Joan Brossa va transgredir constantment els límits entre art, poesia i vida. Aquesta màxima també la va traslladar a la seva immensa i, quasi diríem, inabastable creació literària. Va ser un autor prolífic que va considerar els límits entre art i literatura com una oportunitat per crear noves formes totalment avantguardistes i originals. I bona mostra d’aquesta actitud vital i artística és la seva poesia visual: on acaba el poema i on comença l’obra d’art? Amb motiu del centenari del naixement del poeta, dramaturg i artista català, i de la mà de la Fundació Joan Brossa, en aquest recopilatori presentem una selecció de 53 poemes i 30 poemes visuals que tenen com a punt en comú la transgressió de la forma en la poesia clàssica i el diàleg entre les diverses expressions de l’art. Aquest recopilatori inclou poemes que reflecteixen l’evolució del poeta de Barcelona, des dels inicis a Fogall de sonets, fins el darrer poemari publicat en vida seva, Furgó de cua.

Poemes transgredits

This delightful children's poetry book contains a collection of fun and imaginative poems for fun and imaginative kids (and those adults that still behave like kids). "Once, I Laughed My Socks Off" has engaged young readers all over the world, and been used as recommended reading in schools. Learn why you should tidy up after yourself, why midnight snacking is not such a good idea, and what to do if you laugh so hard that your socks come off! This book of funny children's poems contains a host of interesting stories and characters for your kids to enjoy. Each story more fun than the last. These poems are written to encourage reluctant young readers to find enjoyment in poetry, and the wonder of words. Schools have used Steve's poetry to teach children all over the world.

Once, I Laughed My Socks Off

The Beauty Within Shadow is narrated by Henry Normal. Written between August 2019 and June 2020, these poems are concerned with the balancing of darkness and light in our everyday lives, the search for an understanding of pain and sorrow, and the processing of other thoughts we’d usually avoid by filling our days with mindless distractions. "Shove up National Treasures. We need to make room for Henry Normal." - Radio Times "The Alan Bennett of poetry" - The Scotsman "Distinctly funny" - Time Out "Witty and uncannily accurate with his observations." - The Stage "Dovetails bittersweet poetry with a sublimely observant wit." - The Guardian Henry Normal is a writer, poet, TV and film producer, founder of the Manchester Poetry Festival (now the Manchester Literature Festival) and co-founder of the Nottingham Poetry Festival. In June 2017 he was honoured with a special BAFTA for services to television. Henry co-wrote and script edited the multi-award-winning Mrs Merton Show and the spin-off series Mrs Merton and Malcolm. He also co-created and co-wrote the first series of The Royle Family. With Steve Coogan, he co-wrote the BAFTA-winning Paul and Pauline Calf Video Diaries, Coogan’s Run, Tony Ferrino, Doctor Terrible, all of Steve’s live tours and the film The Parole Officer. Setting up Baby Cow Productions Ltd in 1999, Henry Executive Produced all, and script edited many, of the shows of its seventeen-and-a-half-year output during his tenure as MD. Highlights of the Baby Cow output during this time include Oscar-nominated Philomena, I Believe in Miracles, Gavin and Stacey, Moone Boy, The Mighty Boosh, Marion and Geoff, Red Dwarf, Uncle, Nighty Night, Hunderby, Camping and Alan Partridge. Since retiring in April 2016, Henry has written and performed six BBC Radio 4 shows, A Normal Family, A Normal Life, A Normal Love, A Normal Imagination, A Normal Nature and A Normal Universe, combining comedy, poetry and stories about bringing up his autistic son.

The Beauty Within Shadow

With a title inspired by an angry text that the sleep deprived, post-partum author once sent to her husband, this book is a must for anyone fed up with trying to survive modern life.  This candid collection of 40 poems takes a stark look at parenting, internet comparison culture, and political nonsense, and asks important questions such as… Why is bonfire night always crap? Is it normal to get this stressed by the school Whatsapp group? And why can’t people on social media just be kinder to each other?!

I Can Hear You Ironing

The poems in Near-Life Experience are curious about the world, the present moment, its weather and animals, its objects and things. They want to make it real in language before it changes, vanishes. Documenting landscapes, paintings, insects, and trees, Near-Life Experience experiments in precision. Understanding is subverted by the day's distractions and the unexpected shapes of the imagination. How do I relate to this? What does it mean? What's happening, exactly? Does experience experience me? Description shapes into a different precision, the poet finds humour and panic at the changing edges of the actual. The poems include a variety of walk-on parts – from Breughel's hunters in the snow and American painter Richard Diebenkorn to nineteenth-century geologist James Hutton and the poet's own friends and intimates. They measure his expanding and contracting times, birthdays, seasons, climate breakdown, witnessing the moment and its 'sheer / ongoing changes'.

Near-Life Experience

A Poetry Book Society Spring Recommendation 2024 'The days have no names. The day they count the dead, the day they closed the doors, turned off the lights. We're still here in the silence, hearing tree-talk, the wind's secrets, the company of birds.' ('The Year of the Dead') The poems in Gillian Clarke's The Silence begin during lockdown, to whose silences Clarke listens so attentively that other voices emerge. As the book progresses, that silence deepens, in the poems about her mother and childhood, about the Great War and its aftermaths, and in her continuing attention to Welsh places and names, and the rituals which make that world come in to focus. In these scrupulous, musical poems, Clarke finds consolation in how silence makes room for memory and for the company of the animal- and bird-life which surrounds us. These poems, compulsively returning to key images and formative moments, echo and bring back other ways of living to the book's present moment.

The Silence

The Twilight Zone Haiku explores the essence of Rod Serling’s iconic, uncanny 1960s television show through haiku, giving us dazzling, spot-on snapshots of each episode. In seventeen syllables, Boykin captures the show's main objective: to deliver a keen jolt of existential awareness. As you read, you find yourself marooned on an alien planet, lost in time, trapped inside a mannequin, surrounded by the debris of a nuclear attack, and always, always powerless to forces beyond your control. The Twilight Zone Haiku conjures the trappings of each haunting plot of the series, but more astutely, its scalpel-edged soul. Special audiobook bonus content includes: an interview by Tom Elliot with Earl Holliman, the first actor to ever step into The Twilight Zone, a special conversation between the author, Chad Ellis Boykin and audiobook producer and narrator, Tom Elliot, host of The Twilight Zone Podcast, an interview with haiku poet, artist, author, publisher, and Weirdo Poetry webmaster Jason McBride, and a special behind the scenes interview by audio engineer Christopher Sadler with the author, including new Twilight Zone Haiku poems exclusive to the audiobook. “Fans of The Twilight Zone will love this wonderful collection of haiku based on episodes of the classic series. Like Rod Serling’s doppelganger, Chad Ellis Boykin distills the theme of each episode into seventeen perfect syllables. Even if you’ve never seen an episode, the haiku can be enjoyed for the precision of the language and the lessons they share about the human condition. This book is smart, playful, and a joy to read. Be warned: once you step into that slippery dimension between time, space, and the open page, you’ll have a hard time leaving The Twilight Zone Haiku.” -Chuck Augello, author of Talking Vonnegut: Centennial Interviews and Essays and The Revolving Heart, a Best Books of 2020 Selection by Kirkus Reviews.

The Twilight Zone Haiku

Drop in on this whimsical non-linear prose between the signs of the Zodiac. Moderated by Professor Emeritus. There is beach boy Aquarius, soulful Pisces, grumpy Taurus, Virgo the peacemaker - you get the idea. Gregory Sulface prose here on display is cubist surrealism. A one of a kind! Imagine when the zodiac signs have all gathered together, maybe sharing some drinks and having a long chat—in poetry. Will they talk about who is more fun? Will they point fingers at who is being dramatic? Or would they talk about the people who represent them and if these people were representing their signs very well? Will these signs be friends? Will Aries, Leo, and Sagittarius throw fire at other signs? Will Cancer, Scorpio, and Pisces douse everyone else with water? Will the earth (Capricorn, Taurus, and Virgo) and air (Gemini, Libra, and Aquarius) signs meet? There would surely be intriguing topics and heightened emotions involved in this party. If you want to eavesdrop, get a copy of Astrology Poetry 101: Cypher.

Astrology Poetry 101: Cypher

"Better to reign in Hell than to serve in Heaven." It's the classic temptation - power. And these are the words John Milton puts on the forked tongue of the serpent when it speaks to Adam and Eve. We know how it ends - an apple, nakedness and banishment. But in 'Paradise Lost', Milton turns a few Bible verses into a true epic. In 10,000 lines of beautiful but dark verse, he tells the parallel stories of Satan and of Adam and Eve. With greed, temptation, lust, sex, deception, shame and much more, it is a classic whose themes are as relevant and alluring today as ever before. John Milton (1608-1674) was almost 60 when he produced his masterpiece, 'Paradise Lost'. He was an English poet who served as a civil servant under Lord Protector Oliver Cromwell in the 17th century. Before this, he was considered a dangerous radical as he published rebellious pamphlets during the reign of Charles I. A famed republican, his work 'Areopagitica' was a scorching condemnation of pre-publication censorship. The Restoration of Charles II saw Milton marginalised from 1660. He died blind and impoverished.

Paradise Lost

Wilde, glamorous and notorious, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

Selected Poems

SELECTED POEMS is a selection of Henrik Nordbrandt's poems, translated into English in a cooperation between Alexander Taylor, Nadia Christensen and Henrik Nordbrandt.

«Hay unas pequeñas rosas rosadas sobre el escritorio. Qué extraña tristeza suelen desprender las rosas de otoño…» «Por primera vez en semanas, estoy aquí sola, dispuesta a retomar mi vida "real". Eso es lo extraño: que ni los amigos, ni siquiera los amores apasionados, son mi vida real, a menos que disponga de un tiempo a solas para explorar y descubrir cuanto está ocurriendo, o cuanto ya ha ocurrido». May Sarton espera abrirse camino «entre las abruptas y rocosas profundidades para llegar al núcleo de la matriz, donde aún quedan iras y violencias no resueltas. Mi necesidad de estar a solas siempre está en contrapunto con el miedo a todo aquello que sucederá si de repente, una vez adentrada en el enorme y vacío silencio, no puedo encontrar apoyo alguno». Sarton escribe con un riguroso sentido de la observación y una gran carga emocional sobre el mundo interior y exterior: las estaciones, la vida cotidiana, los libros, la gente, las ideas; y a medida que se detiene en todo ello, va conformando su viaje artístico y espiritual. En este libro nos encontramos más cerca que nunca de la esencia de su escritura.

Narrativas Gallo Nero

Diario de una soledad

'I should never ask directions to my childhood', writes Fred D'Aguiar: 'There is no way back home'. The Rose of Toulouse is a book of geographies tracing the various places the poet has lived, their histories, and his own history as he travels away from who he was. His transformations and shifts - between Britain, Guyana and the USA - are his identity: 'Each year I travel, my passport photolooks less like me.' In both flexible free verse and more formally patterned poems, D'Aguiar conveys the fragility of flesh and the transience of memories.

The Rose of Toulouse

The great unshackling of women's voices in poetry has one of its beginnings right here. These sad beautiful poems are full of rendings and breakings and burnings.' So writes Eavan Boland in her introduction to her selection of poems of Charlotte Mew (1868-1928). Identifying in Mew the startling, powerful voice that first made possible a new kind of poetry, free of Victorian expectations of a 'poetess', Boland has selected the poems that have meant most to her as a reader and a writer. The dialogue between the two poets establishes Mew's place in the continuing dialogue of women's writing.

Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work--with the care and wisdom of one who knows these roads. 'Silently / pulling for itself, / the will wants the body to // give it what it wants,' Sexton writes in 'Between the Car and the Sea,' at once a description of a carís body propelling her onward, and of the poet herself, the one behind the wheel of this masterful fourth collection. In an extraordinary act of volition, the author does not stop at the trope of ambition, but powers instead toward the urgent concerns of the will, and intention.

Drive

In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Braiding meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection of poems treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living? Utilizing primary and secondary sources, Bingham-Risher weaves together a richly textured vision of her foremothers' everyday and exceptional living: two very different women at opposite ends of their lives, converging upon the same space and time. The lives these women inhabit and generations they fostered add infinite layers to the fabric of the American tapestry. Room Swept Home serves as a gloriously rendered portrait of all that is held in the line between the private and public, the investigative and generative, the self and those who came before us.

Room Swept Home

In 1969 Natalya Gorbanevskaya was sentenced to imprisonment in a Soviet psychiatric hospital for her dissident activities; in 1972 Carcanet published Daniel Weissbort's first translations of her poems, with a transcript of her trial.In this new, enlarged selection of translations he returns to a poet who has continued, in exile, to engage with the cause of human freedom and the poetic traditions of her homeland. Anna Akhmatova regarded Gorbanevskaya as one of the small group of poets who kept Russian poetry alive. Weissbort, one of the leading translators of Russian poetry in Britain, expands our understanding of the continuing vitality of her work. An interview with Valentina Polukhina in which Gorbanevskaya discusses her life and beliefs provides illuminating context.

Written during the profound global upheaval between 2019 and 2023, In Water Not Blood braids ancient traditions of nature-based spirituality, dreaming, song and prayer with the realities and anxieties of modern life. These poems are as much soft and spiritual as they are rage-filled and disillusioned.  A powerful account of the author's journey to reclaim her connection to her ancestors and to the Earth. In Water Not Blood is a celebration of the healing power of nature and art and is an urgent cry for collective transformation.

In Water Not Blood

Anthology of Epic Poems, is a collection of epic poems collected for you with a Active table of contents, to make reading more enjoyable. This collection includes: -The Iliad and The Odyssey by Homer -The Aeneid, by Virgil -The Divine Comedy, by Dante Alighieri -Venus and Adonis, by William Shakespeare -Paradise Lost and Paradise Regained, by John Milton

The Epic Poems Anthology : The Iliad, The Odyssey, The Aeneid, The Divine Comedy...

A collection of poems about yearning for a place to belong, searching for ourselves in the broken pieces of other people, shedding the many layers that no longer serves our growth, discovering ourselves through our own shattered pieces, and becoming whole in the universe of us.

things left unsaid

From the Sunday Times Young Writer of the Year 2019 Shortlisted for the T. S. Eliot Prize 2021 '[Raymond Antrobus] has built another beautiful paper house which you can spend a very long and deeply satisfying time inside.' Mark Haddon 'Moving deftly between tenderness and violence, hope and grief, praise and lament, this is a deeply evocative collection that will linger in the reader’s mind.' Guardian Raymond Antrobus’s astonishing debut collection, The Perseverance, won both Rathbone Folio Prize and the Ted Hughes Award, amongst many other accolades; the poet’s much anticipated second collection, All The Names Given, continues his essential investigation into language, miscommunication, place, and memory. Throughout, All The Names Given is punctuated with [Caption Poems] partially inspired by Deaf sound artist Christine Sun Kim, which attempt to fill in the silences and transitions between the poems, as well as moments inside and outside of them. Direct, open, formally sophisticated, All The Names Given breaks new ground both in form and content: the result is a timely, humane and tender book from one of the most important young poets of his generation.

All The Names Given

*Sunday Times Young Writer of the Year 2019* Winner of the Rathbones Folio Prize 2019 * Winner of the Ted Hughes Award 2018 * Winner of the Somerset Maugham Award * Shortlisted for the Jhalak Prize * The Perseverance is the multi-award-winning debut by British-Jamaican poet Raymond Antrobus. Ranging across history and continents, these poems operate in the spaces in between, their haunting lyrics creating new, hybrid territories. The Perseverance is a book of loss, contested language and praise, where elegies for the poet's father sit alongside meditations on the d/Deaf experience. Audiobook now available from Audible, Amazon and iTunes.

The Perseverance

"Selected Poems" by Rupert Brooke offers a compelling glimpse into the early 20th-century poetic landscape, characterized by its exquisite lyricism and palpable emotional depth. The collection reveals Brooke's mastery of imagery and form, blending romantic idealism with the harsh realities of war. His poems, such as the renowned "The Soldier," evoke a sense of patriotism and valor, while also grappling with themes of love, beauty, and mortality, encapsulating the dualism of pre-war innocence and the impending tragedy of the First World War. This duality is further accentuated by Brooke's use of vivid metaphors and rhythmic cadences, reflecting the lyrical refinement prevalent in Edwardian poetry. Rupert Brooke, a key figure of the Georgian poets, was deeply influenced by his experiences and the tumult of his time. Born in 1887, Brooke's education at Rugby School and King's College, Cambridge, shaped his intellectual and artistic sensibilities. His embrace of nature, beauty, and youthful enthusiasm imbues his poetry, while the specter of war loomed large in his life, tragically culminating in his untimely death in 1915. This context provides a rich backdrop for understanding the nuances of his verses. "Selected Poems" is a must-read for those interested in the interplay between beauty and tragedy in literature. Brooke's work resonates with universality, capturing the fleeting emotions of youth and the profound impact of conflict. As a reflection of a monumental era, this collection invites readers to explore not just the poet's voice but also the cultural and historical forces that shaped his art.

The Poetry Book Society Winter 2020 Choice In Letters to Americathe Guyanese-British poet, novelist and playwright Fred D'Aguiar has some difficult things to say. The twenty-two poems are full of lived tales and memories - of Britain, the Caribbean and the United States - and of specific and shared memory. He supplies some of the difficult detail he has omitted from earlier poems. The modern mid-city Los Angeles sun-rise we experience is a cacophony, violent and memorable music rendered in prose. The poems weave in and out of familiar forms, including terza rima, casting and breaking spells. There is peril at every turn, and opportunity. D'Aguiar is now Professor of English at the University of California, Los Angeles, a wry perspective from which to survey a nation enduring a dismal present, and also the years that shaped him. It is the variety of lives, his own among them, that provide the changing illumination of his writing, and he has developed a mimetic language that takes its bearings from Derek Walcott and from Kamau Brathwaite whose 'Barbados shines/Back at Africa'. Like his chosen forebears, he risks longer forms as well as lyrics, most notably in the fragmented 'Burning Paradise', in 'Call & Response', an impassioned exchange with Martin Luther King, and in the extended title poem. This is Fred D'Aguiar's fourth Carcanet collection, and his most ambitious.

Letters to America

"I float languidly down a river of dreams on a bed of thoughts woven into fantasies I am like mercury formless and silvery breaking and merging with ease at times I am a thought sometimes the dream I weave in and out trespassing everywhere at once but nowhere really. Experience the power of words and the beauty of language as you embark on this poetic journey. We wish you the essence of life, love, and spiritual inwardness as you listen to ""The Vast Empty""."

The Vast Empty

Roshni Goyate, Sharan Hunjan, Sheena Patel and Sunnah Khan are four writers that make up the talented collective 4 BROWN GIRLS WHO WRITE and bring their radical, polyphonic performance style to bear on a series of individual pamphlets that still resonate with their collaborative force. Each author's discreet publication is a stand-alone work, published as a set of poetry and prose pamphlets, highlighting the daring, brilliant writing that characterises both the group and each individual author.

4 BROWN GIRLS WHO WRITE

SPLIT is a poetry book written by Alfred Harrell and the first published project by Listen Black Media. Alfred is bold in his imagery and direct in his storytelling. The deepest family secrets are being revealed in hopes to incite the riot needed to encourage change and healing. You see his courage as he speaks of his personal accounts of trauma, discovery, self-rediscovery, and even the rebirthing of himself into true manhood. The audiobook is narrated by a cast of actors that capture the gravity and immenseness of Alfred's words.

Split

The Poetry Book Society Spring Choice 2024 'It is hard to hurt and then explain the hurt away / so as not to hurt anyone. But have you seen / my life?' ('Child of Lir') The lives depicted by Victoria Kennefick alter, shatter and recombine in stunning monologues, innovative hybrid forms and piercing lyrics: her second book Egg/Shell is a diptych, a double album, which explores early motherhood and miscarriage, and the impact of a spouse's gender transition and the dissolution of a marriage. Acclaimed as one of the boldest poetic voices to emerge in recent years, Kennefick, in the follow-up to her best-selling Eat or We Both Starve, breaks new ground with generosity, emotional complexity, formal ingenuity and wit.

Egg/Shell

Read by the author, John Cooper Clarke. 'Nothing short of dazzling' – Alex Turner Dr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen – and that's just the first poem. Hot on the heels of The Luckiest Guy Alive and his sprawling, encyclopaediac memoir I Wanna Be Yours, the good Doctor returns with his most trenchant collection of poems yet. Vivid and alive, with a sensitivity only a writer with a life as varied and extraordinary as Cooper Clarke's could summon, WHAT is an exceptional collection from one of our foremost satirists.

WHAT

Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Born in Amherst, Massachusetts, to a successful family with strong community ties, she lived a mostly introverted and reclusive life. After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst. Thought of as an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence. In 2016, Terence Davies released A Quiet Passion, a biographical film about the life of Emily Dickinson. The film stars Cynthia Nixon as the reclusive poet. It co-stars Emma Bell as young Dickinson, Jennifer Ehle, Duncan Duff and Keith Carradine.

Emily Dickinson: Complete Poems

A New York Times Editors’ Choice book from the author of the award-winning Tap Out – “a gritty, insightful debut” (Washington Post) – Edgar Kunz’s second poetry collection propels the reader across the shifting terrain of late-capitalist America. Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Fixer

Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism. No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world. Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter. Supplemental enhancement PDF accompanies the audiobook.

No Sweet Without Brine

Kalevala: The Epic Poem of Finland is a monumental work encompassing the rich mythological history and folklore of the Finnish people. This compilation, arranged and edited by Elias L√∂nnrot in the 19th century, weaves together oral traditions and poetic tales, encapsulating the struggle between humanity and nature, as well as the eternal quest for knowledge and heroism. Its literary style is characterized by trochaic tetrameter, giving the verse a compelling rhythm that resonates through Finland's scenic landscapes. Set against the backdrop of nationalism and cultural revival, the Kalevala serves as a cornerstone of Finnish identity and a reflection of the Helsinki School's interest in folk narratives and songs. The anonymous origins of the Kalevala highlight the collective memory of the Finnish people, who contributed their myths, legends, and anecdotes over centuries. L√∂nnrot'Äôs dedication to preserving these oral traditions was fuelled by his belief in the power of poetry as a unifying force, particularly during a period of increasing national awakening, where Finland sought to consolidate its cultural heritage amid foreign dominations. Kalevala is a must-read for anyone intrigued by epic poetry, folklore, and the intricate web of mythological narratives that shape national identity. Its universal themes and intricate storytelling make it not only a vital piece of Finnish literature but also an enriching exploration for those engaged in cultural studies, comparative literature, and the evolution of oral traditions.

Kalevala : the Epic Poem of Finland — Complete

""Dazzling. . . . In glittering prose, Momaday recalls stories passed down through generations, illuminating the earth as a sacrosanct place of wonder and abundance. At once a celebration and a warning, Earth Keeper is an impassioned defense of all that our endangered planet stands to lose."" — Esquire A magnificent testament to the earth, from Pulitzer Prize-winning novelist and poet N. Scott Momaday. One of the most distinguished voices in American letters, N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. A member of the Kiowa tribe, Momaday was born in Lawton, Oklahoma and grew up on Navajo, Apache, and Peublo reservations throughout the Southwest. It is a part of the earth he knows well and loves deeply. In Earth Keeper, he reflects on his native ground and its influence on his people. “When I think about my life and the lives of my ancestors,"" he writes, ""I am inevitably led to the conviction that I, and they, belong to the American land. This is a declaration of belonging. And it is an offering to the earth.” In this wise and wonderous work, Momaday shares stories and memories throughout his life, stories that have been passed down through generations, stories that reveal a profound spiritual connection to the American landscape and reverence for the natural world. He offers an homage and a warning. He shows us that the earth is a sacred place of wonder and beauty, a source of strength and healing that must be honored and protected before it’s too late. As he so eloquently and simply reminds us, we must all be keepers of the earth.

Earth Keeper

A bold, mesmerizing debut collection exploring womanhood, the body, mental illness, and what it means to move between cultures Renowned for her storytelling and spoken-word artistry, Ama Asantewa Diaka is also an exultant, fierce, and visceral poet whose work leaves a lasting impact. Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease. Vivid and bodily while also deeply cerebral, Woman, Eat Me Whole is a searing debut collection from a poet with an inimitable voice and vision.

Woman, Eat Me Whole

'A sensual feast of a novel, written with elegance, beauty, charm and skill in a voice that is both lyrical and unique' Santa Montefiore Eliza Acton, despite having never before boiled an egg, became one of the world’s most successful cookery writers, revolutionizing cooking and cookbooks around the world. Her story is fascinating, uplifting and truly inspiring. Told in alternate voices by the award-winning author of The Joyce Girl, and with recipes that leap to life from the page, The Language of Food by Annabel Abbs is the most thought-provoking and page-turning historical novel you’ll read this year, exploring the enduring struggle for female freedom, the power of female friendship, the creativity and quiet joy of cooking and the poetry of food, all while bringing Eliza Action out of the archives and back into the public eye. ‘I love Abbs’s writing and the extraordinary, hidden stories she unearths. Eliza Acton is her best discovery yet’ Clare Pooley 'A literary - and culinary - triumph!' Hazel Gaynor ‘Exhilarating to read - thoughtful, heart-warming and poignant, with a quiet intelligence and elegance that does its heroine proud’ Bridget Collins 'A sumptuous banquet of a book that nourished me and satisfied me just as Eliza Acton’s meals would have... I adored it' Polly Crosby ‘Wonderful... Abbs is such a good story teller. She catches period atmosphere and character so well’ Vanessa Nicolson 'Two of my favourite topics in one elegantly written novel - women’s lives and food history. I absolutely loved it' Polly Russell 'A story of courage, unlikely friendship and an exceptional character, told in vibrant and immersive prose' Caroline Scott ‘Richly imagined and emotionally tender’ Pen Vogler 'Characters that leap off the page, a fascinating story and so much atmosphere, you feel you're in the kitchen with Eliza - I loved it.' Frances Quinn 'Clever, unsentimental, beautifully detailed and quietly riveting' Elizabeth Buchan, author of Two Women in Rome

The Language of Food

The debut US poetry collection from social media star Elvira Sastre, exploring the sharp, slippery moments that turn a beloved relationship into something self-destructive. Counting the days that pass after a devastating breakup, Elvira Sastre confronts the haunting questions that surround every failed relationship: What happened? Where did it all go wrong? How did it all fall apart? With a bold, lyrical voice poised on the knife’s edge of romance and grief, Sastre evokes the heady rush of first love and the sorrow of its painful end—even as she learns to pick up the pieces and move on after the worst has happened. At once deeply personal and universally resonant, painful and resoundingly hopeful, One Day I Will Save Myself speaks to the poet in all of us. An intimate journey through loving, losing, and living that inspires readers to begin their own healing and is perfect for fans of Rupi Kaur, r.h. Sin, and Atticus.

One Day I Will Save Myself

Rupi Kaur performs the first-ever recording of home body, her third #1 New York Times bestselling collection of poetry and prose. This production was performed and recorded in 2021 along with the brand-new audio edition of milk and honey and the first audio recording of her second collection, the sun and her flowers. Kaur constantly embraces growth, and in home body, she walks listeners through a reflective and intimate journey visiting the past, the present, and the potential of the self. home body is a collection of raw, honest conversations with oneself—reminding listeners to fill up on love, acceptance, community, family, and embrace change. Themes of nature and nurture, light and dark, rest here. i dive into the well of my body and end up in another world everything i need already exists in me there’s no need to look anywhere else —home

Home Body

‘Charly is social media’s answer to Carol Ann Duffy’ Sunday Times STYLE [Charly] is turning a new generation on to poetry’ The Telegraph From the bestselling author of She Must Be Mad comes the second book of poetry and prose from Charly Cox. What is love? Baby don’t hurt me… but please like my Instagram post. Hello, my name is Charly and I am code-dependent, so would you please, please just validate me? From the bestselling author of She Must Be Mad comes Charly Cox’s second collection of poetry and prose. This is an account of a life lived online. Swiping for approval. Scrolling for gratification. Searching for connection. From the glow of a screen in the middle of the night, to the harsh glare of the hospital waiting room, Validate Me is a raw and honest look at the highs and the lows of a digital life. The new voice of a generation, Charly’s words have the power to make us all feel less alone.

Validate Me

Read by the author, Kae Tempest. Including an audio-exclusive Q&A, in which Kae explores ideas of poetry, music and form. I want to sing you early songs. Go deeper. I want to take you back where you began, Find the scraps of you you hid in secret And bring them back to life beneath my tongue. Divisible by Itself and One is the powerful new collection from our foremost truth-teller Kae Tempest. Ruminative, wise, with a newer, more contemplative and metaphysical note running through, it is a book engaged with the big questions and the emotional states in which we live and create. Some of the poems experiment with form, some are free, and yet all are politically and morally conscious. Divisible by Itself and One is also a book about human form, the body as boundary and how we are read by the world. Taking its bearings - and title - from the prime number, Divisible by Itself and One is concerned, ultimately, with integrity: how to live in honest relationship with oneself and others. “Tempest delivers their thoughts gorgeously, rhythmically, but also with clarity and a fierce grace” Observer

Divisible by Itself and One

A piercing debut collection of poems exploring gender, race, and violence from a sensational new talent. In her arresting collection, urgently relevant for our times, poet Emily Jungmin Yoon confronts the histories of sexual violence against women, focusing in particular on Korean so-called “comfort women,” women who were forced into sexual labor in Japanese-occupied territories during World War II. In wrenching language, A Cruelty Special to Our Species unforgettably describes the brutalities of war and the fear and sorrow of those whose lives and bodies were swept up by a colonizing power, bringing powerful voice to an oppressed group of people whose histories have often been erased and overlooked. “What is a body in a stolen country,” Yoon asks. “What is right in war.” Moving readers through time, space, and different cultures, and bringing vivid life to the testimonies and confessions of the victims,Yoon takes possession of a painful and shameful history even while unearthing moments of rare beauty in acts of resistance and resilience, and in the instinct to survive and bear witness.

A Cruelty Special to Our Species

The award-winning, genre-crossing writer demonstrates her power as a funkadelic and formidable feminist voice in this rich and beautiful collection of verse and image—a multi-part retrospective that traverses time, space, and reality to illuminate the expansiveness of Black femme lives. Voted one of the Best Books of 2023 by the New York Public Library. Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large. Every poem in Side Notes elevates and honestly illustrates the buoyancy of Blackness and the calamity of Black lives on earth. In her uniquely embracing and experimental style, Anastacia-Reneé documents these truths as celebrations of diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat. From internet “Fame” to the toxicity of the white gaze, Side Notes from the Archivist cements Anastacia-Reneé role as a leading light in the womanist movement—an artist whose work is in conversation with advocates of Black culture and thought such as Audre Lorde, Amiri Baraka, and Nikki Giovanni.

Side Notes from the Archivist

Includes 6 audiobook-exclusive poems! In the midst of the hurt and the mundane, the questions and the not yets, you can forget just how far you have come. This illustrated collection of poetry and essays invites you to reclaim moments of brokenness, division, and pain and re-envision them as experiences of reconciliation, unity, and hope. Popular Instagram poet and bestselling author Morgan Harper Nichols weaves together personal reflections through her signature poems, reflecting on the moments that shaped her. She invites you to: Awaken your heart and recognize how your own story has made you who you are todayEnter into a deeper understanding of pressing on and pressing in, of transformation and surrenderDiscover meaning in the losses and embrace anticipation for the splendor aheadBecome who you are in the moment you hold right now How Far You Have Come is an excellent gift for college and high school graduations, celebrations and anniversaries, life transitions, and birthdays or simply a gift for yourself. Follow Morgan on Instagram @morganharpernicols (along with her millions of followers), and look for more beautiful, thought-provoking poetry in her other collections: All Along You Were BloomingYou Are Only Just Beginning

Morgan Harper Nichols Poetry Collection

How Far You Have Come

With echoes of Audre Lorde’s The Cancer Journals and Susan Sontag’s Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman’s journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice. With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms. Gibson presents her body as a “looking glass” that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the “we” in her. The Span of a Small Forever is both testimony and transformation—heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives.

The Span of a Small Forever

An Instant #1 New York Times Bestseller A Goop Book Club Pick ""If you want your breath to catch and your heart to stop, turn to Kate Baer.""--Joanna Goddard, Cup of Jo A stunning and honest debut poetry collection about the beauty and hardships of being a woman in the world today, and the many roles we play - mother, partner, and friend. “When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me.” In “Nothing Tastes as Good as Skinny Feels” she challenges her reader to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?” Through poems that are as unforgettably beautiful as they are accessible, Kate Bear proves herself to truly be an exemplary voice in modern poetry. Her words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

What Kind of Woman

The title of this novel is a combination of two Sanskrit words, “siddha,” which is defined as “achieved,” and “artha” which is defined as “meaning” or “wealth.” The word serves as the name for the principal character, a man on a spiritual journey of self-discovery during the time of the first Buddha. Siddhartha is the son of a wealthy Brahmin family who decides to leave his home in the hopes of gaining spiritual illumination. Siddhartha is joined by his best friend Govinda. The two renounce their earthly possessions, engage in ritual fasting and intense meditation and ultimately seek out and speak with Gautama, the original Buddha. Here the two go their separate ways, Govinda joining the order of the Buddha, Siddhartha traveling on in search of spiritual enlightenment. In order to complete this novel Hesse immersed himself in the sacred teachings of both Hindu and Buddhist scriptures and lived a semi-reclusive life in order to achieve his own spiritual enlightenment. Considered one of Hesse’s most important works, “Siddhartha” remains to this day as one of his most popular. It is a work that deals with the quest that we all undertake in some way or another, to define our lives in an environment of conflicting dualities and ultimately find spiritual awareness.

Siddharta

Rupi Kaur performs the first-ever recording of the sun and her flowers, her second #1 New York Times bestselling collection of poetry and prose. This production was recorded in 2021 along with the brand-new audio edition of milk and honey and the debut audio recording of home body. Divided into five chapters, this volume is a journey through the life cycle of wilting, falling, rooting, rising, and blooming. It is a celebration of love in all its forms.

The Sun and Her Flowers

A dazzling full-length collection of verse from one of the leading poets of our time. Over the past two decades, jessica Care moore has become a cultural force as a poet, performer, publisher, activist, and critic. Reflecting her transcendent electric voice, this searing poetry collection is filled with moving, original stanzas that speak to both Black women’s creative and intellectual power, and express the pain, sadness, and anger of those who suffer constant scrutiny because of their gender and race. Fierce and passionate, Jessica Care moore argues that Black women spend their lives building a physical and emotional shelter to protect themselves from misogyny, criminalization, hatred, stereotypes, sexual assault, objectification, patriarchy, and death threats. We Want Our Bodies Back is an exploration—and defiant stance against—these many attacks.

We Want Our Bodies Back

Longlisted for the Laurel Prize 2024 A Poetry Book Society Spring Recommendation 2024 'Trees crawling with babies, babies darting through the sky or buoyed by thermal vents, babies painted with false eyes' ('Fable') In Isabel Galleymore's second collection, the adorable other is not just an imagined future child, but also a tree frog, a weather-worn statue and often the speaker herself, who dreams of quitting adulthood and an endangered world. 'Mother Earth' is less an entity to be revered than a command to care-giving. Lyrics and syllabically-constrained fables examine the play and power involved in creating new life, whether biologically or via cartoonists' animation. Galleymore hones in on cuteness and its relationships to hyper-capitalism and environmental crisis to produce a deliberately queasy ecopoetics. Animal extinctions are likened to failed businesses and sainthood is granted to a dubious character named Michael Mouse. Studies of wild creatures join those of pets, pot plants and animal videos: here is a new nature – one shaped by the extremes of our contemporary desires.

Baby Schema

Indulge in Rumi's passion with this collection of 13th century love poetry. Become lost in the words of The Love Poems of Rumi. Included in this audiobook is a collection of Jalal al-Din Rumi's passionate love poems, translated by Nader Khalili. Beautifully read by Neil Shah, you'll become spiritually inspired by the words in this audiobook. Perfect for lovers, dreamers, and poets, the poems from this 13th century theologist will leave you wistfully peaceful. This audiobook was produced and published by Echo Point Books & Media, an independent bookseller in Brattleboro, Vermont. ©2015 Cal-Earth Inc. (P)

The Love Poems of Rumi

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