Tales of Space and Time By H.G.Wells Narrated by Graham Scott Tales of Space and Time is a fantasy and science fiction collection by H.G.Wells, comprising the three short stories 'The Crystal Egg', 'The Star', and 'The Man Who Could Work Miracles', along with the two five-part novellas 'A Story of the Stone Age', and the dystopian 'A Story of the Days to Come'. Production copyright 2021 Voices of Today

Tales of Space and Time

This collection contains eight of Shakespeare’s best loved comedies. Each exhibits the vigour, humour, and optimism of the young master before he turned to the gloom and bitterness of the great tragedies. Contents A Midsummer Night’s Dream All’s Well That Ends Well Twelfth Night Much Ado About Nothing The Comedy of Errors As You Like It Measure for Measure The Merchant of Venice Featuring the voices of:Aisling Gray, Alan Weyman, Alexandra Lee Smith, Blaise Doran, Cate Barratt, Catherine Bilson, Claudia Anglade, Dara Brown, David Shears, Denis Daly, Emma Faye, Gary D. MacFadden, Graham Scott, John Burlinson, Josh Innerst, Kendra Murray, Laura Richcreek, Lillian Rachel, Linda Barrans, Mark Crowle-Groves, Marty Krz, PJ Morgan, Roberta Jackson, Ron Altman, Simon Paxton, Susan Iannucci, Tom Saer, and Trisha Rose. Texts kindly provided by playshakespeare.com Songs created and arranged by Alan Weyman and Marty Krz Audio edited by Denis Daly

Eight Shakespeare Comedies

Antonio, a wealthy and popular merchant, is in financial difficulty. He approaches a Jewish money lender, Shylock, who agrees to provide 3000 ducats, with a very curious bond – a pound of the merchant’s flesh, to be levied if Antonio fails to make a timely repayment. Feeling confident that his argosies will arrive in time to cover the debt, Antonio agrees to this bizarre transaction. Meanwhile, a wealthy gentlewoman, Portia, must choose a suitor using a curious ritual mandated by her father’s will. Applicants must choose from three locked caskets, one of which contains a picture of Portia. He who chooses the casket with the picture will wed Portia immediately; the unsuccessful applicants will cease courting not only Portia, but all prospective partners. Portia’s preferred suitor is a young Venetian, Bassanio, who is a close friend of Antonio. Antonio’s ships fail to arrive in time to satisfy his debt to Shylock and Antonio is hauled into court. In a male disguise, Portia appears in court to represent Antonio. Will her skillful representation free Antonio from Shylock’s demands? Written between 1596 and 1598 and published in 1600, The Merchant of Venice most notably touches on the troubling subject of antisemitism. While critical debate rages about Shakespeare’s actual attitudes toward Jewish culture, it is difficult to deny that the eventual fate of Shylock is not in accord with today’s view of social justice. Featuring the voices of Denis Daly, Catherina Bilson, Alexandra Lee Smith, Gary D. Macfadden, Blaise Doran, Graham Scott, Roberta Jackson, Josh Innerst, Simon Paxton, Alan Weyman, Emma Faye and Marty Krz.

The Merchant of Venice

Utopia is a social and political satire, in the form of a traveler’s tale in an apparently blissful society based upon natural reason and justice. Sir Thomas More explores the role of philosophy—and unrealistic idealism—in government and offers a scathing analysis of the politics and society of his time.

Utopia

Measure for Measure is one of darkest of Shakespeare’s comedies. Written in about 1603 and first performed in 1604, it immediately preceded the composition of the major tragedies Othello, King Lear, and Macbeth. Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death. Claudio’s sister, Isabella, who is preparing to enter religious life, is encouraged to approach Angelo and plead for her brother’s life. Angelo is immediately smitten with the beautiful Isabella and makes her an offer: her brother will be spared if she yields to Angelo’s sexual advances. Isabella indignantly rejects this proposal, but finds herself unable to reveal Angelo’s hypocrisy publicly, as she fears her accusations will lack credence. Fortunately, the Duke, who has not left Vienna, befriends Isabella in his assumed role of friar, and hatches a plan to both save Claudio and to unmask Angelo. Featuring the voices of Denis Daly, Gary D. MacFadden, David Shears, Graham Scott, Josh Innerst, Kendra Murray, Blaise Doran, Simon Paxton, Roberta Jackson, Alexandra Lee Smith, and Alan Weyman. Audio edited by Denis Daly Tunes for songs provided by Alan Weyman. The text used for this performance was kindly provided by playshakespeare.com.

Measure for Measure

Wealthy widow Mrs. Harlowe has died at her house in Dijon, apparently of natural causes. But then her brother-in-law accuses her niece Betty of poisoning the old woman; Jim Frobisher, junior partner in the office of Betty’s English solicitors, is dispatched to France to provide legal advice and support. In France, as Jim seeks to discover the truth and clear Betty, he enters into an uneasy alliance with the enigmatic and mercurial Sûreté detective, Inspector Hanaud …

The Inspector Hanaud Series

The House of the Arrow

In the days before the First World War, the measured routine of barrister and accidental Member of Parliament Edward Leithen is disrupted when Charles Pitt-Heron, an Oxford contemporary and now the husband of Leithen’s old flame, abruptly goes missing. As he investigates the mystery, Leithen is soon pitted against the murderous forces of “the Power-House,” an international network of anarchists, and its chilling leader. 

Edward Leithen

The Power-House

Young Jack Easy, full of his wealthy philosopher father's impractical notions of the rights of man and perfect equality - and failing to find much sympathy for them on land - resolves to join the navy, reasoning that "although the whole earth has been so nefariously divided among the few, that the waters at least are the property of all." He soon finds, though, that life in the Royal Navy is not quite the egalitarian ideal that he had expected, and is a good deal more eventful...

Mr Midshipman Easy

As the tiny River Gudgeon meanders through the golf links at Paston Oatvile, it is spanned by a huge railway viaduct. When Mordaunt Reeves and a group of friends playing a round discover the battered body of a man, clearly fallen from the viaduct, Reeves - a man a little too fond of reminding everyone that he was in Military Intelligence during the war - suspects that the police are not taking the death seriously, and persuades his friends to help him to investigate. Soon, theories of the crime begin to emerge...

The Viaduct Murder

The unlikely heroine of this novel is the bashful and unadventurous Fanny Price, who occupies a Cinderella-like position in the residence of her wealthy cousins, the Bertrams, at Mansfield Park. Fanny is the butt of ridicule for the young Bertram sisters (Maria and Julia), and is relentlessly bullied by her manipulative and penny-pinching aunt, the widowed Mrs Norris. Maria, Julia, and their brother Tom are symbols of social irresponsibility, while their brother Edmund, is earnest and upright. Although Sir Thomas Bertram’s wealth is derived largely from a sugar plantation in the West Indies, Austen largely avoids discussion of slavery and other evils of colonialism. The young Bertrams form a close friendship with the dashing and unscrupulous Henry Crawford, and his glamorous sister Mary. Henry decides to pursue Fanny with a view to marriage, but she, discerning his devious nature, resists all his advances. After a visit to her family in Portsmouth, Fanny returns to Mansfield Park and finds herself attracted to the worthy Edmund, who is recovering after being rejected by Mary Crawford. Interestingly, Mansfield Park features the abortive amateur production of a popular sentimental drama, Lovers’ Vows, planned by members and friends of the Bertram family while Sir Thomas is absent in the West Indies. His unexpected return brings these plans to an abrupt halt. This audiobook recording also includes a multicast presentation of Lovers’ Vows. In Lovers’ Vows, the widowed Baron Wildenheim, by a twist of circumstances, comes into contact with a poor woman whom he had abandoned while a young man. The Baron has since married a wealthy woman and they have a daughter, Amelia. Unbeknownst to the Baron, his first relationship resulted in the birth of a son. He now has to decide how he is to acknowledge his new-found son and the young man’s mother. At the time of its publication, the plot was considered controversial because it centered on the issue of illegitimate children.

Mansfield Park and Lovers’ Vows

Hard-up dressmakers’ assistant Chloe Dane yearns for a new life. But when her mysterious relative Mitchell Dane dies, leaving her the ancestral home of her family, and the secret combination to the safe hidden behind the Chinese black lacquer cabinet in the drawing room, she finds herself locked in a struggle with unscrupulous opponents who will stop at nothing to get possession of the safe’s sinister contents …

The Black Cabinet

In January 1817, Jane Austen commenced work on a new novel, to which she never assigned a name. By mid-March, she had completed twelve chapters, at which time she ceased working due to illness. The unfinished work was eventually published in 1925 under its working title: Fragment of a Novel Written by Jane Austen, January–March 1817. It has since become known simply as Sanditon, and a number of completions by other authors have since been published. Mr. and Mrs. Parker are visiting Sanditon, a village on the coast of Sussex. Unfortunately, Mr. Parker suffers an injury but he receives assistance from a local farmer, Mr Heywood. The latter’s daughter, Charlotte, is of marriageable age and has three eligible suitors, including the son of local patron, Lady Denham. Lady Denham is very keen to find a suitable match for her son Sir Edward—one of Charlotte’s suitors. Accordingly, she seeks an introduction with a Miss Lambe, a wealthy young heiress from the West Indies who is to take lodgings at Sanditon. Meanwhile, Charlotte finds herself attracted to the witty and debonair Sydney. The narrative ceases at this point, with little indication about the final results of the various romantic encounters. However, it appears clear that Charlotte is intended to be the heroine of the story.

Sanditon

Persuasion was the last novel completed by Jane Austen and was first published posthumously in December, 1817. The story represents an interesting configuration of Austen’s characteristic narrative patterns. The heroine, Anne Eliot, is something of an old maid—she is twenty-seven years old, still single and is considered by family and friends to have lost her youthful beauty. Several years earlier, her engagement to Captain Frederick Wentworth had been broken off, due to the insistence of her family that the Captain lacked the wealth and status needed in a suitable husband. Due to the improvidence of Anne’s snobbish father, Sir Walter Elliot, it becomes necessary to rent out the family estate at Kellynch Hall. The Elliots take up residence in Bath. Anne and Frederick meet again, and Anne is faced with a difficult choice between suitors: should she align herself with the honest and upright but socially awkward Frederick Wentworth? Or with her charming, wealthy, and devious cousin, William Elliot?

Persuasion

This collection arguably contains some of the most charming lyrics ever written in English. The childlike simplicity and trust of these artless verses are unique. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Songs of Innocence and of Experience

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love. More than in her other novels, Austen here includes portraits of ill-matched couples, such as the avaricious Fanny Dashwood and her hen-pecked husband John; and the daffy Charlotte Palmer and her gloomy and contemptuous spouse. Perhaps Austen here suggests that, while marriage seems inevitable for most people, conjugal happiness can be much harder to find. Sense and Sensibility (written by ‘a lady’) was first published in 1811. It is a complete re-writing of Austen’s earlier epistolary novel, Elinor and Marianne.

Sense and Sensibility

Jane Austen probably commenced writing The Watsons in 1803 and discontinued it after her father’s death in 1805. The original text contains no chapter divisions. It was first published in 1871 as an appendix to A Memoir of Jane Austen, by the novelist’s nephew, James Edward Austen-Leigh. The story concerns the young and vivacious Emma Watson, one of six children of a widowed clergyman. Emma has spent most of her life under the care of a wealthy aunt of liberal views, and has received a good education. However, when her aunt enters into a second marriage, Emma is forced to return to the family home, where she is affronted by the crass hunting for husbands undertaken her sisters, Penelope and Margaret. Emma herself attracts the notice of local nobleman, Lord Osborne, and also of Mr. Howard, vicar of the nearby parish church. The sisters are invited to visit the home of their brother, Robert, an attorney in Croydon, but Emma refuses to join them. The original text concludes at this point. Several completions of the novel have been composed after the author’s death. The first appeared in 1850, and was written by her niece, Catherine Hubback, who expanded the story into a three volume novel entitled, The Younger Sister. In 1923, the completion by L. Oulton was published. And in 1928, another completion appeared, this time written the granddaughter of Catherine Hubback, Emily Brown, and her husband Francis Brown. In the version completed by Oulton, the narrative concludes with a resolution fairly typical of an Austen novel. However, the full text is considerably shorter than any of the novels completed by the Austen. There has been much speculation as to why Austen discontinued writing the novel. One surmise is that the author may have felt the narrative was uncomfortably close to the events of her own life.

The Watsons

Embarking from England as part of Commodore Anson’s expedition to the Pacific, HMS Wager was wrecked on a desert island to the southward of Chiloe. Following the wreck, the crew suffered dreadful privations from famine and descended into mutinous factionalism, theft, and murder. This account by young midshipman John Byron describes the events of the wreck and mutiny. It also narrates his journey home in company with Captain Cheap and a small group of loyal officers and seamen. 

Byron's Narrative of the Loss of the Wager

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh. As the author explains in the introduction: “We have been nearly three years writing this book. We began it when we were very young … and now we are six. So, of course, bits of it seem rather baby-ish to us, almost as if they had slipped out of some other book by mistake. So we want you to know that the name of the book doesn’t mean that this is us being six all the time, but that it is about as far as we’ve got at present, and we half think of stopping there.”

Now We Are Six

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