never met him before in their lives and were pressingly in need of an introduction. These features of his reappearance amused Mrs. Mortimer; she recollected him as an untidy, shy, pretty boy; but mind, working on matter, had so transformed him that she was doubtful enough about him to ask her husband if that were really Harry Sterling. Mr. Mortimer, mopping his bald head after one of his energetic failures at lawn tennis, grunted assent, and remarked that a few years more would see a like development in their elder son, a remark which bordered on absurdity; for Johnny was but eight, and ten years are not a few years to a lady of twenty-eight, whatever they may seem to a man of forty-four. Presently Harry, shaking himself free from an entangling group of the Vicarage girls, joined his father, and the two came across to Mrs. Mortimer.

Frivolous Cupid

The Prisoner of Zenda by Anthony Hope is an 1894 adventure novel by Anthony Hope, in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum. A sequel, Rupert of Hentzau, was published in 1898 and is included in some editions of The Prisoner of Zenda. The popularity of the novels inspired the Ruritanian romance genre of literature, film, and theatre that features stories set in a fictional country, usually in Central or Eastern Europe, for example Graustark from the novels of George Barr McCutcheon, and the neighbouring countries of Syldavia and Borduria in the Tintin comics.

In "Rupert of Hentzau," Anthony Hope deftly continues the tantalizing saga begun in his earlier work, "The Prisoner of Zenda." This novel combines romance, political intrigue, and adventure in a style characteristic of late 19th-century Victorian literature, showcasing Hope's mastery of vivid characterization and witty dialogue. Set against the backdrop of the fictional European kingdom of Ruritania, the narrative intricately weaves themes of loyalty and betrayal as the enigmatic Rupert, a roguish figure, exerts his influence over the throne, threatening the delicate balance of power and love. Anthony Hope, an English novelist and playwright, is notable for his contributions to adventure fiction. His experiences in a rapidly changing society, coupled with an interest in the European political landscape, inspired his works heavily influenced by Romanticism and sensationalism. "Rupert of Hentzau" reflects his fascination with the duality of character, as Rupert epitomizes the charming rogue, embodying both villainy and charisma. Hope's background in law and theatre further equipped him with the narrative skills to create engaging plots that reflect the complexities of human motivations. This compelling sequel is a must-read for anyone captivated by tales of swashbuckling heroism and moral ambiguity. Fans of classic adventure literature will appreciate Hope's intricate plotting and the nuanced exploration of loyalty amidst treachery. For those who revel in romantic escapades and the allure of royal intrigues, "Rupert of Hentzau" stands as an enduring testament to Anthony Hope's narrative prowess.

In "A Man of Mark," Anthony Hope crafts a captivating narrative that intertwines elements of adventure, romance, and social commentary, emblematic of the late 19th-century literary style. The novel follows the journey of its protagonist, an aspiring artist, who navigates the complexities of ambition and moral quandaries within a society marked by class disparities. Hope's prose is both incisive and witty, employing vivid imagery and sharp dialogue that illuminate the characters' inner lives while also critiquing the societal norms of his time, reminiscent of the works of Dickens and Thackeray. Anthony Hope, an English novelist and playwright, is perhaps best known for his seminal work "The Prisoner of Zenda," which established him as a master of adventure fiction. Drawing from his own experiences in a rapidly changing Victorian society, Hope's writing reflects an understanding of the struggles for identity and self-determination. His extensive travels and diverse cultural encounters inform the rich tapestry of characters in "A Man of Mark," showcasing his keen ability to explore the human condition across various social strata. This delightful novel is highly recommended for readers who appreciate tightly woven narratives that blend thrills with incisive social observations. Hope's compelling storytelling and richly developed characters provide a profound reflection on the aspirations and moral dilemmas that define the human experience. "A Man of Mark" invites readers not only to enjoy a riveting tale but also to ponder the deeper meanings of success and integrity in their own lives.

A Man of Mark

In 'Tristram of Blent', Anthony Hope intricately weaves a tale that lies at the intersection of adventure and social commentary, presenting a richly textured narrative that explores themes of identity, loyalty, and the burdens of nobility. Set in the fictional landscape of Blent—a microcosm for class struggle and personal ambition—Hope employs a vivid literary style imbued with wit and irony, reminiscent of the narrative traditions of both Victorian literature and the emerging modernist ethos. As a work situated between the hopeful idealism of the 19th century and the disillusionments of the 20th, the novel challenges contemporary notions of heroism and morality through its compelling protagonist, who must navigate the complex interplay of personal desire and societal expectations. Anthony Hope, celebrated for his contributions to adventure fiction, gained prominence through his earlier work 'The Prisoner of Zenda'. His keen insights into the human experience, shaped by his background in law and literature, allow him to craft multi-dimensional characters and engaging plots. His own experiences with class differences and legal intricacies inform the intricacies of 'Tristram of Blent', where the struggles of his characters echo those in Hope's own life under the rigid societal hierarchies of his time. I wholeheartedly recommend 'Tristram of Blent' to readers seeking a thought-provoking exploration of personal and societal conflict. Hope's masterful storytelling, combined with his layered character development, invites readers to reflect on their own values and the intricacies of their societal structures. The novel serves as both an entertaining adventure and a subtly woven critique of the complexities of human existence.

Tristram of Blent

In "Mrs. Maxon Protests," Anthony Hope weaves a captivating narrative that explores themes of social justice and individual agency within the constraints of Victorian societal norms. Set against the backdrop of a rapidly changing world, the novel employs Hope's signature blend of sharp dialogue and poignant characterization, reflecting the tensions between personal desires and societal expectations. The story intricately examines the plight of a strong-willed woman, Mrs. Maxon, who defies conventions as she navigates her husband's controversial decisions, illuminating the struggles of women seeking to assert their voices in a patriarchal society. Anthony Hope, best known for his adventurous works such as "The Prisoner of Zenda," was deeply engaged with the sociopolitical landscapes of his time. His experiences as a playwright and novelist, combined with a keen awareness of the cultural shifts in late 19th-century England, informed his writing, allowing him to craft narratives that resonate with timeless relevance. Hope's exposure to various socio-political movements likely inspired him to address the often-overlooked challenges faced by women in his era. This novel is highly recommended for readers interested in historical fiction that challenges societal norms and highlights the complexities of human relationships. Hope's intricate storytelling and insightful social commentary will captivate those eager to explore the intersections of gender, power, and resistance in a compelling narrative.

Mrs. Maxon Protests

In 'The Secret of the Tower,' Anthony Hope crafts a thrilling narrative steeped in adventure and intrigue, blending elements of romance and mystery. The novel unfolds within the confines of a forbidding medieval tower, where secrets are tightly held and danger lurks at every corner. Hope's signature style—marked by vivid descriptions and sharp dialogue—draws readers into a richly textured world, exploring themes of heroism, loyalty, and the quest for truth. The book is a reflection of the late 19th-century literary context, echoing the era's fascination with chivalry and moral dilemmas, while also challenging the conventions of Victorian society with its charismatic, flawed protagonists. Anthony Hope, an English novelist and playwright, was a prominent figure in the literary scene, especially known for his adventurous tales that often feature unlikely heroes. His background in law and a keen interest in political issues shaped his storytelling, providing a solid foundation for the intrigue and complex character dynamics present in 'The Secret of the Tower.' Hope's ability to intertwine personal struggle with broader societal themes speaks to the historical challenges of his time, making his work resonate with readers beyond its surface narrative. Readers seeking an exhilarating escape into a world brimming with mystery and courage will find 'The Secret of the Tower' an exceptional addition to their literary collection. Hope's masterful blend of adventure and romance not only captivates but also invites reflection on the enduring human spirit. This novel is highly recommended for those who appreciate tales that are both entertaining and thought-provoking, offering a compelling glimpse into the depths of human desires and fears.

The Secret of the Tower

In *The Indiscretion of the Duchess*, Anthony Hope delves into the complexities of love, honor, and societal norms through the lens of a captivating romantic tale. Set against the backdrop of Victorian England, the narrative unfolds with wit and sophistication, combining elements of comedy and tragedy in its exploration of the titular Duchess's poignant emotional journey. Hope's elegant prose and lively dialogue enhance the vivid portrayal of the era's social intricacies, highlighting the tension between personal desires and public expectations, as characters navigate through jealousy, scandal, and the pursuit of happiness. Anthony Hope, an innovative playwright and novelist, is perhaps best known for his seminal work, *The Prisoner of Zenda*. His experiences in theatre and his keen observations of human relationships in diverse social strata inform much of his writing. With a background in law and a passion for storytelling, Hope adeptly captures the moral dilemmas and psychological depths of his characters, which likely draw from his own encounters with the rigid conventions of his time. Readers seeking a richly layered narrative that deftly intertwines romance and social critique will find in *The Indiscretion of the Duchess* a compelling exploration of the human condition. This novel invites reflection on the true nature of love and the boundaries imposed by society, making it a timeless addition to the literary canon.

The Indiscretion of the Duchess

In 'The Great Miss Driver,' Anthony Hope deftly intertwines romance and adventure, presenting a captivating narrative that critiques societal expectations through its vibrant characters. Set against the backdrop of the early 20th century, the novel examines the life of the spirited Miss Driver, a woman who defies the conventions of her time. Hope's sharp wit and keen insights into human nature shine throughout the prose, making the work not only a delightful read but also a commentary on the shifting dynamics of gender roles and identity during an era of transformation. Anthony Hope, best known for his literary classic 'The Prisoner of Zenda,' sought to explore the depth of character and the complexities of relationships in his works. His background in law and early experiences in both England and the exotic landscapes of Eastern Europe informed his keen observation of societal norms and the turbulent emotions that ensue in pursuit of love and freedom. Hope's own adventurous spirit reflects in his writing, as he often ventured beyond the conventional storytelling boundaries of his time. Recommended for fans of classic literature and those interested in feminist themes, 'The Great Miss Driver' is an engaging exploration of courage, desire, and individuality. Hope's masterful narrative not only entertains but encourages readers to reflect on their own values and ambitions within the framework of societal expectation, making it a thought-provoking addition to the literary canon.

The Great Miss Driver

In 'Father Stafford', Anthony Hope crafts a compelling narrative that deftly intertwines themes of faith, sacrifice, and moral dilemmas faced by the clergy in late Victorian society. The story centers around Father Stafford, a dedicated priest who grapples with personal turmoils and societal expectations, all of which are articulated through Hope's signature style that combines rich character development with poignant dialogue. Set against the backdrop of a rapidly changing England, the novel reflects the complexities of faith and the human condition, showcasing Hope's ability to navigate intricate social dynamics with both sensitivity and insight. Anthony Hope, best known for his adventure novels such as 'The Prisoner of Zenda', was not only a novelist but also a playwright and a barrister, which may have influenced his acute understanding of character motivations and moral conflicts. Born in 1863, Hope was deeply engaged with the social issues of his time, and his experiences likely shaped his portrayal of Father Stafford's struggles with his faith and duties in a world that often challenges personal beliefs. 'Father Stafford' is a profound exploration of the intersection between personal conviction and societal expectation, making it essential reading for those interested in psychological depth and moral complexity in literature. I highly recommend this novel for anyone seeking an introspective journey through the life of a man torn between duty and desire, providing timeless reflections that resonate with contemporary readers.

Father Stafford

The Prisoner of Zenda - Anthony Hope - The Prisoner of Zenda (1894), by Anthony Hope, is an adventure novel in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum. The name of the villain in The Prisoner of Zenda, Rupert of Hentzau, is the title of the sequel novel, Rupert of Hentzau (1898), published four years later and included in some editions of The Prisoner of Zenda. The popularity of the novels inspired the Ruritanian romance genre of literature, film, and theatre that features stories set in a fictional country, usually in Central Europe and Eastern Europe, such as Ruritania, the Central European realm that named the genre, Graustark from the novels by George Barr McCutcheon, and the neighbouring countries Syldavia and Borduria in the Tintin comics.

In "The Intrusions of Peggy," Anthony Hope masterfully weaves a tale that balances whimsical fantasy with incisive social commentary, set against the backdrop of Edwardian society. The narrative follows the delightful but disruptive character of Peggy, who disrupts the lives of the more conventional characters with her audacious charm and unpredictable behavior. Hope's prose is characterized by its light-hearted tone and clever dialogue, reflecting the era's shifting cultural norms while exploring themes of identity, societal constraints, and the search for personal freedom. The novel's literary context is firmly rooted in the late 19th and early 20th century, a period marked by rapid changes, mirroring the societal intrigues of entertainment and courtship in a transforming world. Anthony Hope, born in 1863, was a distinguished writer and playwright, best known for his adventure fiction. His experiences as a barrister and his keen observations of society undoubtedly inspired the themes and characterizations in this novel. During this era of burgeoning modernity, Hope was able to draw upon both the exuberance and anxieties of contemporary life, allowing him to create characters that resonate with both humor and depth. "The Intrusions of Peggy" is a delightfully engaging read for those who appreciate the intricacies of human relationships and the unexpected turns of fate. Hope's ability to blend charm with insight makes this book a perfect choice for readers seeking both entertainment and intellectual stimulation.

The Intrusions of Peggy

In "Beaumaroy Home from the Wars," Anthony Hope intricately weaves a compelling narrative set against the backdrop of post-war disillusionment. This novel combines elements of adventure, romance, and psychological exploration, revealing the emotional toll of war on its protagonist, Beaumaroy. Hope's deft character development and rich descriptive prose transport readers into a world where personal conflict and societal expectations collide, demonstrating his ability to blend genre conventions with deeper thematic inquiries. The text resonates with the literary context of the early 20th century, reflecting the anxieties and complexities faced by soldiers returning from the Great War. Anthony Hope, renowned for his captivating storytelling and pioneering works in adventure fiction, gained significant acclaim for his earlier novel, "The Prisoner of Zenda." His own experiences and observations of the changing societal landscape likely influenced his portrayal of Beaumaroy, blending both the romantic idealism of the past with the gritty realities of contemporary life. Hope's understanding of human psychology, honed through various literary engagements, allows him to explore the burdens of honor and identity in post-war Britain. Readers seeking an insightful exploration of the human condition will find "Beaumaroy Home from the Wars" a captivating read. Hope'Äôs intricate narrative style and deep psychological insights create a rich tapestry that highlights the struggle between personal aspirations and societal demands. Highly recommended for those interested in post-war literature and character-driven storytelling.

Beaumaroy Home from the Wars

In "Sophy of Kravonia," Anthony Hope weaves an enthralling tale that combines elements of romance, adventure, and political intrigue against the backdrop of an imaginary Balkan kingdom. The narrative unfolds with a deftly constructed plot, showcasing Hope's hallmark style rich in vivid descriptions and lively dialogue. The book is emblematic of the late Victorian fascination with exotic locales and the complexities of love amid societal expectations, capturing both whimsy and depth throughout its pages. Hope expertly juxtaposes the personal growth of its titular heroine, Sophy, with broader themes of duty, desire, and the unpredictable nature of fate. Anthony Hope, renowned for his mastery of the adventure genre, is best known for his earlier work "The Prisoner of Zenda," which set a precedent for romanticized depictions of royal escapades. His writing often reflects his interests in politics and human psychology, elements that are seamlessly interwoven into "Sophy of Kravonia." Through the character of Sophy, Hope explores the constraints placed upon women in a patriarchal society, drawing from the social climate of his time to present a nuanced portrayal of female autonomy. Readers seeking a captivating narrative rich in character development and adventure will find "Sophy of Kravonia" a delightful read. Hope'Äôs insightful commentary on love and societal norms remains strikingly relevant, making this book a timeless exploration of the human experience. Perfect for fans of classic literature and those interested in gender dynamics, this novel invites readers to immerse themselves in a charming yet profound literary journey.

Sophy of Kravonia

For clever dialogue and spirited situations Anthony Hope is eminently satisfactory. "Helena's Path" contains both these characteristics, and much beside; a keen appreciation of humorous values and a delightful emotional restraint. Helena's path is the bone of contention between Helena and the English earl whose estate joins hers. It is a sparkling comedy from cover to cover. Helena's beauty and the earl's wit make a good combination when it comes to open war, as it does.

Helena's Path

Here is a rattling good story. Mr. Hope has often furnished us with tales answering that description before, but they were performances of a different order. Whereas his previous successes have been stories of incident, this is a novel of character. The vein of Zenda can easily be worked out, but the success of "Tristram of Blent" can be repeated indefinitely to a satisfied audience. It is the kind of story Anthony Trollope might write if he were abridged, reincarnated, brought up to date, and given a touch of the divine fire to vivify the carefully shaped clay of his puppets. Both in plot and workmanship the story is much better than any of Mr. Hope's former attempts in the same line. It seems to mark his achievement of mastery in this kind, and holds out the promise of an indefinite number of clever novels of social life to accompany the present generation on its way down the shady side of life.

Although among his more recent writings, the author of The Dolly Dialogues has done some rather serious and careful work, there is no exaggeration in saying that in literarv technique and human interest and the various other qualities that go to make good fiction The Great Miss Driver is easily the biggest, best rounded, and altogether worthiest story he has ever written, and yet, the first thing you are apt to think of is that the germ idea of the story goes straight back to the Dolly Dialogues; that in a superficial way, yes and perhaps in a deeper way, too, there is a certain rather absurd similarity between them; just as though the author, having once made a pleasant little comedy out of a certain situation, had ever since been turning over in his mind the possibility of using it in a bigger and more serious way, until eventually he evolved the present volume. Not that Jennie Driver, heiress to Breysgate Priory, bears any close resemblance to Lady Mickleham beyond the very feminine desire for conquest,—any more than the Air. Austin of the one story is a close relative of Mr. Carter in the other. The resemblance lies in this, that both stories are told in the first person by the man who in his secret heart loves the woman of whom he writes, but knows that because he is poor, because he has the natural instinct of an old bachelor, because, also, she has given her heart elsewhere he must remain content to look upon her joys and sorrows in the capacity of a friend, and not that of a lover.

In "Father Stafford," Anthony Hope masterfully weaves a narrative that explores the complex interplay of faith, love, and moral dilemmas within a richly textured Victorian setting. The novel follows the life of Father Stafford, a dynamic and morally conflicted Catholic priest, navigating the intricacies of his parishioners' lives while grappling with the expectations of his vocation. Hope'Äôs distinct style combines poignant dialogue with deep psychological insight, allowing readers to engage intimately with the characters'Äô struggles as they confront both societal norms and personal desires. This work exemplifies the turning tides of moral exploration prevalent in late 19th-century literature, offering a nuanced critique of institutional religion and personal ambition. Anthony Hope is best known for his adventure novel, "The Prisoner of Zenda," which established him as a leading figure of his time. Having grown up in a religious environment, Hope'Äôs familial and cultural background profoundly influenced his exploration of spiritual themes. His experiences, both as a novelist and as an observer of society, informed this work, allowing him to critique the duality of public duty versus personal aspirations in a manner that resonates powerfully with contemporary readers. "Father Stafford" is a compelling read for those intrigued by the complexities of faith, morality, and human relationships. Hope'Äôs rich character development and thoughtful narrative will resonate with readers seeking depth and insight in their literary pursuits. This novel invites reflection not only on the nature of religious commitment but also on the enduring human spirit in the face of societal challenges.

In "Second String," Anthony Hope delves into the intricacies of love and loyalty against the backdrop of Edwardian society. The novella is characterized by Hope's deft prose and sharp dialogue, which illuminate the emotional landscapes of his characters. Spanning themes of ambition and unrequited love, the narrative intricately weaves the personal with the political, as those of the upper class grapple with newfound challenges. Hope's literary context is enriched by the burgeoning realism of the late 19th century, wherein social constraints and individual desires collide, rendering a multifaceted exploration of human relationships. Anthony Hope, a British author best known for his adventure novels, including "The Prisoner of Zenda," draws from his rich background in law and literature to craft captivating narratives. Hope'Äôs own experiences in the fluctuating social milieu of his time, along with his keen observations of character and motivation, inform the authenticity and vibrancy of the relationships depicted in "Second String." His unique blend of romantic and political elements reflects the era'Äôs shifting values and aspirations. This compelling work is recommended for readers seeking a poignant examination of interpersonal dynamics within a historical framework. Hope's artistry transports the reader to a bygone era, engaging them in profound themes of affection, duty, and the struggle for personal fulfillment. "Second String" is not merely a story'Äîit's a timeless reflection on what it means to love and lose.

Second String

Anthologie contenant : A Royal Prisoner par Marcel Allain The Thames Valley Catastrophe par Grant Allen Mr Standfast par John Buchan Greenmantle par John Buchan The Island of Sheep par John Buchan The Three Hostages par John Buchan The Thirty-Nine Steps par John Buchan The Efficiency Expert par Edgar Rice Burroughs The Man Who Was Thursday: a Nightmare par Gilbert Keith Chesterton The Riddle of the Sands par Erskine Childers The Woman in White par Wilkie Collins The Rome Express par Arthur Griffiths Lysbeth par Henry Rider Haggard Desperate Remedies par Thomas Hardy Rupert of Hentzau par Anthony Hope The Prisoner of Zenda par Anthony Hope The Apartment Next Door par William Andrew Johnston The Film of Fear par Frederic Arnold Kummer The Green God par Frederic Arnold Kummer The Czar's Spy par William Le Queux The Pit: A Story of Chicago par Frank Norris The Double Traitor par Edward Phillips Oppenheim The Evil Shepherd par Edward Phillips Oppenheim The Kingdom of the Blind par Edward Phillips Oppenheim The After House par Mary Roberts Rinehart The International Spy par Allen Upward The Bandbox par Louis Joseph Vance Four Just Men par Edgar Wallace The Dust of Death: The Story of the Great Plague of the Twentieth Century par Fred Merrick White The River of Death: A Tale of London In Peril par Fred Merrick White

30 Suspense and Thriller Masterpieces

If you are a fan of classic action-adventure stories who loved Anthony Hope's The Prisoner of Zenda, A Man of Mark should be right up your alley. Set amidst a political uprising in the fictional country of Aureataland, this fast-paced romp is a rip-roaring read. Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 – 8 July 1933), was an English novelist and playwright. He was a prolific writer, especially of adventure novels but he is remembered predominantly for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance, works set in fictional European locales similar to the novels. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name.

This book contains the following works arranged alphabetically by authors last names A Royal Prisoner [Marcel Allain] The Thames Valley Catastrophe [Grant Allen] Mr Standfast [John Buchan] The Three Hostages [John Buchan] Greenmantle [John Buchan] The Island of Sheep [John Buchan] The Thirty-Nine Steps [John Buchan] The Efficiency Expert [Edgar Rice Burroughs] The Man Who Was Thursday: a Nightmare [Gilbert Keith Chesterton] The Riddle of the Sands [Erskine Childers] The Woman in White [Wilkie Collins] The Rome Express [Arthur Griffiths] Lysbeth [Henry Rider Haggard] Desperate Remedies [Thomas Hardy] Rupert of Hentzau [Anthony Hope] The Prisoner of Zenda [Anthony Hope] The Apartment Next Door [William Andrew Johnston] The Film of Fear [Frederic Arnold Kummer] The Green God [Frederic Arnold Kummer] The Czar's Spy [William Le Queux] The Pit: A Story of Chicago [Frank Norris] The Double Traitor [Edward Phillips Oppenheim] The Evil Shepherd [Edward Phillips Oppenheim] The Kingdom of the Blind [Edward Phillips Oppenheim] The After House [Mary Roberts Rinehart] The International Spy [Allen Upward] The Bandbox [Louis Joseph Vance] Four Just Men [Edgar Wallace] The River of Death: A Tale of London In Peril [Fred Merrick White] The Dust of Death: The Story of the Great Plague of the Twentieth Century [Fred Merrick White]

30 Suspense and Thriller Masterpieces you have to read before you die

A novel by one of the greatest of all English romantic writers. The story is laid in the time of Charles II. and has chiefly to do with the English and French courts. These furnish materials for a tale of love, intrigue, and adventure that could not be surpassed, and the author has availed himself of his opportunities in a remarkable manner. The work lies in a slightly different field from that which be has previously cultivated, although the same brilliant and original touch which is so strongly shown throughout Phroso and The Prisoner of Zenda is noticeable in this story.

Simon Dale

Mr. Anthony Hope offers from time to time a welcome relief from the special brand of seriousness that has come to be the hall-mark of the school of British novelists. Not that he fails to take himself seriously; on the contrary, few writers in England show a greater contrast between their earlier and their later work than the author of The Prisoner of Zenda and of the A Young Man's Year. From the rainbow air-castles of sheer romance to the practical problem of a young man's first start in the working world is surely a broad enough step to satisfy any demand that present-day fiction shall be serious. But the big difference between the newer school and that which Mr. Hope's later manner typifies is that his interest remains centred in the individual, in spite of all the new problems, social, ethical, moral or religious, that may have their formative influence; while writers like Galsworthy, Wells, and their followers although able to picture memorable characters when they choose to, are obviously more interested in movements and tendencies and problems than they are in the individual man or woman, and not infrequently give us characters that are really little more than types, standing symbolically for groups rather than for persons. That is why Mr. Hope's new volume, without being a big achievement, is a welcome diversion. Yet it is simply a careful, minute and at the same time vivid chronicle of just one year in the early life of Arthur Lisle, who when.we first meet him is a specimen of that essentially British creation, a briefless barrister. As yet he has by no means made up his mind whether he will welcome his first brief, if it ever comes. He is diffident and self-distrustful, and the mere thought of rising to address the Court fills him with an anticipatory ague. Meanwhile, time hanging heavily upon him, he seeks to fill it in by various social relaxations, and forms friendships, some more desirable than others.

A Young Man's Year

It is easy to be enthusiastic about the story. It is psychologic—but with a difference, the difference being the bright and compelling interest of Mr. Hope's dialogue, and the smiling sanity of his spirit. Imagine much that is best in Meredith or James, and all that is best in Anthony Hope, and you have a fair idea of ' A Servant of the Public'. It is not the conventional story of the stage, with glib talk of the greenroom, and intimate glimpses 'behind the footlights.' It is the story of an actress off, rather than on, the stage—an analysis of the theatrical, perhaps 'artistic' temperament.

A Servant of the Public

Mr. Anthony Hope is finding out his enviable position. Do what he will, he has the power to please most people. Whatever be his moods, and whatever the quality of his performance, he is never awkward, and elegance of form in any literary matter popularly interesting is so uncommon that gratitude and admiration are widespread and intense in proportion. Now that he is finding this out, it is not surprising that he should take advantage of it, and give pleasure to his numerous admirers as frequently and with as little trouble to himself as possible. It is impertinent to pry into the state of Mr. Hope's soul to see if it is growing demoralised by easy triumphs, but it is quite justifiable to say that a little more effort than is to be found in this book is wanted to keep to the estimate which some sincere but discreet admirers have formed of his powers. The stories here are entertaining, and the youth of fourteen who should disapprove of them would do so from mere dulness. But there are features in it that would lead one to believe they were not written for lads in their early teens. Yet it is not exactly a book for men and women, to whom the tales, excellent in imagining as many of them are, must be spoilt by the artificiality of the mechanism, and the conventionality of all the motives, feelings, and expressions, of the human beings concerned. Mr. Hope is a novelist of power, and he gives us an unimpeachable gift-book of a quality equalled by a dozen boys' story writers any Christmas. His Antonio he calls an outlaw ; but he is the outlaw of a maiden-aunt's or a schoolmaster's imagination—compounded of demi-god and family pastor. True, he appears to us through the narrative of a holy father, but Mr. Hope chose that medium, and if it was unsuitable for the rough record of the wild men who took to the hills, he is responsible.

Anthony Hope has written two kinds of stories; one interesting for the civilized detail, the other for the situation and plot. When we read the first kind we do not care about the result, and we don't get excited. If we have plenty of leisure and care for little turns of expression, feeling, and thought, and care a great deal for clean and pleasant society, we are content with books like "The Dolly Dialogues." The mixture of tolerance, urbanity, and cynicism is just right for the idle person of refinement who does not want to do anything very difficult; even to feeling and thinking. The other kind of book vein that Mr. Hope has done well is the romantic story of adventure: as " The Prisoner of Zenda," where we are hurried along by a string of exciting impossibilities. "The Intrusions of Peggy" is a mixture of these two manners. It has the Hope quality in the details—the indirect, civilized suggestiveness, the lightness, the touch of the mere stylist. One could make pertinent quotations ad infinitum. It has the other element, too, like intrigue and some excitement.

A glorious story, which cannot be too warmly recommended to all who love a tale that stirs the blood. Perhaps not the least among its many good qualities is the fact that its chivalry is of the nineteenth, not of the sixteenth century; that it is a tale of brave men and true, and of a fair woman of to-day. The Englishman who saves the king … is as interesting a knight as was Bayard…. The story holds the reader's attention from first to last.

In "Mrs. Maxon Protests" Hope has presented with his usual brilliancy a study of the false position incurred by a thoroughly good woman when she defies fundamental conventionalities. Mrs. Maxon's marriage is a failure, so is her attempt to find satisfaction outside the marriage tie. And, as she exclaims, "If both orthodoxy and unorthodoxy go wrong, what is a poor human woman to do?" Mr. Hawkins' answer to this provides an interesting examination of the complexities of the divorce and separation question, and although he attempts no definite solution, his discussion exploits many suggestive theories of social philosophy. He touches a fundamental factor for solution when one of his characters remarks: "That's to some extent like the woman question—are we to change the law or the people first? Hope a better law will make better people, or tell the people they can't have a better law till they're better themselves?" The two quotations are inevitably two questions—because the book itself is precisely a long and brilliantly expressed question.

Mrs Maxon Protests

Second String, by Anthony Hope,brings to mind a new tendency in British fiction which has quite been creeping in during the last years of the 19th century; namely, the tendency to concern itself more and more with the social life of middle class people rather than the upper circles. Second String deals with the extremely mixed society of a small English town, in which the hero, Andy Hayes, upon returning home after some years in the Canadian lumber district, finds it somewhat embarrassing to steer successfully between the distinctly "high-life" people on his father's side of the house and Jack Rock, the village butcher, with whom he is connected through his mother's second marriage. There is nothing of great importance in the main thread of the story; it is a tranquil chronicle of how Vivian Welgood, a frail, timid sort of girl, while engaging herself to another man, discovers that there is something in the physical presence of strong, big Andy Hayes that gives her a certain borrowed courage and self-reliance. And of courseit is no surprise to the reader when the other man finally elopes with Vivian's hired companion that she promptly and indeed gladly turns to Andy as second string. The value of the book lies in the deft portrayal of present-day manners, and as such, slight and modest as it is, it rings true.

The scene of this story of mystery and romance is laid in the little town of Inkston, near London, shortly after the world war. Interest centers in three characters: the "puzzling unaccounted-for Mr Beaumaroy," recently of the British army overseas, now companion to an eccentric old man; the old man himself, Aloyslus William Saffron, lonely and crazed by the war, who lives in Tower cottage; and Dr Mary Arkroyd, who attends Mr Saffron in his last illness and who changes her mind about Hector Beaumaroy.

Father Stafford is veritably a tragic tale, albeit it appears that he has seen ﬁt to give it more the setting of a comi-tragedy. But when the heart of a noble, maguanimous character, like that of Father Stafford, is involved in a serious love affair, with no future but that of blighted hopes and disappointment, one feels like looking upon such scenes with a solemn, thoughtful mien , yet one must smile occasionally, for Anthony Hope has the knack of applying the most sparkling and humorous of dialogues exactly at the right moment, thus saving his dramatic and tragical scenes from going utterly to pieces. However, this is Anthony Hope over and over again. We recognized him as the prince of dialogue in " The Prisoner of Zenda," and although the story of " Father Stafford " is of entirely different aspect, the " speaking parts" are just as delicious. Father Stafford is an Anglican clergyman, and a man of remarkable talents, yet his inclinations would probably have been better directed had he turned them toward affairs of the world. As it is, a good, well-meaning man, who has bound himself to prayers, self-abnegation, and the Church, also taking the vow of celibacy, discovers too late that the ﬂesh of mankind is weak, and that love is king of all emotions. His life is one of peacefulness until he meets Lady Claudia Territon at the English houseparty where the story is cast, when life for the " pope," as she charmingly dubs him, begins to drift into other spheres, different from the altitude of the religious devotee, and extremely unfortunate for the young minister, whose duty it is to walk in the ways of the righteous ...

No character in recent fiction has excited greater interest than the beautiful, wilful, cruel, tender-hearted, proud, witty, and wholly delightful Princess Osra. Anthony Hope is at his best in the stories of which she is the heroine.'The Heart of Princess Osra is full of throbs and incidents, and though there are not less than nine of the lady's passages d'amour, and 'le pays du tendre' is criss-crossed in all directions, you still want a baker's dozen of these stories.

The Heart of Princess Osra

After his kingdom of Ruritania had been invaded by a score or more of imitators, Mr. Anthony Hope came back to England to sing of a man sans arms, whose victories are as remarkable, if not so renowned, as those of Rudolph Rassendyll. Alexander Quisante becomes a power in the house of commons and a ruler in that realm of finance known in London as "the city," all by the grace of a ready tongue, an adjustable conscience, and the stupidity of his fellow men. His equipment for a hero is very meager. In the first place he was "not quite a gentleman," not merely in the English acceptance of that term, but even in our more democratic diction. The fact that nothing was known of his antecedents beyond the rumor that his father had grown wine in Spain might be overlooked, but not the defects in his manners and morals. On public occasions and in regard to public audiences he possessed a tact and a power of understanding the feelings of his company which entirely and conspicuously failed him in private life. He was ill-bred, but he was not mean; he was a vaunter, but not a coward; he demanded adherence and did not beg alms. This was the attitude of his mind, so strongly contradicted by the cringing of his body and the wheedling of his tongue ...

Quisanté

Anthony Hope's swashbuckling romance transports his English gentleman hero, Rudolf Rassendyll, from a comfortable life in London to fast-moving adventures in Ruritania, a mythical land steeped in political intrigue. Rassendyll bears a striking resemblance to Rudolf Elphberg who is about to be crowned King of Ruritania. When the rival to the throne, Black Michael of Strelsau, attempts to seize power by imprisoning Elphberg in the Castle of Zenda, Rassendyll is obliged to impersonate the King to uphold the rightful sovereignty and ensure political stability. Rassendyll endures a trial of strength in his encounters with the notorious Rupert of Hentzau, and a test of a different sort as he grows to love the Princess Flavia.

In "A Man of Mark," Anthony Hope weaves a compelling tale of adventure and personal transformation set against the backdrop of Victorian society. The novel follows the journey of a young man, disillusioned with the constraints of his current life, who embarks on a quest for meaning and authenticity. Hope's literary style is characterized by vivid imagery and colloquial dialogue, which bring his richly drawn characters to life. He employs elements of social commentary, critiquing the rigid class structures of his time, making the narrative not just an adventure, but an exploration of individual purpose amidst societal expectations. Anthony Hope, an influential writer of the late 19th century, is perhaps best known for his classic "The Prisoner of Zenda." His experiences as a playwright and novelist informed his knack for storytelling, as well as his interest in themes of identity and honor. The shifting dynamics of the British social landscape during Hope'Äôs lifetime, including the rise of the middle class, heavily influenced his literary oeuvre, prompting him to explore the struggles between personal aspiration and societal obligation in his work. Readers searching for a thoughtful exploration of self-discovery within an engaging narrative will find "A Man of Mark" a captivating read. Hope'Äôs masterful blend of humor, action, and introspection will resonate with anyone familiar with the challenges of forging one's path in a conformist world. This novel is a testament to Hope's insight into the human condition, making it a worthwhile addition to the library of both adventure enthusiasts and literary scholars alike.

In "Mr. Witt's Widow: A Frivolous Tale," Anthony Hope crafts a whimsical narrative that entwines the themes of love, loss, and societal expectations in late 19th-century England. The novella is characterized by Hope's signature wit and clever dialogue, presenting a tragi-comic reflection on human relationships and the absurdities of social conventions. Set against a vividly rendered backdrop, the story unfolds with deftly drawn characters, leading the reader through unexpected twists and turns that highlight the superficiality of contemporary society while engaging with deeper existential questions. Anthony Hope, primarily known for his adventure novel "The Prisoner of Zenda," demonstrates his versatility in this work by channeling his insights into human nature and the foibles of the aristocracy. His experience navigating London's literary scene and his keen understanding of social dynamics undoubtedly influenced the writing of this tale, enabling him to create a narrative that resonates with humor and poignancy. Hope's background in law and his interest in theatre may also have contributed to the dramatic flair and sharp character sketches evident in this novella. "Mr. Witt's Widow" is a delightful read for those who appreciate incisive social commentary interlaced with humor. It invites readers to reflect on the nature of grief and the frivolity of human interactions while enjoying the author's engaging prose. Whether a fan of Victorian literature or simply seeking an entertaining yet thought-provoking narrative, this novella is sure to charm and entertain.

Mr. Witt's Widow: A Frivolous Tale

In "Frivolous Cupid," Anthony Hope crafts a delightful romantic comedy that explores the whims of love and human folly. Set against the backdrop of Victorian society, the narrative is characterized by its witty dialogue, sharp social observations, and playful irony. Hope employs a light-hearted literary style that invites readers into the charming yet tumultuous world of young lovers navigating the complexities of courtship. The novella reflects the era's fascination with the unpredictable nature of romance, simultaneously critiquing societal norms with a playful touch. Anthony Hope, best known for his adventure novels such as "The Prisoner of Zenda," was a British author whose keen sense of humor and understanding of human relationships deeply informed his works. His background in law and his experiences of the theatrical world in London enriched his narrative style, allowing him to blend humor with keen psychological insights. This playful exploration of romance in "Frivolous Cupid" reveals Hope'Äôs versatility and keen observation of societal dynamics. I strongly recommend "Frivolous Cupid" to readers seeking an entertaining yet thought-provoking examination of love'Äôs lighter side. Hope's clever intertwining of humor with genuine emotion ensures that the tale resonates with anyone who has ever been captivated by the capricious nature of love. This novella is a delightful escape into a world where the heart reigns supreme.

In "The Heart of Princess Osra," Anthony Hope crafts an enchanting tale of love, honor, and intrigue set against a backdrop of rich European aristocracy. Narrated with Hope's trademark wit and elegance, this novella explores the complexities of noble duty and personal desire through its charming protagonist, Princess Osra. The narrative is suffused with romantic tension and dramatic situations, reflecting the Victorian fascination with adventure and fairy-tale romances. Hope's stylistic choices, characterized by vivid descriptions and engaging dialogue, elevate the novella within the broader context of late 19th-century literature, aligning it with the works of contemporaries such as E. M. Forster and Oscar Wilde while also pioneering modern romantic tropes. Anthony Hope, initially known for his adventure novel "The Prisoner of Zenda," demonstrates a particular affinity for themes paralleling the struggles of the individual against societal constraints. His experiences as a playwright and novelist, coupled with his education in law, equipped him with a keen insight into human motivations, which he deftly applies in developing character dynamics in "The Heart of Princess Osra." This novella showcases his transition from merely writing adventure tales to exploring deeper emotional landscapes. Readers seeking a fusion of romance and adventure will find "The Heart of Princess Osra" a richly satisfying experience. Hope'Äôs ability to blend humor, love, and the trials of nobility creates a narrative that can resonate across generations. This novella is an essential read for those captivated by stories of lost love and the impact of destiny, promising a delightful escape into the world of princely intrigue.

In "Helena's Path," Anthony Hope intricately weaves a tale of personal exploration and the pursuit of identity against the backdrop of late Victorian England. The novel employs a compelling narrative style that oscillates between introspection and dramatic tension, inviting readers to engage with the psychological complexities of its characters. Helena, the protagonist, embarks on a transformative journey through social constraints and personal desires, reflecting the era's burgeoning concerns with individualism and societal roles. Hope'Äôs vivid descriptions and nuanced dialogue capture the essence of a time on the cusp of modernity, enriching the literary context of the period. Anthony Hope, best known for his swashbuckling adventure novel "The Prisoner of Zenda," channels his keen understanding of human psychology and relationships into this more introspective work. His background in law and his experiences in literature and theater inform the depth of character development and the evocative scenes within "Helena's Path." This juxtaposition of adventure and self-discovery reveals Hope's belief in the necessity of understanding one's inner self amidst external chaos. "Helena's Path" is a must-read for those interested in the evolution of character-driven narratives and the exploration of personal autonomy. Hope's masterful storytelling, coupled with his incisive observations of human nature, renders this novel both timeless and relevant, encouraging readers to reflect on their own journeys of self-discovery.

In "Rupert of Hentzau: From The Memoirs of Fritz Von Tarlenheim," Anthony Hope crafts a compelling continuation of his acclaimed novel, "The Prisoner of Zenda." Set against a backdrop of political intrigue and personal vendetta, the narrative is richly imbued with Hope's signature blend of romance, adventure, and suspense. The prose, while reflective of late 19th-century literary styles, exhibits a keen ability to engage readers through dynamic characterization and brisk pacing, effectively entwining the fates of its protagonists in the shadowy world of monarchy and betrayal. Hope's deft handling of themes such as honor, love, and duplicity invites readers into a vivid realm of nobility and intrigue that resonates with the geopolitical anxieties of his time. Anthony Hope, born in 1863, skillfully navigates the landscapes of imagination and intrigue, drawing from his background in literature and law. His experiences and interests in the complexities of character dynamics and moral dilemmas nurtured his creative impulses, ultimately leading him to expand upon the universe he created in his landmark work. Hope's exploration of nobility and its moral fanfare reflects both his fascination with the essence of heroism and a commentary on the aristocracy of his era. "Rupert of Hentzau" is not merely a sequel but a vital addition to the literary canon of adventure fiction, making it a must-read for those captivated by tales of romance and betrayal. This work not only satiates the appetite of fans of the original story but also beckons new readers to explore its rich tapestry of excitement and moral ambiguity. Hope'Äôs ability to revisit and deepen his characters' journeys invites readers into an enchanting exploration of loyalty and ambition, making it an enduring tale that deserves a place on every bookshelf.

Rupert of Hentzau: From The Memoirs of Fritz Von Tarlenheim

"A Man of Mark" is, like "The Prisoner of Zenda," a story of adventure and intrigue, its scene laid in an imaginary South American republic, and told in a manner strongly suggestive of opera bouffe. The writer gives his fancy the freest of play, and his characters, despite their unreality, succeed in interesting us in their fortunes. The narrative has swiftness of action, diversity of incident, and cleverness in a hundred minor touches.

Sport Royal is a collection of Anthony Hope's best short stories. It includes these works: Sport Royal A Tragedy In Outline. A Malapropos Parent. How They Stopped The "Run." A Little Joke. A Guardian Of Morality. Not A Bad Deal. Middleton's Model. My Astral Body. The Nebraska Loadstone. A Successful Rehearsal.

Sport Royal

A highly clever performance, with little touches that recall both Balzac and Meredith. Mr. Hope, being disinclined to follow any of the beaten tracks of romance writing, is endowed with exceeding originality. The tragic undercurrent but increases the charm of the pervading wit and humor of the tale, which embodies a study of character as skillful and true as anything we have lately had, but at the same time so simple and unpretentious as to be very welcome indeed amid the flood of inartistic analysis which we are compelled to accept in so many recent novels.

A Change of Air

Mr. Hope's new romance pictures the life of a prince and king under conditions modern, and yet shared by representatives of royalty almost throughout history. The interactions of the people and royalty, the aspirations of the prince, the intrigues surrounding him, the cares of state, and the craving for love, are some of the motives developed, with the accompaniments of incident and adventure, wherein the author proves his mastery of suspended interest and dramatic effect. It is a romance which will not only absorb the attention of readers, but impress them with a new admiration for the author's power.

The King's Mirror

Anthony Hope's novel, "Half a Hero," is a study of political and social life in the English colony of New Lindsey, which may possibly be New Zealand. The half hero is one Medland, leader of the radicals, who by a coalition comes into power as premier. He had been a common laborer, had risen by integrity and energy, and although unpolished of manners shows qualities that make the true man. The humor of the situation arises from the necessity forced upon the snobbish family of the titled governor to receive him and his daughter on terms of social equality. Later on it appears that there has been something "irregular" about Medland's marriage, but when disgrace is threatened and he has the chance to silence his enemies by a skilful distribution of spoils he refuses to submit and dares political death and social obloquy rather than sacrifice his manliness. The end of the story is tragic.

Half a Hero

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