First published in 1911, The Innocence of Father Brown contains stories involving one of the greatest characters in the history of detective fiction, Father Brown. He is a Roman Catholic priest, has an uncanny insight to human evil. Rather than the large serial villains in stories such as Sherlock Holmes, the mysteries Father Brown solved were more local murders by small town crooks, narrowing the suspect list down to those in the area of the crime. The cozy mystery style that The Innocence of Father Brown conveys sparked a revolution at the time, bringing it to the forefront of the detective fiction genre.

G. K. Chesterton Collection

The Innocence of Father Brown

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.

Orthodoxy

This is the original 1933 edition of G. K. Chesterton's study of Saint Thomas Aquinas. Chesterton's Saint Aquinas is a man of mystery. Born into a noble family, Aquinas chose the life of a humble friar. Lumbering and shy, his classmates dubbed him "the Dumb Ox" - but he grew up to lead a revolution in Christian thought. Possessed of the rarest brilliance, he found the highest truth in the humblest object, and led a life of almost unparalleled genius. 

Saint Thomas Aquinas

*** Premium Annotated Ebook including a biography and quotes from the author *** Heretics, a collection of 20 essays originally published in 1905, is one of Chesterton's most important books. It is a work that serves to point out the 'heresies' contained within the popular veins of thought surrounding him in society. The topics he touches upon range from cosmology to anthropology to soteriology and he argues against French nihilism, German humanism, English utilitarianism, the syncretism of "the vague modern", Social Darwinism, eugenics and the arrogance and misanthropy of the European intelligentsia. Together with Orthodoxy, this book is regarded as the finest flagship of his corpus of moral theology; a binary system in the cosmos of western philosophy.

Heretics and Orthodoxy (Annotated)

*** Premium Annotated Ebook including a biography and quotes from the author *** "Now (to reiterate my title) this is what is wrong. This is the huge modern heresy of altering the human soul to fit its conditions, instead of altering human conditions to fit the human soul. If soap boiling is really inconsistent with brotherhood, so much the worst for soap-boiling, not for brotherhood. If civilization really cannot get on with democracy, so much the worse for civilization, not for democracy." In this essay first published in 1910, G.K Chesterton raises an important question : Has the Enlightenment ideal of continual social progress been a reality, or has it all been a piece of western myth-making? Thinking about our actual world and all the problems we are facing, many find Chesterton’s analysis just as insightful as it was nearly a century ago.

What's Wrong With the World (Annotated)

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1904, “The Napoleon of Notting Hill” is a fantastical novel written by English writer G. K. Chesterton. It was Chesterton's first novel and has been called the best first novel by any author in the twentieth century. “The Napoleon of Notting Hill” is set in a nearly unchanged London in 1984. In this London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. The dreary succession of randomly selected Kings of England is broken up when Auberon Quin, who cares for nothing but a good joke, is chosen. To amuse himself, he decides to turn London into a medieval carnival for his own amusement. All are bored by the King's antics except for one man, Adam Wayne, who takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighbourhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results... Although “The Napoleon of Notting Hill” is set in the future, it is, in effect, set in an alternative reality of Chesterton's own period, with no advances in technology nor changes in the class system or attitudes of the time. It postulates an impersonal government, not described in any detail, but apparently content to operate through a figurehead king, who is randomly chosen.

The Napoleon of Notting Hill (Annotated)

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1908, “The Man Who Was Thursday: A Nightmare” is a metaphysical thriller by English writer G. K. Chesterton. The novel weaves together elements of mystery, comedic farce, and allegory around the threat of anarchy in turn-of-the-century London. Ostensibly about a secret policeman investigating anarchists, it becomes a surreal and philosophical novel. “The Man Who Was Thursday: A Nightmare” takes place in Edwardian London, where a poet infiltrates the anarchist underground. Elected to the post of Thursday on the anarchist council, masterminded by the monstrous Sunday, the poet tries to prevent an anarchist assassination in Paris. But when the plot takes a surreal turn, he is left unsure who to trust and even what is real. For over a century after its publication, “The Man Who Was Thursday: A Nightmare” inspired numerous adaptations, including a 1938 Mercury Theatre radio-play written by Orson Welles.

The Man Who Was Thursday: A Nightmare (Annotated)

The Wisdom of Father Brown by G. K. Chesterton Audiobook - Dr. Orion Hood is one of the eminent thinkers of his day, a psychologist whose expert opinion on human nature is sometimes sought by the police. Usually, he is called on to solve only the most spectacular crimes—a nobleman murdered, a diplomat poisoned—but today a more ordinary problem presents itself. An amiable little priest named Father Brown asks Dr. Hood to help a young couple whose families do not want them to marry. Suspicions about the would-be groom abound—dynamite is thought to be his weapon of choice—but Father Brown hopes that Dr. Hood will be able to put the accusations to rest. In the end, however, it is the humble clergyman who picks through the towering evidence of guilt to ensure that love prevails. In this masterful collection of mysteries, including “The Paradise of Thieves,” “The Mistake of the Machine,” and “The Man in the Passage,” Father Brown employs his amazing intuition, developed over years of listening to men confess their sins, to solve crimes large and small. One of the most beloved heroes in all of detective fiction, this unassuming parish priest is as dedicated to the cause of justice as he is to his faith. Gilbert Keith (G.K.) Chesterton (1874-1936) was a prolific English writer and philosopher who is remembered for his wit, his humor and his sharp logical insights. He is best known for his novels featuring the detective Father Brown, but he was also a major figure in the development of early 20th century Christian apologetics. He was an essayist and a journalist, a poet and a playwright, and a novelist and a biographer. Born in London in 1874, Gilbert Keith Chesterton was educated at St. Paul's school, where he was an active member of the debating society. After studying at the Slade School of Art, he began to write for the Daily News in 1901. His witty and insightful pieces on a variety of topics soon earned him a reputation as an important public intellectual. Throughout his career, Chesterton wrote a number of noted works, including novels, plays, essays, and short stories. His works often focused on the idea of orthodoxy, and he was a strong advocate of traditional values and the Christian faith. He wrote a number of apologetics, including The Everlasting Man and Orthodoxy, both of which explored the importance of religious beliefs in modern life. He also wrote several highly successful detective novels, featuring the beloved character Father Brown, who used his wit and wisdom to solve cases.

The Wisdom of Father Brown

The essential classic by the beloved thinker, G. K. Chesterton.

What's Wrong With The World

Orthodoxy by G. K. Chesterton Audiobook is a book by G. K. Chesterton that has become a classic of Christian apologetics.[citation needed] Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G. S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface, Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. The book was written when Chesterton was an Anglican. He converted to Catholicism 14 years later. Chesterton chose the title, Orthodoxy, to focus instead on the plainness of the Apostles' Creed, though he admitted the general sound of the title was "a thinnish sort of thing". Orthodoxy was influential in the conversion of Theodore Maynard to Roman Catholicism as well as in the ordination of Canon Bernard Iddings Bell. In the magazine The Atlantic, critic James Parker recommends the book thusly: "If you've got an afternoon, read his masterpiece of Christian apologetics Orthodoxy: ontological basics retailed with a blissful, zooming frivolity, Thomas Aquinas meets Eddie Van Halen."

The Incredulity of Father Brown by G. K. Chesterton Audiobook is a collection of eight stories by G. K. Chesterton, the third-published collection featuring the fictional detective Father Brown. It was first published as a book in 1926 by Cassell of London, whose monthly Cassell's Magazine featured the last of the eight stories in its April number, illustrated by Stanley Lloyd. Summaries: The scene begins with an American journalist named Paul Snaith critically assessing Father Brown's church and the other clerics there. He quickly changes his mind to please the famous businessman, Mendoza, who walks in with a lavish respect for the Church. Snaith then goes on a journalistic quest to make Father Brown's name great. Meanwhile in South America, Brown quickly begins to resent his growing fame and after dealing with his likewise growing workload (including endorsing a wine for a man named Eckstein and responding to a letter from a political rival named Alvarez), he goes out on a walk at night. During this walk, as he passes under a bridge, he is attacked by two mysterious men and left injured or killed. The story shifts over to John Adams Race, an electrical engineer from America who was hired by Mendoza to improve the same small South American town in which Father Brown resides. Race, Chesterton says, is a man who is firmly attached to his Protestant and American background, despite not particularly being devoted to them, and in spite of himself, Race sees in Father Brown a reminder of what he loves about his upbringing. The story flashes back to show Race looking out his window to see Father Brown pass by in the night, soon followed by two other men. Race identifies these men as Eckstein and Dr. Calderon, a physician who attended to Mendoza. Race follows the two men out of suspicion, and immediately after they both disappear under the bridge after Brown does, where there are sounds of a fight. A mob gathers around the scene and identifies Father Brown to be dead. As Race nears the bridge, Snaith comes out to confirm the story and describe what appears to have happened. As Race looks at the body of Brown, Alvarez, who is also near the body quickly claims to have no part in the murder. Mendoza and Dr. Calderon enter the scene as well, and again pronounce Father Brown dead.

The Incredulity of Father Brown

First published in 1911, "The Ballad of the White Horse" is a poem by G. K. Chesterton about the idealised exploits of the Saxon King Alfred the Great. Written in ballad form, the work has been described as one of the last great traditional epic poems ever written in the English language. The epic ballad tells the story of how the King defeated the invading Danes at the Battle of Ethandun in the Valley of the White Horse, beneath an ancient equine image on the Berkshire hills.

The Ballad of the White Horse

The Innocence of Father Brown by G. K. Chesterton Audiobook is a collection of mystery stories published in 1911. The titular character, Father Brown, is a Catholic priest who solves mysteries using his powers of observation and insight, rather than physical prowess or forensic investigation. This witty and entertaining collection of stories is sure to delight readers of all ages who are looking for a classic detective story. Gilbert Keith (G.K.) Chesterton (1874-1936) was a prolific English writer and philosopher who is remembered for his wit, his humor and his sharp logical insights. He is best known for his novels featuring the detective Father Brown, but he was also a major figure in the development of early 20th century Christian apologetics. He was an essayist and a journalist, a poet and a playwright, and a novelist and a biographer. Born in London in 1874, Gilbert Keith Chesterton was educated at St. Paul's school, where he was an active member of the debating society. After studying at the Slade School of Art, he began to write for the Daily News in 1901. His witty and insightful pieces on a variety of topics soon earned him a reputation as an important public intellectual. Throughout his career, Chesterton wrote a number of noted works, including novels, plays, essays, and short stories. His works often focused on the idea of orthodoxy, and he was a strong advocate of traditional values and the Christian faith. He wrote a number of apologetics, including The Everlasting Man and Orthodoxy, both of which explored the importance of religious beliefs in modern life. He also wrote several highly successful detective novels, featuring the beloved character Father Brown, who used his wit and wisdom to solve cases. His works have been highly influential, particularly in the area of Christian apologetics. Chesterton's insights into the nature of faith and the importance of orthodoxy remain relevant and important today. He has been cited by numerous scholars and theologians, and his works have been translated into multiple languages. Chesterton is considered one of the most important Christian apologists of the 20th century, and his influence continues to be felt in the 21st century.

A WILD, MAD,HILARIOUS AND PROFOUNDLY MOVING TALE It is very difficult to classify THE MAN WHO WAS THURSDAY. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, THE MAN WHO WAS THURSDAY succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. However, the reader will soon discover that it is much more than that. Carried along on the boisterous rush of the narrative by Chesterton’s wonderful high-spirited style, he will soon see that he is being carried into much deeper waters than he had planned on; and the totally unforeseeable denouement will prove for the modern reader, as it has for thousands of others since 1908 when the book was first published, an inevitable and moving experience, as the investigators finally discover who Sunday is.

The Man Who Was Thursday

The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”. Chesterton’s answer at that time was the shortest of those submitted - he simply wrote: “Dear Sirs, I am. Sincerely yours, G.K. Chesterton”. In this collection he gives a fuller treatment of the question, with his characteristic conservative wit. In "What's Wrong With the World", one of the twentieth century's most memorable and prolific writers takes on education, government, big business, feminism, and a host of other topics. A steadfast champion of the working man, family, and faith, Chesterton eloquently opposed materialism, snobbery, hypocrisy, and any adversary of freedom and simplicity in modern society.

What's Wrong With the World

The Innocence of Father Brown The Wisdom of Father Brown The Incredulity of Father Brown The Secret of Father Brown The Scandal of Father Brown

Father Brown Omnibus

Revel in philisophical wit of G. K. Chesterton in this essential classic.

This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. King Alfred is not a legend in the sense that King Arthur may be a legend; that is, in the sense that he may possibly be a lie. But King Alfred is a legend in this broader and more human sense, that the legends are the most important things about him. The cult of Alfred was a popular cult, from the darkness of the ninth century to the deepening twilight of the twentieth. It is wholly as a popular legend that I deal with him here. I write as one ignorant of everything, except that I have found the legend of a King of Wessex still alive in the land. I will give three curt cases of what I mean. A tradition connects the ultimate victory of Alfred with the valley in Berkshire called the Vale of the White Horse. I have seen doubts of the tradition, which may be valid doubts. I do not know when or where the story started; it is enough that it started somewhere and ended with me; for I only seek to write upon a hearsay, as the old balladists did. For the second case, there is a popular tale that Alfred played the harp and sang in the Danish camp; I select it because it is a popular tale, at whatever time it arose. For the third case, there is a popular tale that Alfred came in contact with a woman and cakes; I select it because it is a popular tale, because it is a vulgar one. It has been disputed by grave historians, who were, I think, a little too grave to be good judges of it. The two chief charges against the story are that it was first recorded long after Alfred's death, and that (as Mr. Oman urges) Alfred never really wandered all alone without any thanes or soldiers. Both these objections might possibly be met. It has taken us nearly as long to learn the whole truth about Byron, and perhaps longer to learn the whole truth about Pepys, than elapsed between Alfred and the first writing of such tales. And as for the other objection, do the historians really think that Alfred after Wilton, or Napoleon after Leipsic, never walked about in a wood by himself for the matter of an hour or two? Ten minutes might be made sufficient for the essence of the story. But I am not concerned to prove the truth of these popular traditions. It is enough for me to maintain two things: that they are popular traditions; and that without these popular traditions we should have bothered about Alfred about as much as we bother about Eadwig. One other consideration needs a note. Alfred has come down to us in the best way (that is, by national legends) solely for the same reason as Arthur and Roland and the other giants of that darkness, because he fought for the Christian civilization against the heathen nihilism. But since this work was really done by generation after generation, by the Romans before they withdrew, and by the Britons while they remained, I have summarised this first crusade in a triple symbol, and given to a fictitious Roman, Celt, and Saxon, a part in the glory of Ethandune. I fancy that in fact Alfred's Wessex was of very mixed bloods; but in any case, it is the chief value of legend to mix up the centuries while preserving the sentiment; to see all ages in a sort of splendid foreshortening. That is the use of tradition: it telescopes history. G.K.C.

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1905, “The Club of Queer Trades” is a collection of six amusing stories by English writer G. K. Chesterton. Each story in the collection is centred on someone who is making his living by some novel and extraordinary means (a "queer trade", using the word "queer" in the sense of "strange"), a potential candidate for The Club of Queer Trades. To gain admittance one must have invented a unique means of earning a living and the subsequent trade being the main source of income. The framing narrative by "Cherub" Swinburne describes his quest for The Club of Queer Trades with his friend Basil Grant, a retired judge, and Rupert Grant, a private detective who is Basil's younger brother. Each of the stories describes their encounter with people with an unique way of making a living, which makes them eligible for the select and secretive club.

The Club of Queer Trades (Annotated)

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent ‘The Chief Mourner of Marne’- a fascinating story with unexpected twists – about a duel and a case of mistaken identity.

The Secret of Father Brown

The experiments of both Capitalism and Communism are almost complete, and they both lead to one big organization controlling everything you do. In 1925, when this book was first published, it was true, and it is even truer today. If you desire an alternative, consider this book, which considers Distributism, a philosophy whereby the actual people own the actual means of production, and produce and sustain themselves with it. A philosophy summed up in Chesterton's famous proposal of "Three acres and a cow" as being catalyst to an ideal peasant state. For such a simple idea, it has proven very contrary to the ideas of those in power, which is to say, to those who want power. But for the rest of us, for the sane humans who desire peace and liberty, this book is a call to action against monopoly and the inevitability of global standardization, which the magazines call the Supply Chain and the Bible might call Babel and Babylon. Narrated in an accent based upon Chesterton's own, this performance expresses Chesterton's words as he himself might have, delivering them to an audience of his time.

The Outline Of Sanity

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1912, “Manalive” is a book by English author and philosopher G. K. Chesterton detailing a popular theme both in his own philosophy, and in Christianity, of the "holy fool," such as in Dostoevsky's “The Idiot” and Cervantes' “Don Quixote.” “Manalive” tells the story of Innocent Smith, a colossal and comic man who bounds onto the grounds of Brighton House – a manor filled with those who have forgotten the immediacy of existence – and proceeds to awaken life into its residents. Yet when the spirited and mirthful Smith is accused of murder, burglary and unfaithfulness to his wife, it is up the residents of Brighton House to form a court and defend his innocence against the masters of modern science and psychology. “Manalive” is a wonderfully entertaining and comic tale the goal of which is to bring people to life, to make them recognize the world around them, and at the same time to see the boyish wonder which serves as the foundation for this mirth at life. There is one thing that the reader may count on when picking up one of Chesterton’s novels, and that is simply that there is no way of knowing what to expect. There is always an air of mystery, of danger, of humor, of depth, and without fail a little absurdity brought about in attempt to awaken the reader to life. Of course, "Manalive" fulfils all these expectations.

Manalive (Annotated)

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer Originally published in 1911, "The Ballad of the White Horse" is a poem by G. K. Chesterton about the idealised exploits of the Saxon King Alfred the Great and is considered to be his best work of poetry. Written in ballad form, "The Ballad of the White Horse" tells the story of how the King defeated the invading Danes at the Battle of Ethandun in the Valley of the White Horse, beneath an ancient equine image on the Berkshire hills. This epic ballad has been described as one of the last great traditional epic poems ever written in the English language.

The Ballad of the White Horse (Annotated)

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1903, “Robert Browning” is a multi-faceted biography and critique of Browning‘s work by English writer G. K. Chesterton. In “Robert Browning”, Chesterton takes us from his early life to his early poems and shows us how his life impacted on his work to produce a biography of great depth and sensitivity. The book gives the reader a closer look at Robert Browning’s life along with a detailed analysis of some of his work through the thoughtful and highly biased eye of the author. Chesterton declares that it is fashionable to boast that one cannot understand Browning but he reveals in this fascinating literary biography how Browning ‘combines the greatest brain with the simplest temperament’. “Robert Browning” is a marvellous book that does justice to Robert Browning's huge personality and startlingly modern approach to storytelling, poetry, and epistemology.

Robert Browning (Annotated)

"The Man Who Knew Too Much" is a classic British mystery written by G. K. Chesterton and appeared in 1922. The eight short adventures in this classic trace the activities of Horne Fisher, the man who knew too much, and his trusted friend Harold March. Although Horne's keen mind and powerful deductive gifts make him a natural sleuth, his inquiries have a way of developing moral complications. Notable for their wit and sense of wonder, these tales offer an evocative portrait of upper-crust society in pre–World War I England. G. K. Chesterton was an influential and prolific English writer of the early 20th century who is best known as the creator of detective-priest Father Brown (even though Chesterton's mystery stories constitute only a small fraction of his writings).

The Man Who Knew Too Much

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer The early twentieth-century was a time when many works, including popular essays, were written on eugenics and eugenic theory, usually to promote the ideas. However, significant anti-eugenic essays also circulated, the most famous of which is “Eugenics and Other Evils” (AKA Eugenics and Other Evils: an argument against scientifically organized state), written by English author and philosopher G. K. Chesterton and originally published in 1922, just a few years after the close of the 'Great War.' In “Eugenics and Other Evils,” Chesterton argues that eugenic laws are a means of suppressing the poor, and predicts the abuse of eugenics. The book was influential enough that the British Parliament began to question eugenic legislation, and indeed eugenic legislation as existed in the United States was never passed in Great Britain.

Eugenics and Other Evils (Annotated)

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories. The Innocence of Father Brown was the first collection of them, and it's a great lot of fun.

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1915, “All Things Considered” collects more than thirty essays that English author G. K. Chesterton wrote as columns for the London Daily News in the years before World War I. The contents of “All Things Considered” are quintessential Chesterton, covering subjects from poetry to patriotism, anonymity to impartiality, from demagogues to mystagogues, from science to religion, from phonetic spelling to running after one's hat. But regardless of the topic, each of the essays in "All Things Considered" is the usual Chesterton masterpiece, tempting the reader to track down even more of the 4,000 newspaper columns penned by Chesterton during his career. G. K. Chesterton is well known as a novelist, essayist, storyteller, poet, philosopher, theologian, historian, artist, and critic. He's less well-known as a journalist these days, yet all evidence indicates that he viewed his work for the various newspapers as his primary raison-de-etre. Therefore anyone interested in exploring the works of this colossal genius should include a sampling of his newspaper columns, as featured in "All Things Considered," along with all of his other brilliant books.

All Things Considered (Annotated)

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

The Blue Cross

The Queer Feet” deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a “topsy-turvy product” (Chesterton 1994, p. 51).

The Queer Feet

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

The Secret Garden

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The Invisible Man

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The Honour of Israel Gow

The Flying Stars” is one of Chesterton’s mysteries featuring Father Brown. It’s actually the first of these short stories I’ve read and I picked it up more because it’s a Christmas mystery than to meet Father Brown, even though he is a character I’d like to read more of. The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl’s father, Colonel Adams, a newly arrived uncle and a quite rich godfather. Also present, in addition to the servants, simply because the Colonel likes his company is the local priest, Father Brown. The godfather has brought a gift for the young lady, a set of three gorgeous, large diamonds, which he has tucked away in his coat pocket.

The Flying Stars

This edition includes the following editor's introduction: G. K. Chesterton, the man beyond the writer First published in 1905, “Heretics” is a collection of 20 essays and articles by English writer and philosopher G. K. Chesterton. Focusing on "heretics" — those who pride themselves on their superiority to Christian views — Chesterton appraises prominent figures who fall into that category from the literary and art worlds. Luminaries such as Rudyard Kipling, George Bernard Shaw, H. G. Wells, and James McNeill Whistler come under the author's scrutiny, where they meet with equal measures of his characteristic wisdom and good humour. In addition to incisive assessments of well-known individuals, these essays contain observations on the wider world. While the loci of the chapters of “Heretics” are personalities, the topics he debates are as universal to the "vague moderns" of the 21st century as they were to those of the 20th. The topics he touches upon range from cosmology to anthropology to soteriology and he argues against French nihilism, German humanism, English utilitarianism, the syncretism of "the vague modern", Social Darwinism, eugenics and the arrogance and misanthropy of the European intelligentsia. “Heretics” roused the ire of some critics for censuring contemporary philosophies without providing alternatives; the author responded a few years later with a companion volume, “Orthodoxy.” Both works are regarded as central to his corpus of moral theology.

Heretics (Annotated)

Father Brown (Chesterton’s sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown’s constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn’t go well. Sure, Flambeau gets some good fishing in, but there’s also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

The Sins of Prince Saradine

“The Hammer of God,” readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly “drunkards and dandy degenerates.” Rumor has it that there has been “a whisper of insanity” in the Bohun family.

The Hammer of God

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Wrong Shape

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

The Three Tools of Death

The tenth story in The Innocence of Father Brown is entitled “The Eye of Apollo.” At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be “the New Priest of Apollo,” and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

The Eye of Apollo

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

The Sign of the Broken Sword

It seems a strange thing to mix theology with mystery fiction, but that is exactly what G. K. Chesterton did in his book of short stories, The Man Who Knew Too Much and other stories, published in 1922. The eight stories revolve around the detective, Horne Fisher, as he solves crimes occurring among the political elites in pre-war England. He is both aided and hindered in his efforts by the fact that he himself is so enmeshed in the lives of these politicians, due to friendships or familial ties. Often, he is forced to let the criminal get away lest greater chaos ensue. Throughout these stories, Fisher discusses the state of affairs with his friend, Harold March, and we come across many of Fisher’s philosophical and theological positions, which we can only deduce to reflect those of Chesterton. This is a fabulous and thrilling read, full of the intrigue and suspense of a good detective story, but also a brilliant reflection on how to make sense of the bad, and good, in all people.

Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics, writing it expressly in response to G.S. Street's criticism of the earlier work, "that he was not going to bother about his theology until I had really stated mine". In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. The book was written when Chesterton was an Anglican. He converted to Catholicism 14 years later. Chesterton chose the title, Orthodoxy, to focus instead on the plainness of the Apostles' Creed, though he admitted the general sound of the title was "a thinnish sort of thing". Gilbert Keith Chesterton (29 May 1874 – 14 June 1936), was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton created the fictional priest-detective Father Brown.

Horne Fisher, un funcionario del Imperio, tropieza a lo largo de su carrera con una serie de misteriosos asesinatos cuya solución se encuentra más allá de las apariencias. Como en la mayoría de los thrillers de Chesterton, cada relato encierra una ingeniosa paradoja sobre la condición de la sociedad o la naturaleza humana.

El hombre que sabía demasiado

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