Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema “donne e romanzo” rivolto nel 1928 a Virginia Woolf da due college femminili. Con ironia pungente, brillante acutezza e libertà d’inventiva, la scrittrice narra la secolare esclusione dell’universo femminile dalla Storia, spaziando da puntuali ricostruzioni storiche a personaggi del tutto immaginari.

Una stanza tutta per sé GOLD

Dalla postfazione di Mario Fortunato: "Orlando è la biografia che diventa romanzo di un eroe che diventa un’eroina e che vive parecchi secoli. Non ci vuole molto a capire che il suo tema non è l’immortalità né il sesso né la letteratura né Vita Sackville-West a cui il libro è dedicato. Il tema è piuttosto lo slittamento o, meglio ancora, la metamorfosi: di un corpo nell’altro, di un sesso nell’altro, di un genere nell’altro. Ciò che il personaggio Orlando e la sua vita fantastica ci dicono è che dentro ognuno di noi non esiste un sé prestabilito e rigido, bensì molti sé fluidi, instabili, che mutano incessantemente pur conservando al proprio interno elementi di continuità."

eNewton Classici

Orlando

To The Lighthouse is Virginia Woolf’s most accomplished novel, and her most autobiographical. It tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessible, an eternal presence in a changing world. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity. The style has the clarity of a diamond which shimmers in the mind, making To The Lighthouse one of the most unforgettable novels of the twentieth century.

To the Lighthouse : Abridged

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental literary powers, and she allows each character to tell their own story, through powerful, poetic monologues. by listening to these voices struggling to impose order and meaning on their lives we are drawn into a literary journey which stunningly reproduces the complex, confusing and contradictory nature of human experience. This is the only recording available of The Waves on CD. It is read with affection and skill by Frances Jeater.

The Waves : Abridged

Between the Acts is the final novel by Virginia Woolf, published in 1941 shortly after her suicide. This is a book laden with hidden meaning and allusion. It describes the mounting, performance, and audience of a festival play (hence the title) in a small English village just before the outbreak of the Second World War. Much of it looks forward to the war, with veiled allusions to connection with the continent by flight, swallows representing aircraft, and plunging into darkness. The pageant is a play within a play, representing a rather cynical view of English history. Woolf links together many different threads and ideas - a particularly interesting technique being the use of rhyme words to suggest hidden meanings. Relationships between the characters and aspects of their personalities are explored. The English village bonds throughout the play through their differences and similarities.

Between the Acts

Virginia Woolf's novel 'The Waves' is a groundbreaking work that showcases her innovative narrative techniques and modernist style. The book is composed of soliloquies spoken by six characters as they navigate their lives from childhood to old age, exploring themes of existence, friendship, and the passage of time. Woolf expertly weaves together the inner thoughts and feelings of each character, creating a lyrical and immersive reading experience that challenges traditional novel structures. Set against the backdrop of early 20th-century England, 'The Waves' is a reflection on the complexities of human experience and the transient nature of life. Virginia Woolf's own struggles with mental health and her deep introspection are evident in the profound psychological depth of the characters in the novel. Readers interested in experimental literature and psychological exploration will be captivated by Woolf's masterful storytelling in 'The Waves'.

THE WAVES

The Waves is a 1931 novel by Virginia Woolf. Consisting of six characters: Bernard, Louis, Neville, Jinny, Susan, and Rhoda, The Waves explores ideas of individualism and self as it follows the narrators from childhood to adulthood. This book was voted the 16th greatest novel ever written according to a 2015 BBC poll.

The Waves

Welcome to the Essays collection. A special selection of the nonfiction prose from influential and noteworthy authors. This book brings 22 of best essays of Virginia Woolf, across a wide range of subjects, including writing, feminism, Jane Austen, literature, poetry and many more topics.Virginia Woolf was an english writer known for her novels, essays and book reviews. Her fiction and ideas about literature, feminism and art, altered the course of literature. Many of her most relevant works were published by Tacet Books.The book contains the following texts:- Introduction by Edmund Gosse- The Modern Essay- A Room of One's Own- Modern Fiction- How Should One Read A Book?- How It Strikes a Contemporary- Craftsmanship- The Art of Biography- Why?- The Death of the Moth- The Humane Art- The Man at the Gate- The Novels of E. M. Forster- A Letter to a Young Poet- Jane Austen- Joseph Conrad- The Russian Point Of View- "Jane Eyre" And "Wuthering Heights"- George Eliot- American Fiction- The Art Of Fiction- On Re-Reading Novels- The Artist And Politics

Essays

Virginia Woolf - Essays

THE NOVELS The Voyage Out (1915) Night and Day (1919) Jacob's Room (1922) Mrs. Dalloway (1925) To the Lighthouse (1927) The Waves (1931) The Years (1937) Between the Acts (1941) THE 'BIOGRAPHIES' Orlando: a biography (1928) Flush: a biography (1933) Roger Fry: a biography (1940) THE STORIES Two Stories (1917) Kew Gardens (1919) Monday or Tuesday (1921) A Haunted House, and other short stories (1944) Nurse Lugton's Golden Thimble (1966) Mrs Dalloway's Party (1973) The Complete Shorter Fiction (1985) THE ESSAYS Mr. Bennett and Mrs. Brown (1924) The Common Reader I (1925) A Room of One's Own (1929) On Being Ill (1930) The London Scene (1931) A Letter to a Young Poet (1932) The Common Reader II (1932) Walter Sickert: a conversation (1934) Three Guineas (1938) Reviewing (1939) The Death of the Moth, and other essays (1942) The Moment, and other essays (1947) The Captain's Death Bed, and other essays (1950) Granite and Rainbow (1958) Books and Portraits (1978) Women And Writing (1979) 383 Essays from newspapers and magazines AUTOBIOGRAPHICAL WRITING A Writer's Diary (1953) Moments of Being (1976) The Diary Vols. 1–5 (1977-84) The Letters Vols. 1–6 (1975-80) The Letters of V.W. and Lytton Strachey (1956) A Passionate Apprentice. The Early Journals 1887-1909 (1990) THE PLAY Freshwater: A Comedy (both versions) (1976)

Virginia Woolf: The Complete Works

Virginia Woolf's "A Haunted House and Other Short Stories" showcases her masterful command of modernist literature, offering a collection that intricately blends stream-of-consciousness narrative with a deep exploration of memory and the nuances of the human experience. Through a series of poignant vignettes, Woolf delves into themes of love, loss, and the ethereal nature of existence, all underscored by her distinctly lyrical prose. The titular story, "A Haunted House," serves as a meditation on the juxtaposition between the past and present, illustrating how spaces and memories become intertwined in our consciousness. Virginia Woolf, a central figure in the modernist literary movement, was known for her innovative narrative techniques and her exploration of psychological depth. Drawing from her own experiences as a woman navigating the tumultuous early 20th century, Woolf's writing reflects a profound understanding of personal and societal complexities, informing her thematic focus on identity and existential inquiry. Her keen insights into human relationships and the passage of time resonate throughout this collection, making it a significant contribution to her oeuvre. For readers seeking to immerse themselves in a rich tapestry of emotion and introspection, "A Haunted House and Other Short Stories" is an essential exploration of Woolf's literary genius. This collection not only highlights her unique stylistic traits but also invites the reader to contemplate their own connection to memory and place—an experience that lingers long after the final page is turned.

A Haunted House and Other Short Stories

Virginia Woolf's "To the Lighthouse" is a landmark modernist novel that employs rich symbolism and stream-of-consciousness narrative to explore themes of time, perception, and the complexities of human relationships. Set against the backdrop of the Ramsay family's summer residence on the Isle of Skye, the novel unfolds over three parts, intricately weaving the inner thoughts of its characters with the passage of time. Woolf's distinctive style elevates the mundane to the profound, as she delves into the emotional landscape of each character, particularly focusing on the duality of their desires and fears in a post-war context marked by uncertainty. Virginia Woolf, a central figure in the modernist literary movement and a member of the Bloomsbury Group, drew inspiration from her own fragmented experiences and her struggles with gender expectations. Having faced profound personal loss and mental health challenges, Woolf's understanding of the human psyche profoundly informs her portrayal of the Ramsay family and their friends. She intricately captures the ways in which art, time, and memory shape individual identities, reflecting her broader philosophical inquiries into existence. "To the Lighthouse" is a must-read for those seeking an immersive journey into the intricacies of human consciousness. Woolf's masterful prose not only invites readers to reflect on their own experiences of time and relationships but also serves as a profound meditation on the nature of art itself. This novel remains timeless, resonating with contemporary audiences and offering rich layers of meaning for anyone willing to delve into its depths.

To the Lighthouse

Virginia Woolf's "Freshwater" is a pioneering one-act play that intricately explores themes of gender, identity, and the fluidity of artistic creation. Composed in 1935, the play is a semi-autobiographical reflection on Woolf's connection to the influential Bloomsbury Group, combining elements of humor with a poignant critique of societal constraints on women's creativity. The work exemplifies Woolf's distinctive literary style, characterized by experimental prose and psychological depth, effectively blurring the lines between reality and theatricality as it interrogates the role of the artist in a patriarchal society. Woolf, born into a prominent intellectual family, experienced firsthand the limitations placed on women in her time, which profoundly influenced her literary output. The encouragement from her literary circle, alongside her own experiences, inspired Woolf to create complex female characters that challenge traditional narratives. "Freshwater" serves as both homage and critique of notable figures and artistic conventions, demonstrating her belief in the necessity of female voices and perspectives in the literary canon. I wholeheartedly recommend "Freshwater" to those interested in feminist literature, as well as anyone invested in the exploration of identity and creativity. Woolf's wit and insight make this play not only a remarkable artistic endeavor but also a thought-provoking examination of the societal forces that shape artistic expression.

FRESHWATER

Virginia Woolf's 'A Writer's Diary' offers a unique insight into the mind of the renowned author through her personal diary entries. Written in a stream-of-consciousness style, this literary work provides a glimpse into Woolf's daily struggles and triumphs as a writer. The diary entries reveal her meticulous attention to detail, profound observations on life, and struggles with mental health. Woolf's introspective reflections on the creative process make this book a valuable resource for aspiring writers and scholars alike, showcasing her literary genius and dedication to her craft. Set against the backdrop of early 20th-century England, Woolf's diary captures the essence of a tumultuous period in history. Her ability to intricately weave together personal experiences with broader social commentary makes this work a timeless piece of literature. 'A Writer's Diary' is a must-read for anyone interested in the art of writing and the inner workings of a brilliant literary mind.

Virginia Woolf: A Writer's Diary

Adeline Virginia Woolf (1882 – 1941) is considered one of the most important modernist 20th-century authors and a pioneer in the use of stream of consciousness as a narrative device and for a demonstration of the sheer vitality of Virginia Woolf's writing, Orlando is unsurpassed. The novel is a provocative exploration of gender and history, as well as of the nature of biography itself; perhaps surprisingly, given these highly intellectual concerns, it was highly popular when first published. Following Orlando over a 400-year life full of adventure, love, and a shift in gender, the character was apparently based on Woolf's lover, Vita Sackville-West. In the court of Elizabeth I, Orlando is a dazzlingly handsome sixteen-year-old nobleman. There follows a frost fair on the Thames, at which a love affair with a Russian princess begins, only to end in heartache. Later Orlando is sent by Charles II as ambassador to the Ottoman court in Constantinople, where he becomes a woman, before returning to England to reside in the company of Pope and Dryden. A marriage in the nineteenth century leads to a son and a career as a writer, and the story ends in 1928, as Woolf's text was published. This extraordinary tale is augmented by a series of writerly flourishes, questioning our conception of history, of gender, and of biographical "truth." If these are constructs, then who constructs them? What do they mean for individuals living and telling their lives? Woolf uses a series of devices to facilitate this kind of speculation: clothes are prominent, as is their role in shaping perceptions of gender; the narrative voice, too, is brilliantly conscious of itself, and of us as readers. It is a remarkable text

Women Writers of the World

ORLANDO - Virginia Woolf

🌟 Embark on a Literary Odyssey to the Lighthouse! 🌟 "To the Lighthouse" beckons you on a profound journey through the realms of love and loss, a timeless exploration that will resonate with your soul. Join us as we navigate the intricate tapestry of emotions, uncovering the mysteries of the human heart. 💖 A Lighthouse of Emotions: Love, Joy, and Profound Loss 💖 Dive into Virginia Woolf's classic masterpiece, where love illuminates the darkest corners, joy dances through the narrative, and profound loss leaves an indelible mark. This dynamic tale transcends time, inviting you to experience the beauty and complexity of the human experience. 😊 Uncover the Comfort of Prose, the Surprise of Revelation 😊 Woolf's eloquent prose provides a comforting embrace, while unexpected revelations unfold with each turn of the page. Prepare for moments of joy, surprise, and contemplation as you navigate the shifting sands of emotions within "To the Lighthouse." 📖 Detailed Narratives, Mysteries Revealed 📖 Delve into the intricate details of characters and settings without giving away the entire plot. "To the Lighthouse" weaves a narrative tapestry that invites you to explore the nuances of relationships and the depths of the human psyche. 👥 Join the Enthusiasts of Literary Brilliance 👥 Be part of the community of readers who have been captivated by Woolf's literary genius. "To the Lighthouse" stands as a testament to the enduring appeal of profound storytelling that resonates across generations. 🌈 Your Literary Odyssey Awaits 🌈 This ebook edition ensures you have the complete narrative at your fingertips. Immerse yourself in the lyrical beauty of Woolf's prose, navigating the emotional landscapes that lead to the symbolic lighthouse. 🚀 Illuminate Your Reading Journey! Click "Add to Cart" Now! 🚀 Don't miss the chance to own this literary masterpiece. Click "Add to Cart" now and embark on a journey of enlightenment with "To the Lighthouse." Your next literary adventure beckons!

Adeline Virginia Woolf ( 25 January 1882 – 28 March 1941) was an English writer, considered one of the most important modernist 20th-century authors and also a pioneer in the use of stream of consciousness as a narrative device. In this book, we have collected Woolf's five best novels : A Room of One's Own, To the Lighthouse, Mrs Dalloway, Orlando, The Waves. We consider them to be the best because of the great success they've had. A well-structured, easy-to-read book, suitable for any e-reader, tablet or computer. The reader will go from one novel to another one as quick as possible. In this collection, we have also included a detailed biography of Virginia Woolf.

Virginia Woolf Best Novels

Clarissa Dalloway goes around London in the morning, getting ready to host a party that evening. The nice day reminds her of her youth spent in the countryside in Bourton and makes her wonder about her choice of husband...

Mrs. Dalloway

Orlando is one of the most unforgettable creations of twentieth-century literature. He emerges as a young man at the court of Queen Elizabeth I and progresses, with breathtaking ease, through three centuries until, by now a woman, she arrives in the bustle and diversion of the 1920s. For Virginia Woolf, a leading figure of the Bloomsbury Group, Orlando was more than a fantastic flight of imagination. It was a roman à clef, a love letter for her lover, the charismatic, eccentric bisexual, Vita Sackville West. Orlando’s journey, from wondrous youth barbed by love, to fêted writer, settled in her femininity, is a wild and curiously relevant fable for our times.

A Room of One's Own is an extended essay by Virginia Woolf. First published on 24 October 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled "Women and Fiction", and hence the essay, are considered non-fiction. The essay is generally seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

A Room of One's Own

Mrs Dalloway (published on 14 May 1925) is a novel by Virginia Woolf that details a day in the life of Clarissa Dalloway, a fictional high-society woman in post-First World War England. It is one of Woolf's best-known novels. Created from two short stories, Mrs Dalloway in Bond Street and the unfinished The Prime Minister, the novel addresses Clarissa's preparations for a party she will host that evening. With an interior perspective, the story travels forward and back in time and in and out of the characters' minds to construct an image of Clarissa's life and of the inter-war social structure. In October 2005, Mrs Dalloway was included on Time's list of the 100 best English-language novels written since Time debuted in 1923.

Mrs Dalloway

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time. Orlando is widely regarded as one of Virginia Woolf’s most innovative and influential works. It is known for its lyrical prose and experimental narrative style, blending historical fiction, fantasy and satire. The book is often celebrated for its contribution to feminist literature.

"Just before the First World War, the Ramsay family go to their holiday home in the Hebrides, bringing several guests with them. While they are there, one of the children wants to visit a lighthouse. After a ten year gap, during which the war wreaks its havoc on Europe, one of the guests returns to the house; and another trip to the lighthouse is proposed. Told from multiple viewpoints, in language that is precise, delicate and allusive, To The Lighthouse gives unprecedented insight into the minds of the characters, as well as telling a broader story of personal and social change in the world after the war. To The Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions."

Published in 1922, the same year as Ulysses and The Waste Land, Jacob’s Room is Virginia Woolf’s own modernist manifesto. Ostensibly a study of a young man’s life on the eve of the Great War, it is really a bomb thrown into the world of the conventional novel, as she attempts to capture the richness and randomness of life’s encounters. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Jacob's Room

In "Flush," Virginia Woolf masterfully interweaves the life story of Elizabeth Barrett Browning's beloved spaniel, Flush, with rich explorations of social change and the constraints of Victorian society. The novel employs a lyrical prose style, reminiscent of stream-of-consciousness, as it delves into Flush's perspective, revealing the emotional landscape of canine life intertwined with human experiences. Woolf's narrative skillfully navigates themes of love, loyalty, and the societal roles imposed on individuals, both human and animal, showcasing her deep empathy and understanding of character and context. Virginia Woolf, a prominent figure of modernist literature, often drew on her own experiences and societal observations to inform her writing. Growing up in a literary household and experiencing the limitations placed on women in her time undoubtedly influenced Woolf's decision to illuminate the life of a dog against the backdrop of a repressive era. This unique perspective allows for a deeper exploration of identity and agency, challenging the norms of both human and animal life. "Flush" is a captivating read for those interested in the interplay of human and animal existence, as well as for enthusiasts of early 20th-century literature. Woolf's keen insights and innovative narrative style will appeal to scholars and casual readers alike, inviting them to reconsider the contours of loyalty and love through the eyes of an endearing canine.

Flush

A Room of One’s Own, by Virginia Woolf was first published in 1929. This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy. First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928. While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled “Women and Fiction”, and hence the essay, are non-fiction. TRT (Total Running Time): 4 hours, 2 min. Adeline Virginia Woolf (1882-1941) was an English author, essayist, publisher, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs. Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."

A Room of One’s Own

Mrs. Dalloway is a novel by American writer Virginia Woolf. This book is considered a classic. It appears on many lists of best novels written including the 100 best novels list by the Guardian. Clarissa Dalloway is having a party. Join her and a web of connections in exploring London, their memories and their innermost thoughts and feelings. This novel explores relationships, mental health, nostalgia, regret, and the multitude of reasons for which people make decisions which change the course of their life. "Mrs. Dalloway" recounts a day in the life of Clarissa Dalloway in the middle of June 1923. Clarissa Dalloway is a high society London lady. On that day, she is hosting a party, meeting people, going to the park, and reflecting on her choices. Where would she have been if she married Peter Walsh and not Richard Dalloway? What if she would not invite this or that person to her party? Her feelings about Peter Walsh grow because on that particular day he returns from India to settle some affairs in London. Other people also reflect on their choices. Mr. Smith who cannot move on from the horrors he saw in battle, his Italian born wife, members of Clarissa's family and friends. Virginia Woolf (1882 – 1941) was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction.". Audiobook read by Hannah Dormor, running time 6 hours, 50 min. Unabridged full version.

In "Mrs. Dalloway," Virginia Woolf masterfully weaves a modernist narrative that captures a single day in post-World War I London. Through the stream-of-consciousness technique, Woolf delves into the intricacies of Clarissa Dalloway's life, presenting rich interior monologues that reveal her existential musings and social connections. This innovative literary style allows readers to experience the fluidity of time and memory, as past and present intertwine seamlessly, reflecting broader themes of trauma and the search for identity in a fragmented world. Virginia Woolf, a central figure in the modernist movement, often explored the roles and challenges of women in society. Her own experiences with mental illness, the impact of the war, and her advocacy for women's rights profoundly informed her writing. "Mrs. Dalloway" emerges from her personal convictions and her desire to capture the psychological depth of her characters, revealing the complexities inherent in everyday life. I highly recommend "Mrs. Dalloway" for readers eager to engage with a profound character study set against the backdrop of a changing societal landscape. Woolf's poetic prose and innovative narrative techniques ensure that this novel not only entertains but also provokes deep reflection on the nature of consciousness and the passage of time.

"Mrs. Dalloway by Virginia Woolf - is a novel by Virginia Woolf published on 14 May 1925. It details a day in the life of Clarissa Dalloway, a fictional upper-class woman in post-First World War England. It is one of Woolf's best-known novels. The working title of Mrs. Dalloway was The Hours. The novel began with two short stories, ""Mrs. Dalloway in Bond Street"" and the unfinished ""The Prime Minister"". The book describes Clarissa's preparations for a party she will host in the evening and the ensuing party. With an interior perspective, the story travels forwards and backwards in time, to construct an image of Clarissa's life and the inter-war social structure. The novel addresses the nature of time in personal experience through multiple interwoven stories. In October 2005, Mrs. Dalloway was included on TIME Magazine's list of the 100 best English-language novels written since its first issue in 1923.

Immerse yourself in the enchanting prose which makes ´Mrs Dalloway´ a timeless classic, celebrated globally as one of Virginia Woolf's greatest novels. While Mrs Dalloway meticulously prepares for a grand evening soirée, she is interrupted by the arrival of an old admirer, who unknowingly ignites a cascade of memories and reflections that threaten to consume her. Weaving you in and out of her characters' minds, ´Mrs Dalloway´ will leave you convinced that Virginia Woolf possesses an unparalleled understanding of human nature. Virginia Woolf (1882-1941) was a hugely influential English writer. A pioneer in the narrative device of streams of consciousness, Woolf’s breathtaking collection spans ‘Mrs Dalloway’, ‘To the Lighthouse’, and the non-fiction title ‘A Room of One’s Own’.

World Classics

mehrbuch-Weltliteratur! eBooks, die nie in Vergessenheit geraten sollten. Die Handlung beginnt im England des 16. Jahrhunderts. Die Hauptperson Orlando ist ein junger Adliger, der bei Königin Elisabeth I. in hohem Ansehen steht und von ihr einen Landsitz erhält. Während des Frostjahrmarkts auf der im 16. Jahrhundert aufgrund der Kleinen Eiszeit regelmäßig zugefrorenen Themse lernt Orlando eine geheimnisvolle russische Gräfin namens Sasha kennen, die ihn jedoch nach einer leidenschaftlichen Affäre verlässt und nach Russland zurückkehrt. In der Folge zieht sich Orlando auf seinen Landsitz zurück, beschäftigt sich mit der Verwaltung seines Guts und versucht sich als Schriftsteller. Als ihn eine hartnäckige Verehrerin, die Erzherzogin Harriet, nicht in Frieden lässt, lässt sich Orlando als Botschafter nach Konstantinopel versetzen.

Ich schreibe, also bin ich Schriftstellerin: Wenn es so einfach wäre, gäbe es die Geschichten in dieser Sammlung nicht. Ist Dichten das große Glück, ein großer Kraftakt - oder beides? Wie entstehen Ideen, aus welchen Situationen und Begegnungen schöpfen Autorinnen ihre Inspiration? Wie finden sie ihre Form? Und wie ergeht es Schriftstellerinnen im Literaturbetrieb? In den Erzählungen, Essays und Gedichten dieses Bandes lassen sich die Autorinnen beim Schreiben über die Schulter gucken. Sie entwerfen Geschichten zu dem Thema, beschreiben die Beziehung zu ihren Figuren, besingen ihre Arbeit mit der Sprache, denken über die Wirkung von Worten und Geschichten nach und plaudern aus der Werkstatt der Büchermacherin. Sie äußern sich über den Beruf, mit dem sie sich ihren Lebensunterhalt und bisweilen auch Ruhm verdienen, und über die Hürden, die zu überwinden sind, wenn sie sich als Frauen, die schreiben, treu bleiben wollen. Humorvoll, selbstkritisch und geistreich und immer unterhaltsam gewähren sie Einblicke in die Arbeit von Autorinnen und das Verhältnis von Schreiben und Leben.

edition fünf

Ein Haus mit vielen Zimmern

Mit zahlreichen Texten aus Wissenschaft, Philosophie, Theater, Lyrik u.v.m. wird das ewige Thema der Liebe aus allen möglichen Blickwinkeln betrachtet und die ZuhörerInnen durch die Höhen und Tiefen der Liebe begleitet: Vielseitig wie unterhaltsam, aber auch nachdenklich, melancholisch und mitunter bitterböse und sarkastisch.  Ein kurzweiliges Hörvergnügen, eingebettet in das sehnsuchtsvolle Volkslied "Wenn ich ein Vöglein wär", welches von zahlreichen MusikerInnen und SängerInnen auf unterschiedliche Weise interpretiert wurde.   Ein Hörgenuss mit garantiertem Liebesflirren in der Luft.     Enthält:  • Allgemeine Definition (www.creativecommons.org/licenses/by-sa/3.0/deed.de/Geo Science           International)  • Nikolaj Gogol: Die Heirat (Auszug); Übersetzung von Johannes v. Guenther, Drei Masken Verlag   • Platons Werk: Symposion – Rede des Aristophanes: Die Fabel von den Kugelmenschen;           Übersetzung: Wolf Bruske  • Die Bibel: Das Hohelied der Liebe (1 Korintherbrief 13, 1-13) - Luther Bibel 1912  • Khalil Gibran: Der Prophet - Von der Liebe   • Elke Heinrich: Bindungsangst  • Gabriele Reuter: Liebe und Stimmrecht (Auszug)  • G.W.F. Hegel: Vorlesungen über die Ästhetik - Begriff des Absoluten als der Liebe  • Nietzsche: Die fröhliche Wissenschaft/4. Buch - Man muss lieben lernen  • Dr. phil. Helene Stöcker: Zur Kultur der Liebe (Auszug aus der Zeitschrift "Die neue Generation)  • Erich Fromm: Die Kunst des Liebens (Auszug), Ullstein Verlag  • Eva Illouz, Warum Liebe weht tut. Eine soziologische Erklärung. Aus dem Englischen von           Michael Adrian © Suhrkamp Verlag Berlin 2011          Alle Rechte bei und vorbehalten durch Suhrkamp Verlag Berlin  • Elke Heinrich: Die Suche nach der Liebe  • Ricarda Huch: Gebet (Auszug)  • Adele Schopenhauer: In deiner Seele klarem Leben  • Novalis: Ich sehe dich …  • Else Lasker-Schüler: Liebe  • Rainer Maria Rilke: Mein Herz, Vorbei und Die Menschen wollen´s nicht verstehen  • James Krüss: Im Garten des Herrn Ming - Der wohltemperierte Leierkasten           © 1989 cbj Verlag, München, in der Penguin House Verlagsgruppe GmbH  • Kathinka Zitz: Was geht es dich an  • Ute Richter: Herzeleid  • Mascha Kaléko: Liebe, da capo - Sämtliche Werke und Briefe in vier Bänden.           Herausgegeben von Jutta Rosenkranz. © 2012 dtv Verlagsgesellschaft, München  • Erich Kästner: Sachliche Romanze, aus: Lärm im Spiegel © Atrium Verlag AG, Zürich 1929 und           Thomas Kästner  • Elke Heinrich: Radiobotschaft  • Hermann Jaitner: Brief an seine Tochter aus der Kriegsgefangenschaft  • Siegmund Freud: Brief an seine Tochter Mathilde – Lieben muss gelernt sein  • Franz Grillparzer: Brief an seine Verlobte Katharina Fröhlich  • Franz Kafka: Brief mit Anweisungen an seine Verlobte  • Paula Becker: Briefe an ihren zukünftigen Mann Otto Modersohn  • Virginia Woolf: Abschiedsbrief an ihren Mann Leonard  • Clara Wieck: Briefe an ihren zukünftigen Mann Robert Schumann  • Friedrich Schiller: Kabale und Liebe – Monolog von Luise Miller  • Gabriele Reuter: Das Opernglas  • Elke Heinrich: Der Liebesvirus    Lied: "Wenn ich ein Vöglein wär" interpretiert von:    Marco Tschirpke   VOXID - Arrangeur Matthias Knoche  Barbara Thalheim - Bearbeitung: René Bottlang  Carolin No  - Bearbeitung: Carolin und Andreas Obieglo (Three Minute Song)  sheplayscello - Arrangeurin: Lillia Keyes; www.sheplayscello.com  Sachie Matsushita Quartett (Maurice Kühn, Sachie Mathsushita, Matthias Dörsam, Phil Schaeper) - Arrangeur Maurice Kühn; Laukas Tonstudio  Jung und Frisch – Katharina Kuen, Anna Rausch, Maria Schöpf  Hopel Hoppel Rhythm Club, Peter Schindler

Liebe Liebe, ...

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht »das am häufigsten abgehandelte Tier des Universums« seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte. Bereits zu Woolfs Lebzeiten gepriesen, wurde ihre Abhandlung über Frauen und Literatur zu einem der wegweisenden Texte der Frauenbewegung. Engagiert, poetisch, erfahrungssatt und ironisch analysiert Woolf Geschlechterdifferenzen und führt aus, was Frauen brauchen, um große Literatur zu produzieren: finanzielle, vor allem aber geistige Unabhängigkeit, im viktorianischen England symbolisiert durch ein eigenes Zimmer.

Kampa Pocket

Ein Zimmer für sich allein

Das Betasten der roten Blumen auf Mutters Kleid. Ein alter Baum im elterlichen Garten. Und die plötzliche Erkenntnis: Ich bin sterblich. Ausgehend von diesen Eindrücken erinnert sich Virginia Woolf an ihre Kindheit im großbürgerlichen Haushalt einer neunköpfigen Familie. So persönlich wie in keinem anderen Text erzählt sie von Sommerabenteuern und Soiréen, von der Schönheit und dem frühen Tod ihrer Mutter, von der Hass-Liebe zu ihrem Vater und vom Missbrauch durch ihren Bruder. Mit analytischer Genauigkeit hält Virginia Woolf so den Zauber, aber auch die Schrecken und Abgründe ihrer Kindheit fest, die "Augenblicke des Daseins", jene Momente höchster, intensivster Erfahrung.

Skizze der Vergangenheit  (Gekürzte Fassung)

“È un lavoro che non mi dà pace”: Virginia Woolf usava queste parole per parlare de La crociera. Fu pubblicato per la prima volta nel 1913 e, contrariamente a quanto si crede, questo romanzo - che segna l’esordio letterario della grande scrittrice inglese - non è affatto un’opera minore. Sul battello Euphrosine stanno per compiersi incontri memorabili. Mr. e Mrs. Ambrose assisteranno alle prime esperienze sentimentali di Rachel, loro nipote, una sedicenne rimasta a lungo estranea all'amore. In questo viaggio nel viaggio un gruppo di personaggi (tra cui appare anche la punta del cappello di una certa Mrs. Dalloway) impara a conoscersi e a scambiarsi esperienze che aiuteranno a scalare i reciproci limiti. E se Rachel troverà l’amore di Terrence Hewet, il lettore e i protagonisti entreranno nel profondo della purezza e dell’incontro più vero con la natura umana più incontaminata, quella degli indigeni e dell’uomo che viaggia verso l’ignoto. Ne La crociera c’è la ricerca della verità, la verità sugli uomini e sulle donne, la verità sul non detto, sulla felicità, sull’amore.

Libri da premio

La crociera

Notte e Giorno è il secondo romanzo di Virginia Woolf. Pubblicato nel 1919, racconta - con la consueta, straordinaria capacità dell’autrice di indagare i sentimenti umani - la vita quotidiana di due amiche, Katharine e Mary. Tratteggiati con impareggiabile maestria, emergono i temi della solitudine, dell’incomunicabilità e, allo stesso tempo, il bisogno di farsi capire e amare. Sullo sfondo, la Londra borghese di inizio Novecento.

Nobel classici riscoperti della letteratura e narrativa mondiale

Notte e giorno

Gita al Faro (1927) è il ritratto corale della famiglia Ramsay che ogni estate ospita diversi amici su un’isola delle Ebridi. Virginia Woolf sembra avere una lente di ingrandimento con la quale osserva ognuno di loro, con il suo flusso continuo di pensieri, immagini, ricordi, associazioni, aspettative, paure. Una narrazione dotata di una sinestesia percettiva, un procedere ambivalente tra la fredda razionalità dell’analisi e la visione più intuitiva, e forse più femminile, della sintesi, un ampliamento di coscienza che si potrebbe definire quasi una danza tra i due emisferi cerebrali.

Emozioni senza tempo

Gita al Faro

"Quando il ragazzo, poiché, ahimè, era certo un ragazzo - nessuna donna sui pattini sarebbe mai stata così veloce e potente - gli sfrecciò accanto quasi sulle punte, a momenti Orlando si strappò i capelli per la rabbia che quella persona fosse del suo stesso sesso e quindi ogni abbraccio fosse fuori discussione". Orlando è la biografia scherzosa di un giovane nobile dai lineamenti androgini, che si reincarna rocambolescamente in varie forme attraverso quattro secoli della storia inglese, dall'epoca Elisabettiana fino al '900. Ispirata e dedicata a Vita Sackville West, l'eccentrica aristocratica dalle bellissime gambe con cui la Woolf ebbe una appassionata relazione amorosa, la biografia è un divertissement letterario in cui la Woolf gioca con vari stili e generi letterari (biografia, saggio critico, romanzo vittoriano, lirica romantica, intermittences proustiane, stream of consciousness joyciano). L'esito è un denso tessuto narrativo fatto di copiosi rimandi linguistici e tematici, assonanze, ripetizioni, ritornelli, variazioni sul tema, citazioni, digressioni, simboli. Un romanzo epocale, avvolgente e ambiguo come il suo protagonista. “L’opera più intensa di Virginia Woolf, una delle più originali della nostra epoca” (Jorge Luis Borges). Contenuto: Virginia Woolf - Orlando - versione integrale (Traduzione di Alberto Rossatti)

Virginia Woolf - Orlando

Mrs. Dalloway è il primo grande romanzo di Virginia Woolf, pubblicato nel 1925. Nell’arco di una sola giornata i fili invisibili delle emozioni uniscono i due protagonisti: Clarissa Dalloway, ricca signora borghese alle prese con i preparativi per la festa che darà quella sera e Septimus Warren Smith, sopravvissuto alla 'grande guerra', a passeggio con la moglie a Regent's Park in preda alle sue allucinazioni. I due non si incontreranno mai, solo le strade di Londra, i medesimi luoghi che entrambi visitano sembrano unirli. I lunghi soliloqui di Septimus e i continui discorsi interiori, frastagliati di ricordi, di Clarissa, si alternano, rispecchiandosi e intrecciandosi; portano le informazioni della vicenda, reali e immaginate, e conducono il racconto al suo culmine durante la festa di Mrs. Dalloway. Il romanzo, che ha ispirato il film con Vanessa Redgrave, è letto per Alfaudiobook da Debora Zuin. Contenuto: Mrs. Dalloway (versione integrale) 34 tracce

Gita al faro

Flush è un cane fortunato. Un cocker spaniel delle più nobili origini che nasce nella verdissima campagna inglese e che diventerà l’animale da compagnia della celebre poetessa Elizabeth Browning. In questo racconto di Virginia Woolf, leggero e incalzante, denso e commovente, ripercorriamo le tracce della sua vita avventurosa: dai prati di Reading ai salotti londinesi, dal ghetto di Shoredicth ai vicoli profumati del Bel Paese...

"Phyllis e Rosamond" è uno dei primi racconti scritti da Virginia Woolf in cui la scrittrice tratta della condizione di 5 personaggi che descrive tutte femmine: “un errore iniziale” di cui dovranno rammaricarsi per tutta la vita ”spesa per conto dei genitori”. Nel prologo del racconto, dalla forte valenza femminista, la scrittrice inglese scrive: "Potrebbe valere la pena assumere a modello una delle tante donne accalcate nell’ombra", descrivendo poi la giornata tipica trascorsa da cinque giovani donne il 20 giugno 1906. Virginia Woolf Project raccoglie questa eredità culturale e rilancia il compito di tenere traccia delle storie delle donne, ospitando racconti o semplici diari di vita, provenienti da qualsiasi parte del mondo, nel sito www.virginiawoolfproject.com destinato a divenire un grande affresco del ‘femminile’ di questa epoca. L'invito è dunque ad ascoltare le parole ispiratrici di Virginia Woolf in questo audiolibro curato da Giulia Bortolini e Laura De Benedetti. I proventi dell'audiolibro sostengono il Virginia Woolf Project. Buon ascolto!

Phyllis e Rosamond

Introduzione di Eraldo Affinati Traduzione di Lucio Angelini Edizioni integrali Dalle prove giovanili, come Il diario di Joan Martyn, alle più mature e sorprendenti espressioni come Il lascito, storia del suicidio di una moglie, e Il simbolo, triste meditazione su una montagna, o La località balneare, basato su una conversazione casualmente udita nella toilette per signore di un ristorante, i racconti di Virginia Woolf confermano tutta la pienezza di una vocazione letteraria assoluta. Raffinate e godibilissime, incentrate sui grandi temi del senso di solitudine della donna, della caducità umana, della impossibilità di una vera comunicazione intima, queste storie ricostruiscono il cammino di tale vocazione, e si affiancano degnamente all’intera produzione romanzesca della scrittrice inglese. Virginia Woolf nacque a Londra nel 1882. Figlia di un critico famoso, crebbe in un ambiente letterario certamente stimolante. Fu a capo del gruppo di Bloomsbury, circolo culturale progressista che prendeva il nome dal quartiere londinese. Con il marito fondò nel 1917 la casa editrice Hogarth Press. Grande estimatrice dell’opera di Proust, divenne presto uno dei nomi più rilevanti della narrativa inglese del primo Novecento. Morì suicida nel 1941. La Newton Compton ha pubblicato Gita al faro, Una stanza tutta per sé, Mrs Dalloway, Orlando, Notte e giorno, La crociera, Tutti i racconti e il volume unico Tutti i romanzi.

Tutti i racconti

Orlando è un giovane inglese di una famiglia agiata; quando incontra la regina Elisabetta I, lei decide di portarlo a corte. Fino alla morte della regina Orlando vive come suo cortigiano prediletto; in seguito resta alla corte del successore Giacomo I. Il romanzo è dedicato alla poetessa Vita Sackville-West, con la quale l'autrice intrattenne una relazione, e il figlio di Vita, Nigel Nicholson, ha definito Orlando "La più lunga lettera d'amore della storia", ed è possibile rintracciarvi degli elementi biografici della stessa.

Introduzione di Armanda Guiducci Traduzione e prefazione di Maura Del Serra Edizione integrale Illustre capostipite dei manifesti femminili del Novecento europeo, e primo brillante intervento della Woolf sul tema «donne e scrittura» (allora oggetto di un dibattito oggi banalizzato più che superato), Una stanza tutta per sé è un piccolo trattato ironicamente immaginifico, personalissimo nella misura godibilmente tesa di toni e motivi (il conversational, le proiezioni letterarie, l’analisi sociale, la satira, la visione). Il leitmotiv della stanza, grembo e prigione dell’anima femminile, si allarga fino a comprendere tutti i luoghi della dimora umana: la natura, la cultura, la storia e infine la «realtà» stessa nella sua inquietante-esaltante molteplicità. «Ma, direte, Le abbiamo chiesto di parlare delle donne e il romanzo – cosa c’entra avere una stanza tutta per sé? Cercherò di spiegarmi. Quando mi avete chiesto di parlare delle donne e il romanzo, mi sono seduta sulla riva di un fiume e ho cominciato a chiedermi cosa significassero queste parole.» Virginia Woolf nacque a Londra nel 1882. Figlia di un critico famoso, crebbe in un ambiente letterario certamente stimolante. Fu a capo del gruppo di Bloomsbury, circolo culturale progressista che prendeva il nome dal quartiere londinese. Con il marito fondò nel 1917 la casa editrice Hogarth Press. Grande estimatrice dell’opera di Proust, divenne presto uno dei nomi più rilevanti della narrativa inglese del primo Novecento. Morì suicida nel 1941. La Newton Compton ha pubblicato Gita al faro, Una stanza tutta per sé, Mrs Dalloway, Orlando, Notte e giorno, La crociera, Tutti i racconti e il volume unico Tutti i romanzi.

Una stanza tutta per sé

AUSTEN, Orgoglio e pregiudizio M. SHELLEY, Frankenstein C. BRONTË, Jane Eyre E. BRONTË, Cime tempestose A. BRONTË, Agnes Grey G. ELIOT, Il velo dissolto WOOLF, Gita al faro Edizioni integrali Sette magnifiche signore, sette magnifici romanzi al femminile che percorrono più di un secolo di storia della letteratura inglese. A cominciare da Orgoglio e pregiudizio, le vicende della famiglia Bennet e delle loro cinque figlie da maritare, così magistralmente raccontate da Jane Austen in uno spaccato ironico e intelligente dei vizi e delle virtù della borghesia inglese della sua epoca. Per passare al celebre Frankenstein di Mary Shelley, prova eccellente di narrativa gotica dove il “mostro” è la perfetta sintesi delle nostre paure. E poi i capolavori delle tre sorelle Brontë - Charlotte, Emily e Anne - che con i romanzi Jane Eyre, Cime tempestose e Agnes Grey riassumono e comprendono le caratteristiche del periodo vittoriano: i privilegi di una rigida classe nobiliare prepotente e viziata e figure di eroi ed eroine alla ricerca del grande amore. Al romanticismo imperante cercò di ribellarsi Mary Anne Evans, più conosciuta come George Eliot che, nell’incalzante ed enigmatico Il velo dissolto, romanzo breve che sembra una novella gotica, vuole fare luce sulla parte più oscura e irrazionale dell’essenza e dell’esperienza umana. Virginia Woolf, ultima delle autrici in ordine cronologico, con il suo capolavoro Gita al faro ci offre uno splendido esempio di letteratura del XX secolo: le grandi passioni lasciano il passo all’intimismo e al flusso di coscienza.

Le magnifiche 7 signore della letteratura inglese

Pubblicato per la prima volta nel 1928, Orlando (Orlando: A Biography) è la straordinaria cronaca della vita del protagonista che si sviluppa nel corso di quattro secoli. L'elemento centrale del romanzo è quindi Orlando, personaggio androgino dal sesso certo ma in evoluzione. La sua esistenza fantastica, spesso assolutamente libera da qualsiasi schema, anche sessuale, attraversa il XVII, il XVIII, e il XIX secolo, e riporta un lucido e interessante resoconto della società inglese dell’epoca. Suggestiva e affasciante questa versione Audiobook; conduce nel mondo incredibile di Orlando e ripercorre la sua vita straordinaria e avventurosa attraverso le voci degli attori e delle ambientazioni che via via si susseguono. Da questo celebre romanzo di Virginia Wolf è stato tratto l’omonimo film diretto da Sally Potter.

La famiglia Ramsay è in vacanza sull’isola di Skye, in Scozia. Nei primi due giorni si uniscono a loro amici e colleghi: la situazione è apparentemente conviviale e serena, ma le tensioni familiari non tardano a emergere. Il faro, simbolo di luce, diventa presto motivo di discordia tra i coniugi Ramsay, evidenziando i contrasti che caratterizzano le loro personalità. Ma sarà proprio questo faro a riaccendere la speranza del signor Ramsey, quando sua moglie perderà tragicamente la vita durante la Prima guerra mondiale... Virginia Woolf (1882 – 1941) è stata una delle più importanti e influenti scrittrici britanniche di tutti i tempi. Giovanissima, inizia a scrivere per il supplemento letterario del 'Times' di Londra. Si dedica poi alla scrittura di romanzi che coniugano il romanticismo con costruzioni sintattiche e costrutti linguistici all'avanguardia. Tra le sue opere più celebri, ricordiamo 'La crociera', 'La signora Dalloway', 'Gita al faro' e 'Le orde'.

È un corpo nuovo quello in cui si risveglia Orlando. Un corpo in cui, come presto si accorgerà, non potrà più usufruire degli stessi privilegi, degli stessi diritti di cui aveva goduto fino a poco prima senza rendersene conto. Quando era a Londra, la sua vita alla corte della regina era sicuramente diversa. Ora a Costantinopoli per questioni diplomatiche, il suo destino è indubbiamente cambiato. Ma questa sua nuova condizione non è un peso, anzi, dopo aver preso coscienza della sua nuova identità, Orlando troverà qualcosa che prima non aveva. L’opera della Woolf è rivoluzionaria e innovatrice, un caposaldo nella letteratura femminista e d’identità di genere. Virginia Woolf (1882-1941) è stata una scrittrice inglese. Una delle figure chiave della letteratura modernista e della narrativa mondiale, Virginia Woolf ha scritto capolavori quali ‘La signora Dalloway’ e ‘Gita al faro’. I suoi scritti sono contraddistinti da uno stile innovativo e avanguardistico e da forte tematiche sociali. A cavallo delle due guerre, l’autrice fece parte del Bloomsbury Group, un circolo londinese di artisti bohemien socialmente attivi e interessati a questioni all’epoca poco attuali, quali il pacifismo, la sessualità e il femminismo.

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