”Jag kan inte neka till att det å ena sidan gläder mig ha fått se att det bara var kattgull som bländat oss därnere, att ha fått se att höken bara var grå på ryggen också, att det var puder på den fina kinden, och att det kunde vara svarta kanter på de slipade naglarne, att näsduken var smutsig, fastän den luktade parfym …! men det pinar mig å andra sidan ha sett att det jag själv strävade till, icke var något högre, solidare; det pinar mig se er sjunken så djupt, att ni är långt under er kokerska; det pinar mig som att se höstblommorna piskas sönder av regnet och förvandlas i smuts.” I ett herrgårdskök en midsommarnatt utspelar sig en intensiv kamp om klass, makt och åtrå mellan den adliga Julie och betjänten Jean. August Strindberg (1849-1912) räknas som en av de största svenska författarna. Under fyra decennier var han en dominerande gestalt i det litterära Sverige. Fröken Julie skrevs 1888 och är en av Strindbergs mest spelade pjäser.

Fröken Julie : ett naturalistiskt sorgespel

"Dette er en forfærdelig bog, jeg indrømmer det uden forbehold og med sviende anger. Hvad der har født den? Et berettiget behov for at vaske mit lig, inden det skal stoppes ned i kisten." Strindbergs grumme opgør med hustruen, Siri von Essen, der er en af svensk litteraturs store kærlighedsromaner foreligger nu i Rosinantes velrenommerede klassikerserie. Forfatteren vil vise, hvordan det var ham, der led i ægteskabet, og at det ikke var ham, der var paranoid og gal. At det ikke var ham, som var den slemme undertrykker, der levede af sin kones penge og forhindrede, at hun kunne dyrke sin karriere som skuespiller. Strindberg skrev romanen på fransk i 1887-88. Resten af sit liv forsøgte han at forhindre bogen i at udkomme på svensk, fordi mange personer stadig levede. Alligevel vakte romanen en bitter debat i hjemlandet og udnævntes til den mest hadefulde bog nogensinde. Men også til den mest mærkværdige roman i nyere europæisk litteratur. Den udkom først i Tyskland (1893), derpå i Frankrig (1895), og først efter Strindbergs død i 1912 udsendtes en stærkt redigeret svensk udgave (1914). Det franske originalmanuskript havde ført en omtumlet tilværelse og blev købt af vennen Edvard Munch i 1896. Så forsvandt det og var væk, indtil det i 1973 tilfældigt blev fundet i et pengeskab i Oslo blandt andre af Muncks efterladenskaber. Det er dette såkaldte Oslomanuskript, der blev benyttet til den første danske oversættelse, der så dagens lys i 1977. Forord af forfatteren Harald Voetmann Christiansen.

Rosinantes Klassikerserie

En dåres forsvarstale

Med strålende humor og sikker sagkundskab fortæller August Strindberg om dagligdag og fester blandt den stockholmske skærgårds ejendommelige befolkning. Det er praktiske, handlekraftige mennesker der nærmest opfatter kærligheden som en slags naturkraft og religionen som et udtryk for sæd og skik uden større indflydelse på deres liv.

Hemsöboerne

Alrik Lundstedt er en genert og sky, ung mand, men han har en livlig fantasi og en sommerdag i 1859 drager han fra sin lille barndomsby til Stockholm for at studere ved musikkonservatoriet. Her forelsker han sig i en ung kvinde, som han øjner mellem publikum under en koncert og i sine drømme forelsker de sig og bliver forlovet. Men virkeligheden er ikke som i drømmene, og Alrik ender som urmager og skolelærer på den lille ø Rånø ud for hovedstaden. Den triste og grå tilværelse hindrer ikke Alrik i at fantasere videre om sin forelskelse og sin fiktive forlovelse, men under fantasierne ligger en tragisk barndomsoplevelse begravet. For hvad var det egentlig, der skete den dag for mange år siden da Alriks mor døde ? "Klokkeren på Rånø og andre skærgårdshistorier" er en gribende novellesamling om Alrik Lundstedt og andre karakterer af den svenske forfatter August Strindberg, som især er kendt for sine samfundskritiske satiriske skildringer af livet i Stockholm i tiden omkring det moderne gennembrud. August Strindberg (1849-1912) var en svensk kunstner, digter og dramatiker, og han har især med dramaer som "Frøken Julie", "Dødsdansen" og "Et drømmespil" skrevet sig ind i verdenslitteraturen. Han fik sit gennembrud i 1879 med romanen "Det røde værelse" – en stærkt samfundssatirisk skildring af livet i Stockholm i 1870’erne. Strindberg blev af sin samtid både stemplet som blasfemiker og kvindehader, prædikater der udsprang af hans kønspolitiske holdninger – holdninger som dog i hans dramaer er alt andet end entydige. August Strindberg blev født og døde i Stockholm og nåede at være gift tre gange.

Klokkeren på Rånø og andre skærgårdshistorier

August Strindberg har med mesterværker som Det røde værelse og Frk. Julie indskrevet sig i den skandinaviske litteratur som en af dens mest læste og hyldede forfattere. Helt på højde med hans allerbedste værker er novellesamlingen Ægteskab, som i tolv adskilte, men alligevel sammenkædede fortællinger, udforsker parforholdet og ægteskabet; både når det er godt, og når det er skidt, når det er i sin spæde vorden, og når det er i sin bitre afslutning – og altid når det er allermest interessant og rørende almenmenneskeligt. Strindberg skriver om ung kærlighed og svig, om den evige ungkarl, der bliver forelsket, om at gifte sig med en kvinde og få hele hendes familie med i købet, om at have et yndlingsbarn, der bliver sygt og dør, om at ruinere sig ved bryllupsomkostningerne, og om at have et stamværtshus, som man elsker højere end sin kone; alt dette så læseren helt glemmer, at det er skrevet i 1884. Så fint og smukt og rørende, som man kun finder det i den allerbedste litteratur i verden. August Strindberg (1849-1912) er en af Sveriges mest berømte og læste forfattere med både romaner og skuespil i verdensklasse bag sig. Både i dag og i sin samtid en polariserende personlighed, af nogen benævnt misogyn, mens andre mener han kæmpede for kvinders frihedsrettigheder. Så forskellige folk som Franz Kafka, Tennessee Williams og Lars von Trier har nævnt ham som en stor indflydelse. Hans lejlighed i Stockholm står i dag som et museum over hans liv og virke.

Ægteskab

Arvid Falk er en pæn embedsmand, som kommer i lag med en gruppe anløbne kunstnere, hvorefter han mister respekten for det samfund, han lever i - og efterhånden også for sig selv.

Det røde værelse

Värmlændingen Carlsson kommer til den nordlige svenske ø Hemsö og går i tjeneste som forkarl på enkefru Anna Flods gård. Carlsson er geskæftig og klog, og inden længe har han charmeret sig ind hos alle på gården, høj som lav – undtagen enkens søn, Gustav, der ser Carlsson som en trussel mod sin egen position på gården og hos sin mor. "Hemsöboerne" er en af August Strindbergs få humoristiske værker, og måske derfor er den også en af hans mest populære både i hans hjemland, Sverige, og i udlandet. August Strindberg (1849-1912) var en svensk kunstner, digter og dramatiker, og han har især med dramaer som "Frøken Julie", "Dødsdansen" og "Et drømmespil" skrevet sig ind i verdenslitteraturen. Han fik sit gennembrud i 1879 med romanen "Det røde værelse" – en stærkt samfundssatirisk skildring af livet i Stockholm i 1870‘erne. Strindberg blev af sin samtid både stemplet som blasfemiker og kvindehader, prædikater der udsprang af hans kønspolitiske holdninger – holdninger som dog i hans dramaer er alt andet end entydige. August Strindberg blev født og døde i Stockholm og nåede at være gift tre gange.

"Det røde værelse" udkom første gang i 1879 og blev August Strindbergs gennembrud. Romanen er en stærkt satirisk og samfundskritisk skildring af livet i Stockholm i 1870’erne, og den langer ud efter stort set alle grene; den offentlige administration, embedsvældet, forretningsverdenen, presse, forlag, det religiøse og politiske liv, kunstnerverdenen og arbejderbevægelsen. I hovedrollen finder vi Arvid Falk, der beslutter at opgive sit pæne job som embedsmand for at gå journalistikkens vej, da han får øje på alt det, der er galt med samfundet. Gennem sin nye livsbane møder han kunstnere og ligesindede, og om aftenen mødes de i Det røde værelse. Det frie liv som tænkende kunstner, er dog bestemt ikke nogen dans på roser. August Strindberg (1849-1912) var svensk kunstner, digter og dramatiker, og han har, især med dramaer som "Frøken Julie", "Dødsdansen" og "Et drømmespil", skrevet sig ind i verdenslitteraturen. Han fik sit gennembrud i 1879 med romanen "Det røde værelse" – en stærkt samfundssatirisk skildring af livet i Stockholm i 1870’erne. Strindberg blev af sin samtid både stemplet som blasfemiker og kvindehader, prædikater der udsprang af hans kønspolitiske holdninger – holdninger som dog i hans dramaer er alt andet end entydige. August Strindberg blev født og døde i Stockholm og nåede at være gift tre gange.

Det røde værelse. Skildringer fra kunstner- og forfatterlivet

Værkets titel henviser til et lokale i varieté-restauranten Berns Salonger i Stockholm, hvor byens bohemer mødes og diskuterer – og drikker og spiser, når en af dem er kommet til penge. En af dem er den unge Arvid Falk, der i sin stræben efter frihed og sandhed har sagt sit arbejde som kontorist op for at blive digter og forfatter. Romanen følger ham og en række andre personer i deres stræben efter deres respektive idealer og er samtidig en ondskabsfuld og morsom satire over det etablerede samfunds borgerskab: politikere, forretningsmænd, snyltere og veldædige fruer af det bedre selskab. Arvid Falk er Strindbergs alter ego, og romanen er i vidt omfang baseret på forfatterens egne oplevelser og erfaringer. Værket er bearbejdet og tilrettet moderne retskrivning. Johan August Strindberg (1849 –1912) var en af Sveriges mest betydningsfulde og internationalt kendte kunstnere. I fire årtier omkring år 1900 dominerede han Sveriges litterære verden med både romaner, noveller og dramaer, og han var altid omdiskuteret og involveret i en konflikt. Strindberg er ofte blevet omtalt som kvindefjendsk i sin litteratur og dramatik, og han blev betragtet som et modsvar til den norske Henrik Ibsen, der med sine værker kæmpede for kvinders rettigheder.

Verdens klassikere

August Strindberg's classic trilogy of plays entitled To Damascus (also known as The Road to Damascus) is known as his greatest work. A very complex and thought provoking play series, it follows the conversations between two characters: the Stranger and the Lady. An excerpt from the Introduction: The Road to Damascus might be termed a marriage drama, a mystery drama, or a drama of penance and conversion, according as preponderance is given to one or other of its characteristics. The question then arises: what was it in the drama which was of deepest significance to the author himself? The answer is to be found in the title, with its allusion to the narrative in the Acts of the Apostles of the journey of Saul, the persecutor, the scoffer, who, on his way to Damascus, had an awe-inspiring vision, which converted Saul, the hater of Christ, into Paul, the apostle of the Gentiles. Strindberg's drama describes the progress of the author right up to his conversion, shows how stage by stage he relinquishes worldly things, scientific renown, and above all woman, and finally, when nothing more binds him to this world, takes the vows of a monk and enters a monastery where no dogmas or theology, but only broadminded humanity and resignation hold sway. What, however, in an inner sense, distinguishes Strindberg's drama from the Bible narrative is that the conversion itself - although what leads up to it is convincingly described, both logically and psychologically - does not bear the character of a final and irrevocable decision, but on the contrary is depicted with a certain hesitancy and uncertainty. THE STRANGER'S entry into the monastery consequently gives the impression of being a piece of logical construction; the author's heart is not wholly in it. From Strindberg's later works it also becomes evident that his severe crisis had undoubtedly led to a complete reformation in that it definitely caused him to turn from worldly things, of which indeed he had tasted to the full, towards matters divine. But this did not mean that then and there he accepted some specific religion, whether Christian or other. One would undoubtedly come nearest to the author's own interpretation in this respect by characterising The Road to Damascus not as a drama of conversion, but as a drama of struggle, the story of a restless, arduous pilgrimage through the chimeras of the world towards the border beyond which eternity stretches in solemn peace, symbolised in the drama by a mountain, the peaks of which reach high above the clouds.

The Road to Damascus

In 'The Son of a Servant,' August Strindberg crafts a poignant and autobiographical narrative that reveals the harsh realities of class struggle and personal identity in 19th-century Sweden. The novel employs a naturalistic style, hallmark of Strindberg's literary contributions, characterized by a raw and unflinching depiction of the author'Äôs own tumultuous upbringing. Set against the backdrop of a rigid societal hierarchy, this coming-of-age story invites readers to navigate the dichotomy between ambition and societal constraints, encapsulated in Strindberg'Äôs incisive prose that resonates with emotional depth and existential reflection. Strindberg, a figure synonymous with literary modernism, drew extensively from his own experiences as the son of a servant, which imbued him with a profound understanding of the struggles faced by marginalized individuals. His personal battles with poverty, familial discord, and societal alienation not only inform the narrative but also illustrate his broader philosophical inquiries into human nature and class dynamics. This novel marks Strindberg's early journey into exploring themes of identity amidst the socio-economic tumult of his time. I highly recommend 'The Son of a Servant' to readers interested in powerful narratives that challenge societal norms and explore the complexities of self. Strindberg's vivid storytelling and poignant themes will resonate with those seeking both historical insight and emotional authenticity, making it a timeless exploration of the human condition.

The Son of a Servant

Drama Classics: The World's Great Plays at a Great Little Price Strindberg's chilling anatomy of a marriage, in which the two partners duel with each other until one is utterly defeated. Edgar and Alice, embittered husband and wife, live on an army base on a Swedish island. Alice calls it 'Little Hell', and it's about to get worse. Written in 1900 and consisting of two full-length plays, August Strindberg's The Dance of Death is full of destruction and bitterness, laced with grim humour. Both parts are included in this volume – though usually only the first is staged. This English version of The Dance of the Death in the Nick Hern Books Drama Classics series is translated and introduced by Stephen Mulrine.

NHB Drama Classics

The Dance of Death

Drama Classics: The World's Great Plays at a Great Little Price Bored with her sheltered existence, Miss Julie attempts to seduce the footman, but gets far more than she bargained for... August Strindberg's classic naturalistic play Miss Julie was written in 1888, and first performed at Strindberg's experimental theatre in Copenhagen, Denmark, in 1889, despite being banned by the censor. This English version, translated and introduced by Kenneth McLeish, is published in the Nick Hern Books Drama Classics series. The volume also includes Strindberg's Preface.

NHB Drama Classi

Miss Julie

The Dance of Death, also known as Danse Macabre, is a medieval allegory that symbolizes the universality of death. Originating in the late Middle Ages, it often depicted skeletons leading people of all social classes—kings, peasants, knights, and monks—towards their inevitable fate. This artistic and literary motif emerged during a time of significant upheaval, such as the Black Death and the Hundred Years' War, which led to an acute awareness of mortality. Through murals, woodcuts, and plays, the Dance of Death served as a reminder that death spares no one, emphasizing the transient nature of earthly life and the futility of worldly distinctions. The Dance of Death's macabre imagery and somber themes were prevalent in various European cultures, reflecting the collective consciousness of the era. Artists like Hans Holbein the Younger and Bernt Notke created iconic representations that resonated with the public. These works often featured intricate details, dark humor, and a poignant message about the equality of all people in the face of death. The Dance of Death not only provided a grim reflection on life and death but also encouraged viewers to live virtuously, as death could come at any moment. This enduring motif continues to inspire contemporary interpretations, underscoring its timeless relevance.

The Dance Of Death

Strindberg var 30 år gammal när han 1879 skrev "Röda rummet", den första moderna svenska romanen. Den blev en stor framgång. Spirituellt, målande, med ett rikt nyanserat språk svingar författaren satirens gissel över tidens samhälle. Miljöerna växlar snabbt från konstnärskolonin vid Lill-Jans, fattigkvarteren på Stockholms Söder och ett burget köpmanshus i Gamla Stan till ett värdshus i landsorten och en ö i skärgården. Enastående i vår litteratur är inledningskapitlets skildring av utsikten från Mosebacke, där Strindbergs skarpa iakttagelseförmåga och hans geniala stilkonst ingår en lysande förening.

Röda rummet

Johan växer upp under den senare hälften av 1800-talet, i ett hus där det bor både fattiga och rika människor. Johan själv kommer från en blandad bakgrund, hans far är en kryddhandlare men hans mor en simpel tjänstekvinna från enkel bakgrund. De samhälleliga skillnaderna i klass märks även av bland barnen i skolorna där Johan går, familjen flyttar ofta och Johan har därför studerat vid många olika lärosäten. Men Johan kan inte låta bli att undra varför det läggs sådan vikt vid vilken klass man har och var han egentligen hör hemma ... "Tjänstekvinnans son" är den första delen i August Strindbergs romansvit med självbiografiska drag, "En själs utvecklingshistoria". De följande delarna av romansviten heter "Jäsningstiden", "I Röda rummet" och "Författaren". August Strindberg (1849-1912) var, och är fortfarande, av Sveriges mest framstående författare genom tiderna. Han var också bildkonstnär, dramatiker och journalist, och är känd för sin produktivitet. Han slog igenom med romanen "Det röda rummet" 1879 och har sedan dess varit en mycket prominent gestalt i det litterära Sverige.

En själs utvecklingshistoria

Tjänstekvinnans son

Huvudperson är en änkling som efter att han insett omöjligheten i att återknyta bekantskapen med sina ungdomsvänner drar sig tillbaka till ett liv i avskildhet. Genom fönstret i sin lägenhet iakttar han människorna i grannskapet. Han tar långa promenader genom staden och diktar upp historier om de människor han möter: en pensionerad major med militärisk hållning, en äldre dam med två hundar som uppfostrat henne till att stanna vid varje lyktstolpe och en gammal gumma, vars uppdykande han tillmäter ockult betydelse.August Strindberg (1849-1912) är en av den svenska litteraturens största personligheter. Med sina romaner skapade han en frisk, modern berättarstil och han tillhör som dramatiker världslitteraturen.

Ensam

En stor kärleksroman och en brinnande skildring av Strindbergs olyckliga äktenskap med Siri von Essen. Skälet till att boken tillkom tycks i första hand ha varit att Strindberg var rädd för att bli omyndigförklarad och inspärrad på sinnessjukhus. I sin oro för makens hälsa hade nämligen hustrun vänt sig till en schweizisk läkare som förklarat honom sinnessjuk.Med sitt försvarstal ville författaren bevisa att han var förföljd och att hustrun varit otrogen.Här gör Per Myrberg en omistlig tolkning av denna fascinerande klassiker.

En dåres försvarstal

Den store svenske digters gennembrudsbog. August Strindberg (1849-1912) skrev Lille katekismus for underklassen i 1884 eller i begyndelsen af 1885. Manuskriptet blev først offentliggjort i 1913 i Samlade Skrifter. Den danske oversættelse er fra 1976. Bogen er en blændende og bidsk satirisk skildring af kunstner og samfundsliv i Sverige i slutningen af 1800-tallet.

Lille katekismus for underklassen

In "Married," August Strindberg masterfully navigates the tumultuous waters of love and relationships through a semi-autobiographical lens, capturing the struggles and complexities of intimacy and societal expectations. Written in a candid and provocative style, this work is infused with Strindberg's characteristic psychological depth and realism, as he delves into themes of gender conflict and existential angst. The novel'Äôs fragmented structure and stream-of-consciousness narrative create an immersive experience, reflecting the chaotic nature of human emotions and the societal constraints of the late 19th century. Strindberg, a prominent figure in modern drama, was profoundly influenced by his tumultuous personal life, marked by failed marriages and conflicting ideologies about gender. His experiences provided a rich backdrop for 'ÄúMarried,'Äù as he explored the dissonance between romantic ideals and the harsh realities of marriage, shedding light on the deeply ingrained cultural norms of his time. His engagement with themes of power dynamics in relationships illustrates his broader philosophical inquiries into human nature and societal roles. For readers drawn to psychological exploration and social critique, "Married" offers an unflinching examination of the human condition. Strindberg'Äôs keen observations and eloquent prose make this novel a compelling read, inviting reflection on the nature of love and the complexities of human connection. A timeless piece that resonates with contemporary discourse on relationships, this book is essential for anyone seeking to understand the intricacies of marital life.

Married

In "Historical Miniatures," August Strindberg crafts a compelling collection of vignettes that explore pivotal moments in history, weaving his distinctive blend of psychological insight and vivid imagery. Written in a concise yet evocative prose style, these miniatures reflect Strindberg's keen interest in the human condition, artfully navigating the interplay between individual agency and historical determinism. The book draws upon both the naturalism and symbolism characteristic of Strindberg's broader oeuvre, inviting readers to ponder the complexities of historical narratives while simultaneously offering a rich, character-driven exploration of societal tensions. August Strindberg, a pivotal figure in the development of modern drama and literature, often channeled his tumultuous personal experiences and profound philosophical inquiries into his works. His background, marked by a pursuit of understanding the complexities of human psychology and society, significantly influenced the themes he explores in "Historical Miniatures." Through his extensive travels and varied interests, including a fascination with the occult and existential thought, Strindberg infuses these historical snapshots with a sense of urgency and existential inquiry that transcends mere recounting of events. For readers seeking a blend of brevity and depth, "Historical Miniatures" stands as a testament to Strindberg's genius, offering insights that resonate with contemporary issues while engaging with the broader tapestry of history. This book is highly recommended for anyone interested in the intersections of literature, psychology, and historical narrative, as it promises to provoke thoughtful reflection on the intricate dance between personal lives and broader historical forces.

Historical Miniatures

In "Lucky Pehr," August Strindberg crafts a vibrant narrative that blends realism with elements of the fantastical, encapsulating the tumultuous experiences of its protagonist in a rapidly changing society. The novel reflects Strindberg's keen observations of human nature and the shifting social conditions of late 19th-century Sweden. With a distinctive literary style characterized by its visceral character studies and psychological depth, Strindberg employs a rich tapestry of dialogue and metaphor, revealing the intricacies of personal ambition and disillusionment against a backdrop of both urban and rural life. August Strindberg is renowned for his pioneering contributions to modern theater and literature, often drawing from his tumultuous personal life, including his experiences with poverty and societal alienation. His diverse literary output, encompassing plays, novels, and essays, reflects a deep engagement with the existential dilemmas of his time. "Lucky Pehr" embodies Strindberg's exploration of fate and chance, capturing the profound struggles of individuals caught in the throes of societal expectations and personal aspirations, a theme resonant with his own life journey. This compelling work is a must-read for those interested in exploring the interplay of fate and personal agency within the modern human experience. Strindberg's unique voice and penetrating insights into the human condition make "Lucky Pehr" not only an engaging narrative but also a profound commentary on social realities that continue to echo in contemporary society.

Lucky Pehr

August Strindberg's 'The Growth of a Soul' delves into the complex journey of personal and spiritual development through the lens of his unique literary style, marked by a blend of realism and expressionism. This semi-autobiographical work encapsulates the protagonist's struggles with society, love, and existential despair, reflecting Strindberg'Äôs profound engagement with philosophical themes prevalent in the late 19th century. Through vivid imagery and a fragmented narrative that mirrors the chaotic inner world of the character, Strindberg navigates the intricacies of human experience, making this text a crucial part of his oeuvre and a pivotal contribution to modernist literature. Strindberg, a significant literary figure known for his tumultuous life experiences, including personal crises and profound relationships, drew inspiration from his own existential battles when penning this book. His background as a playwright and novelist informed his experimental approach to writing, allowing him to infuse psychological depth and emotional authenticity into his characters. Strindberg's exploration of themes such as identity, alienation, and the search for meaning reflects a broader European discourse of the time, particularly the emergence of individualism and self-examination. 'The Growth of a Soul' is highly recommended for readers interested in psychological narratives and existential themes. It serves not only as a compelling piece of literature but also as a reflective mirror of Strindberg'Äôs tumultuous soul. Engaging with this text will offer valuable insights into the human condition, making it a must-read for those exploring the intersections of art, philosophy, and personal identity.

The Growth of a Soul

In "The Inferno," August Strindberg delves into the labyrinth of the human psyche through a semi-autobiographical narrative that blends elements of the surreal with psychological introspection. Written during a tumultuous period in Strindberg's life, the novel captures his descent into madness, reflecting his struggles with existential despair and spiritual turmoil. The work is characterized by its fragmented structure and vivid imagery, drawing readers into a dreamlike exploration of inner conflicts as it navigates themes of identity, obsession, and redemption. Strindberg's innovative literary style challenges conventional narrative forms, positioning this work at the forefront of modernist literature. August Strindberg, a towering figure in Swedish literature, was profoundly influenced by his own tumultuous experiences, including tumultuous relationships and a preoccupation with the metaphysical. His deep interest in the complexities of human emotion and the interplay of sanity and madness is poignantly revealed in "The Inferno." Strindberg's encounters with the psychological crises and societal pressures of his time undoubtedly shaped this intimate exploration of the human condition, resulting in a work that resonates with themes of existentialism and individuality. I highly recommend "The Inferno" to readers who are intrigued by psychological narratives that probe the depths of the human experience. Strindberg's masterful blend of reality and surrealism invites reflection on personal identity and the nature of existence itself, making it an essential read for those eager to explore the intricate dance of sanity and insanity.

The Inferno

August Strindberg belongs to the same generation of authors as the Russian Chekhov and the Norwegian Ibsen. Strindberg stands at the crossroads of such decisive influences as those of Schopenhauer, Nietzsche, Kierkegaard, Schiller, Zola, Byron, or Freud's precursors such as Bernheim. He absorbed the aesthetic trends of his time, particularly naturalism. He is also a virtuoso painter, closely related to Edward Munch.  All his writings bear witness to his life and bear the traces of his crises, his struggles, his revolts against a society of rigid conformism. Through his struggles, he extracts from himself a dark work that explores the distress of modern man. Kafka, the expressionists, and many contemporary authors strongly claim his legacy. Franz Kafka: "I feel better because I read Strindberg. I don't read him to read him, but to snuggle up to his chest... The huge Strindberg. This rage, these pages won with the strength of the fist... " Four of his short stories are presented in this audiobook : The German Lieutenant; Unwelcome; Over-refinement; Paul & Peter.

The German lieutenant and other stories

In "The Growth of a Soul," August Strindberg delves into the intricate tapestry of human experience, presenting a profound exploration of spiritual and personal evolution. Written in a semi-autobiographical style, the narrative intertwines psychoanalytical insights with a vivid portrayal of late 19th-century European society. Strindberg's prose embodies a raw intensity, manifesting his inner conflicts and existential musings through rich symbolism and evocative imagery, positioning the work within the literary context of modernist exploration and realism that challenged conventional narratives of his time. August Strindberg, a pioneering figure in both drama and literature, was deeply influenced by his tumultuous personal life, including his struggles with mental health, complex relationships, and societal alienation. His experiences in various artistic circles and his travels throughout Europe provided a fertile ground for the philosophical inquiries presented in this work. Strindberg's challenges with acceptance and identity are mirrored in the protagonist's journey, offering a glimpse into the author's own psyche and the broader human condition. I highly recommend "The Growth of a Soul" to readers who seek a profound reflection on the journey of self-discovery and the complexities of the human spirit. Strindberg's masterful storytelling and his exploration of the intertwining of personal psyche with societal influence make this book a timeless piece that resonates with those interested in existential literature and psychological drama.

In "Fair Haven and Foul Strand," August Strindberg embarks on a profound exploration of the human condition, weaving together autobiography and fiction in a manner that transcends traditional narrative forms. Written in 1905, this semi-autobiographical work is marked by Strindberg's hallmark naturalistic style, where the intricate detail of the characters'Äô psychological landscapes mirrors the complexity of their external environments. The text is layered with existential inquiries and contrasting ideals'Äîsuch as hope and despair'Äîembodying Strindberg's ongoing dialogue with contemporary societal norms and personal turmoil. August Strindberg, a pivotal figure in Swedish literature and the modern drama movement, was no stranger to personal upheaval, having experienced tumultuous relationships and existential crises throughout his life. His deep dive into the interplay between emotion, society, and individual psyche in "Fair Haven and Foul Strand" can be seen as a reflection of his own struggles, including his philosophical grappling with identity and the human experience. Strindberg's vision was heavily influenced by his engagement with various artistic and philosophical movements, marking this work as a critical intersection of personal saga and broader thematic exploration. For readers interested in the intricacies of human emotion and societal reflection, "Fair Haven and Foul Strand" is a compelling read that merges Strindberg's innovative prose with the authentic turmoil of his life. This book not only serves as an entry point into Strindberg'Äôs thought but also reveals the timeless struggle of individuals as they navigate the choppy waters of their existence. Highly recommended for those who appreciate psychological depth and social commentary.

Fair Haven and Foul Strand

In "Married," August Strindberg delves into the tumultuous dynamics of marriage, capturing the complexities and contradictions inherent in romantic relationships. The novel unfolds through the lens of its protagonist, Axel, who navigates the treacherous waters of love, desire, and societal expectations. Characterized by Strindberg's signature psychological realism and vivid characterizations, the narrative employs a naturalistic style that reflects the late 19th century's evolving perspectives on gender and partnership. Amidst the backdrop of post-Victorian social norms, Strindberg explores themes of power, jealousy, and the often-unspoken tensions that bubble beneath the surface of seemingly idyllic unions. August Strindberg, a pioneering figure in modern literature, was deeply influenced by his own tumultuous personal experiences with marriage and relationships. His observations stem from his own life; having endured multiple marriages and emotional conflicts, Strindberg pens a work that resonates with the authentic struggles of individuals seeking love and understanding. His engagement with existential questions highlights the broader human condition, while illuminating the specific challenges faced by men and women in intimate relationships. "Married" not only serves as an exploration of the romantic entanglements of its time but also remains remarkably relevant today. Strindberg's keen insight into the intricacies of human emotion and societal constraints invites readers to reflect on their own relationships and the universal quest for connection. For scholars, as well as fans of literary realism, this work is an essential read that bridges past and present, offering engaging perspectives on the nature of love and partnership.

"The Red Room", written in 1879 by August Strindberg, is one of the biggest classics of Swedish literature. A funny, satirical look at 19th century bourgeois attitudes, "The Red Room" presents a loosely-connected group of counter-cultural artistic types and has them confront their counter-cultural and progressive ideals with those of conservative, mainstream society. Most of them are poor (well, poor bourgeois types), making ends meet by pawning each other’s possessions and taking on hack work that’s beneath their dignity. Their goal is to be recognised as master-level artists by the stodgy mainstream, without having to give up their anti-mainstream ideals. Strindberg wrote funny observations of people and attitudes, and the situations he throws at his characters are frequently entertainingly absurd.

The Red Room

August Strindberg's classic portrayals of secrets and lies, seduction and power – both written in the summer of 1888 – in brilliant new versions by Howard Brenton. Miss Julie begins as a flirtatious game between the daughter of a wealthy landowner and her father's manservant, and gradually descends, over the course of a long and sultry Midsummer's Eve, into a savage fight for survival. In Creditors, young artist Adolf is deeply in love with his new wife Tekla – but a chance meeting with a suave stranger shakes his devotion to the core. Passionate, dangerously funny, and enduringly perceptive, Strindberg considered this wickedly enjoyable black comedy his masterpiece. Both plays premiered in co-productions between Jermyn Street Theatre, London, and Theatre by the Lake, Keswick, directed by Jermyn Street's Artistic Director Tom Littler.

NHB Classic Plays

Miss Julie & Creditors

August Strindberg's gripping psychological drama about the battle of the sexes, in a version by Mike Poulton. Strindberg's play The Father is about a marriage wrecked by the parents' need to claim exclusive rights to their daughter's love, and to determine her future. By turns comic and deeply tragic, it shows an affable, scholarly father fall victim to a once loving wife who will stop at nothing to do what she thinks is right for her child. The only possible outcome is a grim, yet thrilling fight to the death in circumstances of almost unbearable tension. Written in 1887, The Father was first staged in Berlin in 1890. This English version by Mike Poulton was first staged at the Minerva Theatre, Chichester, in 2006.

The Father

A Dream Play by August Strindberg stands as a revolutionary work in modern theater, renowned for its innovative approach to narrative and its profound exploration of the human psyche. Written in 1901 and first performed in 1907, the play delves into the depths of the subconscious, presenting a world where the distinction between reality and dreams dissolves. Strindberg, influenced by his personal struggles and philosophical inquiries, crafts a narrative that defies conventional structure, allowing scenes to flow seamlessly into one another, much like the fluid and unpredictable nature of dreams themselves. The play centers on Agnes, the daughter of the god Indra, who descends to Earth to experience the suffering of humanity. Through her journey, the audience is led through a series of vignettes that reflect the fragmented and often contradictory nature of human experience. Characters and settings morph without warning, embodying the dreamlike quality that Strindberg sought to capture. This disorienting effect is not merely a stylistic choice but serves to underscore the play's exploration of existential themes—life’s inherent suffering, the search for meaning, and the elusive nature of happiness. Strindberg's use of symbolism and surreal imagery further enhances the play's exploration of these themes, inviting audiences to engage with the work on a deeply emotional and intellectual level. The absence of clear boundaries within the play reflects the inner turmoil and contradictions of its characters, mirroring the struggles inherent in the human condition. A Dream Play is not just a theatrical piece but a philosophical inquiry into the nature of existence, where the lines between the possible and the impossible are constantly blurred, leaving the audience to question the very nature of reality itself.

A Dream Play

Midsummer's Eve, Sweden. A night when the sun doesn't set. A night of drinking and dancing. A night to break the rules. When Julie, alone on her father's estate, gatecrashes the servants' party, she finds herself in a dangerous tryst with her father's manservant, Jean. What begins as a flirtatious game gradually descends, over the course of a long and sultry night, into a savage fight for survival. Howard Brenton brings August Strindberg's genius to life in this brilliant adaptation of Miss Julie. It premiered at Theatre by the Lake, Keswick, in 2017, before transferring to Jermyn Street Theatre, London.

In "Married," August Strindberg immerses readers in the tumultuous landscape of interpersonal relationships, crafting a narrative that unveils the complexities of marriage through a blend of realism and modernist sensibilities. Written in Strindberg's signature incisive prose, the novel navigates themes of love, power dynamics, and existential despair within the confines of domestic life. Through his vivid character portrayals and psychological depth, Strindberg critiques bourgeois values and illustrates the sometimes inescapable discontent found within intimate partnerships, making this work resonate within the literary context of the late 19th century. August Strindberg, a pivotal figure in Swedish literature, is renowned for his exploration of human psychology and social issues, often drawn from his own tumultuous life experiences. His tumultuous marriages and personal struggles with gender roles and identity provided fertile ground for the emotional intensity found in "Married." Strindberg's innovative approach to drama and narrative, coupled with his philosophical ponderings, reflects a quest to understand the very nature of human relationships, making this novel a cornerstone of his literary oeuvre. For readers delving into the intricacies of human relationships and the inherent tensions within marriage, "Married" serves as a compelling and thought-provoking exploration. Strindberg's incisive character studies and unflinching examination of societal norms invite readers to reflect on their own notions of love and partnership, rendering this work an essential read for those interested in the intersections of psychology, sociology, and modernist literature.

In "Inferno", the psychologically disturbed narrator sets forth on a journey through an earthly hell and emerges purified of his sins. Alchemy, schizophrenia, witchcraft, and religious fanaticism, all leavened with a knowing wink of humour, "Inferno", by Swedish author August Strindberg is an early example of the “unreliable narrator” literary device, in which the reader learns that the storyteller is seeing things from a distorted perspective. It is also deliciously macabre. "Inferno" is for the most part based on a diary that Strindberg kept between 1896 and 1908 - undoubtedly the most troubled period of his life.

Inferno

Young artist Adolf is deeply in love with his new wife Tekla – but a chance meeting with a suave stranger shakes his devotion to the core. Passionate, dangerously funny, and enduringly perceptive, Strindberg considered this wickedly enjoyable black comedy his masterpiece. August Strindberg's play Creditors was written in the summer of 1888, and first staged at the Dagmar Theatre in Copenhagen in March 1889. This English version by Howard Brenton was premiered in March 2019 in a co-production between Jermyn Street Theatre, London, and Theatre by the Lake, Keswick, directed by Jermyn Street's Artistic Director Tom Littler.

Creditors

A visceral version of Strindberg's compelling, bitingly funny battle of wills. On an isolated island, military captain Edgar and his wife Alice live a bitter life, their marriage soured by hatred. When the possibility of redemption and escape arrives for Alice in the shape of their former comrade Kurt, it seems that Edgar is prepared to use his very last breath to make their lives a living hell.

Caryl Churchill's spare and resonant version of Strindberg's enigmatic masterpiece. Written in 1901, a mysterious amalgam of Freud, Alice in Wonderland and Strindberg's own private symbolism, A Dream Play follows the logic of a dream: A young woman comes from another world to see if life is really as difficult as people make it out to be. Characters merge into each other, locations change in an instant and a locked door becomes an obsessive recurrent image. As Strindberg wrote in his preface, he wanted 'to imitate the disjointed yet seemingly logical shape of a dream. Everything can happen, everything is possible and probable. Time and place do not exist.' This version of A Dream Play, from a literal translation by Charlotte Barslund, is by leading playwright Caryl Churchill. It was first performed in the Cottesloe auditorium of the National Theatre, London, in February 2005, in a production directed by Katie Mitchell, with additional material by Katie Mitchell and the company. Also included is an introduction by Caryl Churchill.

A comprehensive selection of August Strindberg’s finest works, featuring an all-star cast and original music Hailed by Arthur Miller as ‘the mad inventor of modern theatre’, Johan August Strindberg was a Swedish playwright, poet and novelist whose groundbreaking works mingled naturalism and psychology and paved the way for Expressionist drama. A prolific writer – penning over 60 plays, 19 novels and nine autobiographies – his turbulent life was marked by emotional conflict. This wide-ranging collection brings together 13 of his most important dramas and a semi-autobiographical ‘occult diary’, enhanced through stunning soundscapes and music composed by Strindberg himself. First up is his debut play, the 1872 historical drama Master Olof. Influenced by Ibsen’s Brand, it centres around a revolutionary 16th-century priest’s defiance of the Catholic Church and the monarchy. It is followed by The Father, whose focus is paternity and the battle for power between a husband and wife. Sexuality and social class are scrutinised in a retelling of Strindberg’s classic play Miss Julie, placed in a Scottish context, while in Creditors, a Swedish seaside resort is the setting for marriage-wrecking revenge. Also set by the sea, Strindberg’s black comedy of manners Playing with Fire explores a love triangle between a young couple and their close friend. Begun in 1898 while Strindberg was recovering from a breakdown, To Damascus is a symbolic synthesis of his marital, religious and existential struggles. Erik XIV portrays the last years of the titular King of Sweden’s reign, as the increasingly unstable ruler becomes embroiled in a bitter feud with the nobility. Next is Ingmar Bergman’s version of A Dream Play, Strindberg’s oneiric fantasy exploring human suffering and life’s illusions. Easter tells the redemptive tale of a family fearing ruin who instead find hope, forgiveness and mercy. Performed for the first time in English, The Virgin Bride centres on a wedding that could reconcile two rival families – but can the bride prove her chastity by wearing a bridal crown? Following their father’s death, a brother and sister discover disturbing truths about their mother in The Pelican, and in The Ghost Sonata, adultery, murder and deceit are laid bare in the house of the living dead… Our final piece, Strindberg’s dark prose poem Inferno, recounts his experiments in alchemy and black magic, his sojourn in hell and his quest for faith and love. It is narrated by Alan Badel. These outstanding dramas feature star casts including Brian Cox, Fiona Shaw, Andrew Garfield, Rory Kinnear, Maurice Denham, Martin Jarvis, Trevor Howard, Peggy Ashcroft, Stephen Murray, Judy Bennett, Frank Finlay, Ian Richardson, Janet McTeer and Dorothy Tutin. First published 1872 (Master Olof), 1887 (The Father), 1888 (Miss Julie), 1889 (Creditors), 1892 (Playing with Fire), 1898-1904 (To Damascus), 1899 (Erik XIV), 1901 (A Dream Play, Easter, The Virgin Bride), 1907 (The Pelican), 1908 (The Ghost Sonata), 1912 (Inferno) First broadcast on BBC Radio, 1968-2005 © 2024 BBC Studios Distribution Ltd. (P) 2024 BBC Studios Distribution Ltd

The August Strindberg BBC Radio Collection

In "Legends: Autobiographical Sketches," August Strindberg weaves a tapestry of personal reflection and existential exploration, drawing on his tumultuous life experiences. This collection celebrates the intersection of autobiography and fiction, blending vivid storytelling with profound philosophical inquiry. Strindberg's striking prose reveals the underlying myths and narratives that shaped his identity, presenting his struggles with love, ambition, and societal expectations through a raw and lyrical lens. His literary style is characterized by its psychological depth, often challenging conventional norms and advocating for a more profound understanding of the human condition, reflective of the broader literary movements of naturalism and symbolism prevalent in his time. Strindberg, a prolific figure in Swedish literature, was influenced by his own life of contradictions'Äîmarked by artistic brilliance, mental instability, and tumultuous personal relationships. His experiences, including his tumultuous marriage and his diverse encounters with various artistic and literary movements, provided a rich backdrop for the sketches he presents. As a deeply introspective writer, Strindberg sought to confront the complexities of human emotion and social alienation, both of which are palpably articulated in this work. "Legends" offers readers a compelling glimpse into the mind of one of Sweden's most celebrated literary figures. It is a must-read for anyone interested in the intersections of autobiography and literature, providing not just a window into Strindberg's life but also a lens through which to examine our own narratives. A transformative journey awaits as readers explore these poignant sketches, inviting reflection on the universal themes of identity and existence.

Legends: Autobiographical Sketches

Johan August Strindberg was a Swedish playwright, novelist, poet, essayist and painter. A prolific writer who often drew directly on his personal experience, Strindberg's career spanned four decades, during which time he wrote over sixty plays and more than thirty works of fiction, autobiography, history, cultural analysis, and politics. A bold experimenter and iconoclast throughout, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and history plays, to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room has frequently been described as the first modern Swedish novel. This work contains: A CHRONOLOGICAL LIST OF AUGUST STRINDBERG'S MAIN WORKS THE DREAM PLAY THE LINK THE DANCE of DEATH, PART I THE DANCE of DEATH, PART II

Plays: The Dream Play - The Link - The Dance of Death Part I and II

Since the accompanying biographical note, which aims solely at outlining the principal events of Strindberg's life up to 1912, was put in type, the news of his death from cancer, at Stockholm on May 14, 1912, has been reported. Of the plays included in the present volume, "The Father" and "Countess Julie" are representative of Strindberg's high water mark in dramatic technique and have successfully maintained their claim to a permanent place, not only in dramatic literature, but, as acting plays. "The Stronger," than which no better example of Strindberg's uncanny power for analysis of the female mind exists, while essentially a chamber play, is from time to time presented at the theatre, and affords a splendid test of the dramatic ability of the actors, only one of whom speaks. The author has boldly thrown on the other the burden of maintaining her share in the development of the action by pantomime, facial expression, and an occasional laugh. "The Outlaw," although inferior in construction to the others, is still played with success and is full of dignity and atmosphere. The important part it played in promoting the fortunes of the author lends to it an added interest which fully justifies its inclusion in this volume: THE FATHER; COUNTESS JULIE; THE OUTLAW; THE STRONGER

Plays

The Red Room (Swedish: Röda rummet) is a satire of Stockholm society, it has frequently been described as the first modern Swedish novel. While receiving mixed reviews in Sweden, it was acclaimed in Denmark, where Strindberg was hailed as a genius. As a result of The Red Room, Strindberg became famous throughout Scandinavia. Edvard Brandes wrote that it 'makes the reader want to join the fight against hypocrisy and reaction'. A young idealistic civil servant, Arvid Falk, leaves the drudgery of bureaucracy to become a journalist and author. As he explores various social activities - politics, publishing, theatre, philanthropy, and business - he finds more hypocrisy and political corruption than he thought possible. He takes refuge with a group of 'bohemians', who meet in a red dining room in Berns Salonger to discuss these matters.

Svenska Ljud Classica

In "Zones of the Spirit: A Book of Thoughts," August Strindberg presents an introspective exploration of the human condition, where psychological reflections intertwine with existential musings. This work, characterized by Strindberg's distinctive prose style'Äîmarked by a lyrical yet fragmented narrative'Äîdelves into the realms of spirituality, identity, and the complexities of human emotions. Written during a period of great personal turmoil for the author, the book meshes his aesthetic ideals with philosophical inquiry, creating a mosaic of thoughts that reflect both the chaos of his inner life and the broader currents of 19th-century thought, particularly the influences of Romanticism and early modern existentialism. August Strindberg (1849-1912), a prominent Swedish playwright and novelist, often grappled with themes of isolation and the meaning of existence throughout his career. His personal experiences, including struggles with mental health, tumultuous relationships, and a passionate engagement with religious and philosophical questions, significantly informed his writings. "Zones of the Spirit" emerged from his deeper explorations into the human psyche and the spiritual dilemmas confronting humanity, revealing the layers of his intellectual and emotional landscape. This book is a profound companion for readers interested in the intersection of literature, philosophy, and psychology. Strindberg's candid reflections provide valuable insights into the human experience, inviting readers to ponder their own 'zones of the spirit.' This work will undoubtedly resonate with those who appreciate deep, contemplative literature that challenges conventional perceptions of self and existence.

Zones of the Spirit: A Book of Thoughts

In "The German Lieutenant, and Other Stories," August Strindberg presents a collection of narratives that delve into themes of war, identity, and the human psyche. Written in the late 19th century, this work encapsulates the emotional turmoil and existential struggles characteristic of Strindberg's literary style, which often blurs the lines between realism and expressionism. The stories reflect the author's acute awareness of societal tensions in post-war Europe, exploring the fragility of human relationships against a backdrop of nationalistic fervor and existential dread. Each tale is crafted with meticulous attention to psychological depth, revealing the inner conflicts faced by characters navigating a turbulent world. August Strindberg, a Swedish playwright, novelist, and poet, was a pivotal figure in modern literature, shaped by his tumultuous personal experiences and ideological explorations. His fascination with themes of conflict arose from his own life, marked by struggles with mental health, multiple marriages, and a relentless quest for truth. Strindberg's engagement with contemporary philosophical and social debates of his time informs these stories, making them rich in both character and context. This collection is a must-read for anyone interested in the evolution of modern narrative and the existential pursuits of the human condition. Strindberg's compelling storytelling invites readers to ponder the complexities of identity and morality, offering a profound reflection on the aftermath of war and the quest for meaning in an uncertain world.

The German Lieutenant, and Other Stories

In "The German Lieutenant, and Other Stories," August Strindberg delves into the intricacies of human emotions and the socio-political tensions of his era. This collection showcases Strindberg's distinct literary style, characterized by realism infused with psychological depth and emotional intensity. The narratives explore themes of love, betrayal, and the existential struggles of individuals against societal expectations, set against the backdrop of late 19th-century Europe, a period marked by rapid industrialization and shifting cultural paradigms. The stories reveal Strindberg's keen observation of human behavior and his ability to craft vivid, often unsettling scenarios that challenge the reader's perceptions of morality and justice. Strindberg, a pivotal figure in Swedish literature, was influenced by his tumultuous personal life, including his experiences in the military, tumultuous relationships, and his interactions with the burgeoning modernist movement. His works often reflect his ambivalence toward women, authority, and the traditional structures of society. "The German Lieutenant" serves as a compelling synthesis of these influences, allowing readers to glimpse the complexities that shaped Strindberg's worldview. This collection is highly recommended for readers interested in the evolution of modern literature and those seeking a profound exploration of the human psyche. Strindberg's masterful storytelling and incisive character studies will resonate with anyone intrigued by the darker aspects of human nature and the underlying forces that drive personal and societal conflict.

Pidä lujasti mastosta kiinni Vaikk’ kuohuja pelkää et. Me myrskyjä uhmaamme, mutta kotona on pienoiset! "Eri asein" on ruotsalaisen August Strindbergin runokokoelma vuodelta 1914. Kokoelman vahvat runot vievät luontoon ja tavallisten ruotsalaisten koteihin. Ne heijastavat Strindbergin ajatusmaailmaa; hän oli heikompien puolella ja haaveili tasa-arvoisesta yhteiskunnasta. August Strindberg (1849–1912) oli ruotsalainen kirjailija, joka työskenteli myös taidemaalarina. Hän on yksi ruotsalaisen kirjallisuushistorian merkittävimpiä kirjailijoita. Strindbergin poliittinen ajatusmaailma oli lähellä sosialismia. Hän oli naimisissa kolme kertaa, joista kerran (1877–1891) suomalaissyntyisen näyttelijä Siri von Essenin kanssa.

Eri asein

Pastori Nohrström on vähätuloinen kirkonmies. Herännäiset ryhmät ovat vieneet hänen tärkeimpiä jäseniään ja jäljelle jääneet ovat vähintään yhtä köyhiä kuin pastorikin. Pastori riipii perheelleen ruokaa parista lehmästä ja muutamasta tynnyrinalasta vehnää ja ruista. Lähes kaiken työn saa kirkonmies tehdä itse. Joka syksy hänen talonsa maille saapuu kuitenkin ainakin yksi hirvi, jonka kaatamisesta saisi niin ruokaa kuin rahaakin. Hän ei ole alueen ainoa innokas metsämies, mutta juuri hänen olisi nyt kaadettava hirvi. Papin perheen vatsat kurisevat liian kovaan ääneen. "Pastorin hirvi" on yksi novellikokoelman kahdeksasta saaristolaistarinasta. Strindberg kuvaa humoristisesti mutta lempeästi saaristolaiselämää eri näkökulmista. August Strindberg (1849–1912) oli ruotsalainen kirjailija, taidemaalari ja toimittaja. Hän kuuluu Ruotsin tunnetuimpiin kirjailijoihin. Hänen pääteoksensa on Röda rummet, suomeksi Punainen huone.

Saaristolaiselämää

August Strindbergin novellikokoelma käsittelee erilaisia Ruotsin historiaan liittyviä aiheita. Novelleissa pureudutaan niin tavallisen ihmisen osaan kuin myös poliittisiin kysymyksiin. Pääosassa ovat usein tavan kuolevaiset, joiden elämää kuvataan impressionistisesti mutta realistisesti. Samalla syntyy elävä kuva kulloisestakin historiallisesta aikakaudesta. Novelleissa vaihtelevat taitavasti sekä vakavat että humoristiset sävyt. August Strindberg (1849–1912) oli ruotsalainen kirjailija, joka työskenteli myös taidemaalarina. Hän on yksi ruotsalaisen kirjallisuushistorian merkittävimpiä kirjailijoita. Strindbergin poliittinen ajatusmaailma oli lähellä sosialismia. Hän oli naimisissa kolme kertaa, joista kerran (1877–1891) suomalaissyntyisen näyttelijä Siri von Essenin kanssa.

Menneiden vuosisatain vaiheita

"Götalaiset huoneet" jatkaa August Strindbergin kuuluisimman romaanin, "Punaisen huoneen", tarinaa. Nyt "Punaisesta huoneesta" tutut päähenkilöt ovat saavuttaneet kuitenkin jo keski-iän. Henkilöhahmojen kiivaiden väittelyiden ja itsenäisten pohdintojen välityksellä Strindberg kuvaa monipuolisesti niin ruotsalaista yhteiskuntaa ja politiikkaa kuin myös Tukholman liike-elämää ja kulttuuritarjontaa. Eri taustoista tulevat hahmot tuovat kuvaan omat tulkintansa ja painotuksensa, mikä luo pohjan herkulliselle dialogille. Myös 1890-luvun ajankohtaiset asiat, kuten maastamuutto, naisten asema ja Tukholman maailmannäyttely puhututtavat. Johan August Strindberg (1849‒1912) teki uransa niin romaani- ja näytelmäkirjailijana kuin maalarinakin. Tuottelias kirjoittaja on yksi Ruotsin tunnetuimmista kirjailijoista. Ruotsin ulkopuolella Strindberg tunnetaan erityisesti näytelmistään.

Götalaiset huoneet

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