W świecie, gdzie człowiek człowiekowi wilkiem, warto być… kotem. Charlie nie jest żadnym superbohaterem. Można by powiedzieć, ze jest całkiem zwyczajnym gościem, ale tak naprawdę plasuje się w najniższych granicach średniej. Jest rozwodnikiem, mieszka z kotem w domu, który jego rodzeństwo usilnie stara się sprzedać. Pracuje dorywczo jako nauczyciel i marzy tylko o tym, by otworzyć pub w centrum miasta. O ile jakikolwiek bank udzieli mu na to pożyczki, na co nieszczególnie się zanosi. Nieoczekiwany spadek po zmarłym wuju wydaje się istnym błogosławieństwem i rozwiązaniem wszystkich problemów. I tu całkowita racja. Wydaje się. Charlie nie doczytał najwyraźniej aneksu małym druczkiem i razem ze spadkiem przyjął...imperium złoczyńców. Jasne, wraz z kryjówką na wulkanicznej wyspie, superlaserami i wypasionymi jamami z lawą. Ale też z całą rzeszą wrogów i to nie tak staroświeckich jak jego poczciwy wujek-złoczyńca. Jego rywale są bogatymi, bezdusznymi drapieżnikami wspieranymi przez międzynarodowe korporacje i organizacje lubujące się w inwestycjach wysokiego ryzyka. Na barki Charliego spada więc ciężar, zapoczątkowanej przez wujka wojny, wypowiedzianej niegdyś lidze superzłoczyńców. Na szczęście z bandą zrzeszonych acz kłopotliwych delfinów, nadludzko inteligentnymi i gadatliwymi kotami szpiegowskimi oraz innymi przerażającymi popleczniczkami u boku, schodzenie na złą drogę, wydaje się całkiem… dobre.

Początkujący złoczyńca

New York Times Bestseller ""There is no writer quite like Dolly Alderton working today and very soon the world will know it.” —Lisa Taddeo, author of #1 New York Times bestseller Three Women “Dolly Alderton has always been a sparkling Roman candle of talent. She is funny, smart, and explosively engaged in the wonders and weirdness of the world. But what makes this memoir more than mere entertainment is the mature and sophisticated evolution that Alderton describes in these pages. It’s a beautifully told journey and a thoughtful, important book. I loved it.” —Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love and City of Girls The wildly funny, occasionally heartbreaking internationally bestselling memoir about growing up, growing older, and learning to navigate friendships, jobs, loss, and love along the ride When it comes to the trials and triumphs of becoming an adult, journalist and former Sunday Times columnist Dolly Alderton has seen and tried it all. In her memoir, she vividly recounts falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends. Everything I Know About Love is about bad dates, good friends and—above all else— realizing that you are enough. Glittering with wit and insight, heart and humor, Dolly Alderton’s unforgettable debut weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age—making you want to pick up the phone and tell your best friends all about it. Like Bridget Jones’ Diary but all true, Everything I Know About Love is about the struggles of early adulthood in all its terrifying and hopeful uncertainty.

Everything I Know About Love

Co zrobić, by należeć do elity narodu? Poczciwy Dyzma pokazuje, że wystarczy po prostu być. To błyskotliwa opowieść o urzędniku pocztowym, którego życie zmienia się o 180 stopni dzięki znalezieniu zaproszenia na przyjęcie dla dyplomatów. Dyzma, 30-parolatek bez ambicji, z dnia na dzień zdobywa uznanie wyższych sfer i rozpoczyna ogromną karierę. Ta przewrotna powieść obnaża cynizm i głupotę elit lat 20., dostarczając zarazem niezwykłego obrazu epoki, który wciąż pozostaje aktualny. Autor z niezrównaną wnikliwością i humorem przedstawia, jak łatwo można oszukać społeczeństwo pragnące wierzyć w pozory. Idealna dla fanek i fanów Marka Hłasko. Tadeusz Dołęga-Mostowicz (1898-1939) - polski prozaik i scenarzysta. Rozgłos przyniosła mu „Kariera Nikodema Dyzmy”, wydana w 1932 roku. Powieść kilkakrotnie ekranizowana, na podstawie której powstał również serial.

Kariera Nikodema Dyzmy

The multi-million copy number one bestseller One of The Sunday Times's top 100 bestselling books of the past 50 years Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive. A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something? As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay. Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen four books, newspaper columns and the smash-hit film series Bridget Jones's Diary, The Edge of Reason, Bridget Jones's Baby and Mad About the Boy. Bridget Jones's Diary was featured in 'The 100 bestselling books of the past 50 years' published by The Sunday Times on 18/08/2024

Picador Collection

Bridget Jones's Diary

Zakazany romans, zagadkowe morderstwo tajemniczych zabójstw - i komedia kryminalna. Natalia nie może ułożyć sobie życia. Ma nadzieję, że gdy już zdobędzie stopień doktora, łatwo znajdzie pracę i wszystko się zmieni. Ale ma romans ze swoim promotorem. On jednak nie zamierza porzucać rodziny i wiązać się z nią. Pewnego dnia siostra przedstawia Natalii propozycję nie do odrzucenia – ma wyjechać na wieś i opiekować się ciotką. Wkrótce dochodzi na wsi do tajemniczych zabójstw ludzi i zwierząt. Natalia wpada na trop mordercy i jednocześnie próbuje jakoś ogarnąć swoje życie prywatne, co bywa czasami dużo trudniejsze niż polowanie na mordercę. Jak Natalia z tym wszystkim się poradzi? I kto jest mordercą? Anna Kleiber – żona, mama, a wieczorową porą pisarka. Mieszka w Wielkopolsce i pracuje w bibliotece.

Głupia baba

Diaboliada to satyryczna powieść Michała Bułhakowa - mistrza w podchwytywaniu absurdalnych przejawów sowieckiej rzeczywistości, która niekiedy przeradza się w prawdziwy obłęd. Człowiek, który wpadnie w tryby rozpędzonej machiny biurokracji, ulegnie presji ludzkiej głupoty i własnego strachu, jak drobny referent Korotkow, bohater książki, musi załamać się psychicznie. Niewinna z pozoru karuzela zabawnych perypetii i nieporozumień kończy się tragicznie.

Diaboliada

Pinokio napada na bank. W wiosce Smerfów narasta konflikt związany z wyścigiem o rękę Smerfetki, kryzys gospodarczy zmusza ekipę krasnoludków do pracy na kontrakcie w Kolumbii, a między Bolkiem i Lolkiem dochodzi do rękoczynów... W tym zbiorze bajek tylko dla dorosłych wszystko jest możliwe! Poznajcie nowe, zaskakujące i szalone przygody bohaterów opowieści, które z pewnością pamiętacie z dzieciństwa – tym razem w wersji pełnej czarnego humoru, ironii i groteski. Może się okazać, że seks, używki i poważne dylematy egzystencjalne dotyczą wszystkich, z Czerwonym Kapturkiem i krasnoludkami włącznie. Dzięki lekturze dowiecie się między innymi: ● Skąd się wzięło powiedzenie "Stoliczku, nakryj się"? ● Jak złota rybka w rzeczywistości spełniała życzenia rybaków? ● Czy Królewna Śnieżka była… tylko jedna? ● Kim była i skąd się wzięła Mała Syrenka? ● Jak wyglądała ostatnia podróż lokomotywy opisanej w wierszu Juliana Tuwima? „– Pod ścianę! – rozkazał, wymachując trzymanym w ręku rewolwerem. (…) – Bo wpakuję kulkę w łeb! (…) Ostrzegam, że strzelam bardzo celnie. Ledwo to oznajmił, wydłużył mu się nos. Spojrzał zezem na jego czubek i wrzasnął: – Ja nie kłamię! Kinol podwoił długość. (…) Zawadził nim o stojący pośrodku niewielkiego holu reklamowy stand. Rozległ się suchy trzask. Część pajacowego narządu powonienia zgięła się najpierw pod kątem prostym, a następnie zadyndała na pojedynczej, cienkiej drzazdze. Pinokio wpadł w panikę. – Kurwa! – krzyknął. – Pierdolę ten napad! Zabierzcie mnie do najbliższej stolarni! I to takiej z wysokoobrotową frezarką! W końcu płacę co miesiąc na ubezpieczenie zdrowotne! Żądam stolarza specjalisty!” Marcin Pełka – lekarz, specjalista dermatologii i wenerologii, doktor nauk medycznych. Szeroko pojętą literaturą fantastyczno-naukową interesuje się od czasów szkoły podstawowej. W miarę upływu czasu zainteresowanie to przerodziło się w pasję i doprowadziło do tego, że sam zmierzył się z piórem. Jest fanem krótkich, humorystycznych opowiadań i takie właśnie formy przeważają w jego twórczości.

Pogięte bajki

“Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.” — Sheila Heti, author of How Should a Person Be? A New York Times Bestseller Best Book of the Year: NPR • Boston Globe • Newsweek • Time Out New York • Oprah.com • Miami Herald • Book Riot • Buzz Feed • Globe and Mail (Toronto) • The Root • Shelf Awareness A collection of essays spanning politics, criticism, and feminism from one of the most-watched cultural observers of her generation In these funny and insightful essays, Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.

Bad Feminist

'This is every woman’s dream revenge plot come to life.' Reader review, ⭐⭐⭐⭐⭐ Are you on a date that doesn’t feel right? Can’t shake that creepy guy at the bar?Worried you’re being followed home?Message M.After one too many terrifying encounters, Millie Masters sets up a hotline for women who feel unsafe walking home alone at night: Message M. But very quickly she realises that there’s much more to be done to help the women who call in. Because the men just do it again the next night, and the next, and the next… And when her own sister is assaulted on a night out, the temptation to take the law into her own hands becomes too much to resist. Because M can also stand for murder… A deliciously dark, hilariously twisted serial killer thriller with a villainous female lead. Perfect for fans of Bella Mackie’s How to Kill Your Family, Oyinkan Braithwaite’s My Sister, the Serial Killer, or anyone who enjoyed watching You. Readers are OBSESSED with How to Kill a Guy in Ten Ways!‘A masterclass in murder. Millie is the serial killer you never knew you needed in your life.’ LM Chilton ‘Deliriously dark and incredibly funny. How to Kill a Guy in Ten Ways is a wild revenge comedy that had me reading all night…Addictive and twisty, I loved it!’ Katie Marsh ‘We love the dark humour in this thriller.’ That’s Life Crime Scene ‘Eve Kellman – I applaud you. This was absolutely fantastic.’ Reader review, ⭐⭐⭐⭐⭐ ‘I loved this book! Brilliant twists all the way through and so cleverly written. A must read!’ Reader review, ⭐⭐⭐⭐⭐ ‘This is … clever, quick-paced, and such a twist on the serial killer genre.’ Reader review, ⭐⭐⭐⭐⭐ ‘I absolutely LOVED this book! I flew through it! The feminine rage and the witty banter was *chefs kiss*. I can't wait for this to come out so I can buy copies for all my friends!’ Reader review, ⭐⭐⭐⭐⭐

How to Kill a Guy in Ten Ways

From the author of Everything I Know About Love and longtime Sunday Times Style columnist comes advice and answers to your questions about dating, love, sex, family, friendship and more. “One of the foremost ‘it’ writers of our time. . . . There is no writer quite like Dolly.”—Lisa Taddeo, author of #1 New York Times bestseller Three Women “Nora Ephron for the millennial generation.”—Elizabeth Day, author of How to Fail and The Party For years, New York Times bestselling author Dolly Alderton has been sharing her wisdom, warmth, and wit with the diverse universe of fans who have turned to her “Dear Dolly” column seeking guidance on a host of life problems. Dolly has thoughtfully answered questions ranging from the painfully—and sometimes hilariously—relatable to the occasionally bizarre. They include breakups and body issues, families, relationships platonic and romantic, dating, divorce, the pleasures and pitfalls of social media, sex, loneliness, longing, love and everything in between. Without judgement, and with deep empathy informed by her own, much-chronicled adventures with love, friends, and dating, Dolly helps us navigate the labyrinths of life. In this wonderful collection, she brings together her collected knowledge in one invaluable volume that will make you think, make you laugh, and help you confront any conundrum or crisis.

Dear Dolly

*Nominated for Best Book at the 2025 Chortle Awards* 'Outstanding, I want to press it into the hands of every newly diagnosed person' Fern Brady 'Like a Martian's guide to living on Earth. Funny, enlightening and gobsmacking' Frank Skinner 'A hilarious, crystal-clear guide to autism' Phil Wang 'An illuminating and joyously entertaining book' Daily Express Why were the other kids at school obsessed with Britney Spears instead of The Goon Show? Why don't people ever say what they mean? And... Why is everyone chewing so loudly? Comedian Pierre Novellie was on stage when a heckler suggested he was autistic. Usually, this disruption would be water off a duck's back but two things made this heckler different: first, he was himself autistic. Second, he turned out to be absolutely right. This random encounter led to a diagnosis of autism at the age of 31 that unravelled his world, explained his struggles and answered questions that had bothered him for his entire life. At once a hilarious and insightful journey through autism and neurodivergence, an entertaining explainer for the uninitiated and observational comedy for the neurodiverse, this is the perfect read for anyone who has ever asked themselves: why can't I just enjoy things? The audiobook includes an exclusive Q&A with comedian and BudPod co-host, Phil Wang.

Why Can't I Just Enjoy Things?

'Seldom is a book as funny, important and timely … I was laughing out loud at the same time as my blood was running cold' JOHN CLEESE ‘Viciously funny… an exhilarating satire’ THE TIMES 'Merciless… a welcome distraction' ECONOMIST, Best Books of 2024 What if calling someone stupid was illegal?In a reality not too distant from our own, the worst thing you can call someone is 'stupid'. Everyone is equally clever, and discrimination based on intelligence is 'the last great civil rights fight'. Exams and grades are discarded and you don't need a qualification to be a doctor. When best friends Pearson and Emory find themselves on opposing sides of this new culture war, their relationship begins to fracture. And soon, Pearson’s determination to cling onto the 'old, bigoted way of thinking' begins to endanger her job, her safety and even her family… Hilarious, deadpan and scathing, MANIA is a frighteningly plausible glimpse into what the world could become – or is already – from the pen of a master storyteller.

Mania

INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK “Hard to put down, harder to forget.” — Stephen King, #1 New York Times bestselling author White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the book she claims she wrote, and she is most certainly not Asian American—in this chilling and hilariously cutting novel from R.F. Kuang, the #1 New York Times bestselling author of Babel. Authors June Hayward and Athena Liu were supposed to be twin rising stars. But Athena’s a literary darling. June Hayward is literally nobody. Who wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree. But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface grapples with questions of diversity, racism, and cultural appropriation, as well as the terrifying alienation of social media. R.F. Kuang’s novel is timely, razor-sharp, and eminently readable.

Yellowface

'This book had sex with my brain!' SARA PASCOE 'Hilarious. Intimate. Vital.' JAMEELA JAMIL 'I couldn't put the book down!' LAURA BATES Comedian Sofie Hagen has not had sex in 3,000 days (and counting). And it turns out, she's not the only one . . . In an attempt to find out why we're not having the sex we want, Sofie asks the questions: can we blame a lacking sex education? Is it all just sexual trauma? Where's the radical sexual liberation we were promised? What are we going to do about this? Should she have slept with that guy in that bush that one time? How do you overcome being a 35-year-old virgin (when it comes to queer sex, that is)? How do the socially awkward and the neurodiverse have sex? In Will I Ever Have Sex Again?, Sofie Hagen explores the quirks and difficulties of being an 'involuntary celibate' (but one of the feminist, progressive ones). With a blend of memoir and conversations with experts, therapists, sex workers, porn stars, comedians and public figures, this is a humorous and bold undertaking to gain a better understanding of how we can think, talk and feel about sex. The audiobook includes an exclusive bonus interview with fellow comedian, friend and author, Sara Pascoe. 'I was expecting a tad more tahini' YOTTAM OTTOLENGHI 'Refreshingly honest' ROSIE JONES 'Warm, Curious, Charming' AUBREY GORDON

Will I Ever Have Sex Again?

‘A thrill for the sickos among us’ JIA TOLENTINO ‘Utterly inimitable’ RAVEN LEILANI ‘Unrelentingly brutal and gut-bustingly funny and spares no one’ CARMEN MARIA MACHADO 'Symbiotically serious and funny' MEGAN NOLAN 'The funniest, darkest thing' ST VINCENT LONGLISTED FOR THE 2024 NATIONAL BOOK AWARD IN FICTION An audacious, original and unforgettable novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the thorniest problems of modern life: sex, relationships, identity and the internet. We see a young man’s passionate allyship turn to a furious and debilitating nihilism as he realizes, over thirty lonely years, that his feminism isn’t getting him laid; a young woman’s unrequited crush spirals into borderline obsession and the systematic destruction of both her sense of self and her group chat; and witness a shy late bloomer’s flailing efforts at a first relationship lead to a life-upending mistake. As these characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways that our delusions can warp our desire for connection. Written with the accomplished authority of a modern classic and the manic intensity of a losers’ manifesto, Rejection by Tony Tulathimutte radically redefines what it means to be rejected by lovers, friends, society and oneself. ‘A book of mad, madcap genius’ Garth Greenwell ‘He writes about these things in the way Anthony Bourdain wrote about restaurants… Tulathimutte is a big talent’ The New York Times Book Review ‘Blistering … takes a magnifying glass to the mind in the internet age’ Vogue ‘There’s a volatile thrill to the writing … snortingly funny’ Wall Street Journal ‘Obsessively readable, acerbic, Foster Wallace–inflected’ Vanity Fair ‘A master comedian with a virtuoso prose style … audacious, original and highly disturbing’ New York Times Magazine A Book of the Year in Wall Street Journal, New York Times, New Yorker, NPR, Time Magazine, Vanity Fair, Esquire, Kirkus Review and Electric Literature.

Rejection

Piękna księżniczka, która w zamkowej wieży oczekuje dzielnego wybawcy, jej srogi ojciec, smok grożący śmiercią wszystkim rycerzom chętnym wybawić piękność z niewoli... Kto z nas nie zna słynnego baśniowego schematu? Tym razem klasyka podlega licznym i arcyzabawnym modyfikacjom. Uwięziona księżniczka czaruje nie tyleż urodą, co ciętym dowcipem, strażnik wzbudza uśmiech oraz sympatię czytelników, a smok okazuje się smoczycą Paskudą, z wielkim zaangażowaniem konsumującą niedoszłych wybawicieli księżniczki. Pełna humoru opowieść o niebanalnym trio spodoba się wszystkim miłośnikom przełamywania schematów oraz fanom kultowego „Shreka". Magdalena Kozak - pisarka, autorka powieści fantastycznych, lekarz, żołnierz. Jej literackim debiutem jest opowiadanie Nuda, a pierwsza powieść – Nocarz – doczekała kontynuacji w powieściach Renegat, Nikt i Młody. Wśród jej powieści znajdują się także, m.in., Fiolet, Łzy diabła oraz Paskuda & Co. Smoczyca Paskuda jest ponadto bohaterką wielu opowiadań autorki. Magdalena Kozak była nominowana do Nagrody Literackiej Jerzego Żuławskiego (za powieść Łzy diabła), czterokrotnie do nagrody Nautilus (powieści Nocarz i Renegat, opowiadania Operacja „Faust" oraz Cynglarze), a także pięciokrotnie do Nagrody Fandomu Polskiego imienia Janusza A. Zajdla (powieści Nocarz, Renegat, Nikt, Łzy diabła i opowiadania Sznurki przeznaczenia oraz Strasznie mi się podobasz). Kozak pasjonuje się strzelectwem oraz skacze ze spadochronem.

Paskuda & Co

“Gabriel Smith has written a truly unique and surprising book. He is the rarest thing: a distinctive stylist on the line and structure level. Brat is so strange and so funny. I laughed a lot while reading.” Rachel Connolly, author of Lazy City 'Iconic', Radio 1 'i've never heard of you. good luck with your book tho !' Charli XCX on X, formerly Twitter I was in the waiting room. Then I was in the examination room. Gabriel’s skin is falling off. His dad is dead. He owes his editor a novel. His girlfriend won’t answer his calls. Tasked by his horribly well-adjusted brother with clearing out the family home for sale, Gabriel’s sanity quickly begins to unravel. His parents’ old manuscripts appear to change each time he reads them. A bizarre home video hints at long-buried secrets. And there’s a hideous man in the garden. Disquieting and hilarious, taut yet lyrical, blisteringly-paced but formally inventive, Brat is a mediation on grief, art and love that will leave you altered, breathless and desperate for more. From a stunningly original new talent, this is a debut novel unlike anything you have read before. “Messy with glitched realities and body horror, Brat breathes the same thrillingly claustrophobic air as Inland Empire and Ubik. It’s a skin-shedding ouroboros of grief and laughter, and the most brain-melting British debut I’ve read in ages.” Ed Park, author of Same Bed Different Dreams “Gabriel Smith’s prose is like if Joan Didion and Shirley Jackson took Xanax and used the internet. Brat is a sharp, eerie, confident debut about grief, memory, art, and so much more. Smith is a major new talent.” Jordan Castro, author of The Novelist “Gabriel Smith’s jauntily creepy and hilarious tale of a grief-stalked scapegrace’s sloughing-off and regeneration of selves in the filial murk of a moldering homestead is a Portrait of the Artist as a Young Man for a new, quaking generation. Brat will unnerve and seduce you.” Garielle Lutz, author of Worsted

BRAT

Newly minted doctor Jane McGill is in hell. Not literally, of course. But between her drug addict patients, sleepless nights on call, and battling wits with the sadistic yet charming Sexy Surgeon, Jane can’t imagine an afterlife much worse than her first month of medical internship at County Hospital. And then there’s the devil herself: Jane’s senior resident Dr. Alyssa Morgan. When Alyssa becomes absolutely hell-bent on making her new interns pay tenfold for the deadly sin of incompetence, Jane starts to worry that she may not make it through the year with her soul or her sanity still intact.

Dr. Jane McGill

The Devil Wears Scrubs

“I’m sick to death of this particular self. I want another.” Virginia Woolf’s Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman, though she retains all her memories and personality; the only thing that changes about Orlando is her body. Now as a woman, she must navigate complex and exclusionary legal systems throughout the ages, her own previous views on gender, society’s expectations of marriage, and her own ambitions as a poet—not to mention having to grapple with a seemingly immortal lifespan. An unusual and profound examination of gender roles, expression, and identity, Orlando is one of Woolf’s best known and best loved works, and it remains just as relevant and revolutionary today as when it was first published.

Orlando

Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a little person as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.

Cat's Cradle

A darkly comic, speculative debut following an adrift Pakistani translator in London who attends a mysterious language school which boasts complete fluency in just ten days, but at a secret, sinister cost. Anisa Ellahi dreams of being a translator of “great works of literature,” but instead mostly spends her days subtitling Bollywood movies, living off her parents’ generous allowance, and discussing the “underside of life” with her best friend, Naima. Anisa’s mediocre white boyfriend, Adam, only adds to her growing sense of inadequacy with his savant-level aptitude for languages, successfully leveraging his expansive knowledge into an enviable career. But when Adam learns to speak Urdu with native fluency practically overnight, Anisa forces him to reveal his secret. Adam begrudgingly tells Anisa about The Centre, an elite, invite-only program that guarantees near-instant fluency in any language. Skeptical but intrigued, Anisa enrolls—stripped of her belongings, contact with the outside world, and bodily autonomy—and emerges ten days later fluent in German. As Anisa enmeshes herself further within The Centre, seduced by all that it’s made possible, she soon realizes the true cost of its services. By turns dark, funny, and surreal, and with twists page-turning and shocking, The Centre takes the reader on a journey through Karachi, London, and New Delhi, interrogating the sticky politics of language, translation, and appropriation with biting specificity, and ultimately asking: what is success really worth?

The Centre

‘Dark and funny’ Jackie Kabler, author of The Murder List ‘Deliciously dark and hilariously witty’ Sunday Post 'A razor-sharp revenge thriller with bite, brains and a body count' The Observer Say hello to Sally. ​ This is the story of how I killed Harry Collins. Destined to be the great love of my life – until one day I wake up in the Big Apple with the world's worst hangover, an empty bank account, and the sinking feeling that my life just nosedived. How it happened is a blur, but one thing is clear: I’ve been swindled and I’m not happy about it.​ ​She’s the woman of your dreams.​ And it's all thanks to Harry – a total dreamboat and a devil in disguise. He’s got charm, secrets, and a smile that screams trouble. Little did I know, Harry's not just a pretty face – he's a liar and conman.​ Or is she your worst nightmare?​ ​When I discover I’m not the only victim, I decide it’s only right I take my revenge. And with a group of wronged women behind me, murder isn’t on the agenda yet because Harry’s in for a nightmare and I’m only just getting started…​ ​A wicked, whip-smart revenge thriller, perfect for fans of Katy Brent, Bella Mackie and anyone who wants to take their revenge on The Tinder Swindler or Sweet Bobby.​ Readers LOVE When Sally Killed Harry!‘Darkly funny’ i News ‘Witty and sharp’ Bella ‘Everything a romcom gone wrong should be’ BookTrib ‘Sharp, brilliantly written, addictive’ Cosy Moose ‘Incredibly pacy, funny, oh-so-dark, devious and dare I say, relatable… I loved everything about it!’ Noelle Holton, author of His Truth Her Truth ‘Wow! I loved it. Devoured it in two days. It was dark, delicious and deadly.’ Louise Swanson, author of End of Story ‘I couldn't put it down … I'll have what Lucy Roth is having’ L.M. Chilton, author of Don’t Swipe Right ‘A bold and clever coming-of-rage story that gives a razor sharp twist on the classic romcom’ Victoria Hawthorne, author of The Darkest Night ‘The characters leapt off the page, their back stories were compelling and drove the story well. The Sally and Harry names riff was also good fun.’ Kay Wilson, author of The Stand-Up Mam 'Whip-smart characters and a compelling story' Lucy Vine, author of Date with Destiny ‘Found family, found salvation and found mission – plus a few surprises along the way. And yep, you will root for all of them.’ Reader review ‘Sally is a compelling anti-heroine who reminds me of Jason Dean – Christian Slater’s character from Heathers. She’s unhinged… and watching her unravel is part of the glee.’ Reader review ‘A darkly funny and unhinged wish fulfilment tale about women pushed to the edge to get justice in a patriarchal society.’ Reader review ‘If you’re looking for a rom-com that’s anything but conventional When Sally Killed Harrywill have you laughing, gasping and rooting for Sally and her crew every step of the way.’ Reader review ‘Sardonic and sharply written… a fun, fast-paced read’ Reader review ‘A bold, unapologetic and raw exploration of frustration, fury, and the simmering rage women feel when the world constantly asks them to tiptoe around their own pain’ Reader review ‘Hilariously witty, sharp and unfiltered’ Reader review ‘A book that tackles toxic masculinity head-on, not with kid gloves, but with a sledgehammer’ Reader review ‘It’s about amplifying the voices that have been silenced and empowering women to claim their space, their stories and their anger.’ Reader review

When Sally Killed Harry

From the bestselling author of Fight Club comes a hilarious horror satire “equal parts saccharine caricature and startling raunch” (Kirkus Reviews) about a family of professional killers responsible for the most atrocious events in history and the young brothers that are destined to take over. Meet Otto and Cecil. Two brothers who grew up privileged in the Welsh countryside. They enjoyed watching nature shows, playing with their pet pony, impersonating their Grandfather…and killing the help. Murder is the family business after all. Downton Abbey, this is not. However, it’s not so easy to continue the family legacy with the constant stream of threats and distractions seemingly leaping from the hedgerow. First, there is the matter of the veritable cavalcade of escaped convicts that keep showing up at their door. Not to mention the debaucherous new tutor who has a penchant for speaking Greek and dismembering sex dolls. Then there’s Mummy’s burgeoning opioid addiction. And who knows where Daddy is. He just vanished one day after he and Mummy took a walk in the so-called “Ghost Forest.” With Grandfather putting pressure on Otto to step up, it becomes clear that this will all end in only two ways: a nuclear apocalypse or just another day among the creeping thistle and tree peonies. And in a novel written by Chuck Palahniuk, either are equally possible.

Not Forever, But For Now

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian Thelonious 'Monk' Ellison's once-acclaimed writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers. He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited 'some relatives in Harlem for a couple of days'. Meanwhile, Monk struggles with real family tragedies – his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before. In his rage and despair, Monk dashes off an outlandish novel full of stereotypes. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is, and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical and quietly devastating novel. 'Sublime . . . brilliant, uproarious . . . A wise novel about how we live.' – Brandon Taylor, author of the Booker Prize-shortlisted Real Life 'Seminal doesn't even come close. This novel is Everett at his finest, full of trademark protest, humanity and incisive humour, all wrapped up in one hell of a story.' – Courttia Newland, author of A River Called Time Read Percival's Pulitzer Prize-winning novel James in paperback now.

Erasure

Pani Renatka pracuje w biurze i jak co dnia weryfikuje poprawność dokumentów złożonych przez petentów. Kiedy w formularzu z firmy o nazwie BÓG zabrakło NIPu i REGONu, bez wahania wykonuje telefon z prośbą o uzupełnienie danych. W jej gabinecie pojawia się tajemniczy przedstawiciel firmy w powłóczystej białej szacie. Czy uda mu się dopełnić formalności? Gratka dla fanów humorystycznych opowiadań. Iwona Surmik - tworzy powieści z gatunku fantastyki oraz humoreski. Na swoim koncie ma publikacje w takich czasopismach jak „Science Fiction", „Ultramaryna", „Feniks". Była nominowana do Nagrody Fandomu Polskiego im. Janusza A. Zajdla za książkę „Ostatni smok". Kocha podróże, książki i gry komputerowe.

Klient

From iconic tortured artist/everyman Charles Bukowski, Hollywood is the fictionalization of his experience adapting his novel Barfly into a movie by the same name. Henry Chinaski, Bukowski’s alter-ego, is pushed to translate a semi-autobiographical book into a screenplay for John Pinchot. He reluctantly agrees, and is thrust into the otherworld called Hollywood, with its parade of eccentric and maddening characters: producers, artists, actors and actresses, film executives and journalists. In this world, the artistry of books and film is lost to the dollar, and Chinaski struggles to keep his footing in the tangle of cons that comprise movie making. Hollywood is Dirty Old Man Bukowski at his most lucid. It overflows with curses, sex, and alcohol. And through it all, or from it all, Bukowski finds flashes of truth about the human condition.

Hollywood

W Malinówku, miasteczku, zdaniem niektórych, usytuowanym w centrum wszechświata, życie zdaje się toczyć stałym i przewidywalnym rytmem. Burmistrz, sekretarka Zosia, proboszcz, trębacz oraz pozostali mieszkańcy doskonale się znają, a społeczność nie ma przed sobą tajemnic. Pewnego dnia burmistrz postanawia uczynić Malinówek amerykańskim miasteczkiem. W tym celu zza oceanu zostaje sprowadzony wolontariusz John Kołolsky. Ma za zadanie uczynić mieszkańców Malinówka jak najbardziej amerykańskimi. Pełna absurdalnego humoru powieść doskonale wykpiwa ludzkie przywary i bolączki. Marek Ławrynowicz - pisarz, poeta, autor scenariuszy filmowych i zdobywca Nagrody Fundacji „Wyzwania", nagrody na festiwalu „Dwa Teatry" za słuchowisko „Ameryka wkracza do Malinówki" (2002), wyróżnienia Biblioteki Raczyńskich (powieść „Diabeł na dzwonnicy"). Członek Stowarzyszenia Pisarzy Polskich, redaktor naczelny kwartalnika literackiego „Wyspa" (2007-2008).

Malinówek

Welcome to another typical summer in Florida, the season of the storms. Serge Storms. That loveable, under-under-medicated dispenser of truth, justice, and trivia is back with a vengeance. And not a weirdness-laced moment too soon. His cherished home state is about to take a beating, and from far more than the way-too-routine conga line of hurricanes bearing down on the peninsula. Corpses have begun turning up at a disturbing rate, even for Florida, and it looks like a brutal serial killer is on the loose. Serge vows to stop at nothing in his juggernaut to make All Things Right...except if he gets bored or distracted by a cool souvenir or...or a...whatever. But his path won't be obstacle free. Agent Mahoney has picked up the scent. The obsessive criminal profiler is convinced there is no second killer. Then there's Coleman, whose triathlete approach to the sport of polyabuse binging just might derail the mission more than the entire police community put together. The pace picks up. Winds howl, TV reporters fly around the beach, and questions mount: Who's stalking Tampa Bay's most sensitive journalist? Do multiple orgasms improve storm tracking? Why is the feeding-tube guy so quiet? All of which ultimately leads to the most pressing question on everyone's new-millennium lips: What would Serge do? Performed by Oliver Wyman

Serge Storms

Hurricane Punch

A “hilarious…hugely entertaining” (Jay McInerney, author of Bright Lights, Big City) novel that captures the complexities of marriage, art, friendship, and the fictions we create in order to become the people we wish to be. A creative writing professor at a third-tier college in upstate New York is on his way home from a summer fellowship in France, where he’s spent the last three months loafing around Bordeaux, tasting the many varieties of French wine at his disposal, and doing just about anything but actually working on his long overdue novel. A stopover in Brooklyn to see his and his wife’s closest friends—John, a jaded poet-turned-lawyer with a dubious moral compass, and Sophie, a once-promising fiction writer with a complicated past and a mysterious allure—causes further trouble when he and Sophie wind up sleeping together while John is out serenading Brooklyn coeds with poems instead of preparing legal briefs. But instead of succumbing to his failures as a teacher, writer, and husband, an odd freedom begins to bubble up. Could a love affair be the answer he’s been searching for? Could it offer the escape he needs from the department chair, Chet Bland, who’s been breathing down his neck? Relief from the gossip of colleagues and generational tension with students? Respite from embarrassment with his wife, Debra Crawford, and her meteoric rise as a novelist? His escapades might even make the perfect raw material for an absolutely devastating novel, which would earn him tenure, wealth, and celebrity—everything he needs to be set for life. If only he could be the one to write it. A brilliant case of art imitating life, Andrew Ewell’s “sharp, witty” (Richard Russo, author of Straight Man) debut is a poignant tour de force that asks who owns whose story, skewers the fictions created from our lives and others’, and brings a whole new meaning to the phrase “publish or perish.”

Set for Life

Now a Netflix film! Winner of the National Book Award, White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra­modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an “airborne toxic event,” a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent and visible version of the “white noise” engulfing the Gladneys—radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings—pulsing with life, yet suggesting something ominous.

White Noise

With dazzling wit and astonishing insight, Bill Bryson—the acclaimed author of The Lost Continent—brilliantly explores the remarkable history, eccentricities, resilience and sheer fun of the English language. From the first descent of the larynx into the throat (why you can talk but your dog can't), to the fine lost art of swearing, Bryson tells the fascinating, often uproarious story of an inadequate, second-rate tongue of peasants that developed into one of the world's largest growth industries.

The Mother Tongue

Fran Donoghue has just killed her neighbour. Don’t worry, you’ll agree, he deserved it. Detective Gareth Donoghue has a terrible feeling about his missing neighbour. By the time this is over, that will be the least of his worries… A dark, sharp and hilarious novel about love, marriage, and murder, with an ending you won’t see coming… Gareth certainly didn’t. Perfect for fans of How to Kill Your Family, Everyone In My Family Has Killed Someone and Killing Eve.

My Wife, the Serial Killer

Chłodny dzień sierpnia. Lady Blemley wydaje kolejne przyjęcie dla swoich arystokratycznych przyjaciół. Wśród zgromadzonych gości pojawia się niejaki Cornelius Appin, który latami badał zwierzęta i usiłował nauczyć ich ludzkiego języka. Okazuje się, że w końcu udało się mu tego dokonać. Tombermory - kot państwa Blemley’ów - biegle włada ludzką mową. Zaproszony na przyjęcie nie przebiera w słowach i obnaża najbardziej wstydliwe sekrety gości. Wszyscy zgodnie postanawiają pozbyć się zwierzęcia... „Tombermory" to klasyka literatury angielskiej XX wieku i jedna ze znakomitych, makabrycznych satyr pióra Hectora Hugh Munro, znanego jako Saki. Saki, czyli Hector Hugh Munro – brytyjski pisarz żyjący w latach 1870-1917. Sławę przyniosły mu krótkie historyjki o charakterze satyrycznym, niekiedy graniczące z makabrą. Oprócz tego Saki był również twórcą dramatów, sztuk jednoaktowych, studium historycznego oraz powieści. Jego najbardziej znana i pełnometrażowa sztuka to „The Watched Pot" napisana we współpracy z Charlesem Maude. rnrnDebiutował w 1900 roku powieścią „The Rise of the Russian Empire", wzorując się na książce Edwarda Gibbona o upadku Cesarstwa Rzymskiego. Posądzono go wówczas o wtórność. W międzyczasie Munro pracował jako dziennikarz m.in. „Westminster Gazette", „Daily Express", „Morning Post". Jednak prawdziwą sławę przyniosły mu polityczne satyry. rn

Tobermory

‘This is a funny and beautiful book. What a little bastard.’ RUSSELL BRAND ‘A millennial's answer to David Sedaris. No writer is funnier than Joel Golby.’ DOLLY ALDERTON A collection of full-throated appreciations, withering assessments, and hard-won lessons by the popular journalist. There are a few things you need to know about Joel Golby. Both his parents are dead. His dad was an alcoholic. He himself has a complicated relationship with alcohol. He once went to karaoke three times in five days. He will always beat you at Monopoly, and he will always cheat. Joel makes a name for himself as a journalist who brings us distinguished articles such as ‘A Man Shits On A Plane So Hard It Has To Turn Around And Come Back Again’, but that says more about us than him. In his first book, Brilliant, Brilliant, Brilliant Brilliant Brilliant Joel writes about important stuff (death, alcohol, loss, friendship) and unimportant stuff (Saudi Arabian Camel Pageants, a watertight ranking of the Rocky films, Monopoly), always with the soft punch of a lesson tucked within. Golby’s sharp, evocative prose thrives on reality and honesty that is gut-wrenchingly close to the bone, and laced with a copious dose of dark humour. Who is this book for? It is for everyone, but mainly people who are as lost and confused as Joel and just want to have a good laugh about it.

Brilliant, Brilliant, Brilliant Brilliant Brilliant

A Kirkus Reviews Best Book of the Year The witty and exuberant New York Times bestselling author and record-setting Jeopardy! champion Ken Jennings relays the history of humor in “lively, insightful, and crawling with goofy factlings,” (Maria Semple, author of Where’d You Go Bernadette)—from fart jokes on clay Sumerian tablets to the latest Twitter gags and Facebook memes. Where once society’s most coveted trait might have been strength or intelligence or honor, today, in a clear sign of evolution sliding off the trails, it is being funny. Yes, funniness. Consider: Super Bowl commercials don’t try to sell you anymore; they try to make you laugh. Airline safety tutorials—those terrifying laminated cards about the possibilities of fire, explosion, depressurization, and drowning—have been replaced by joke-filled videos with multimillion-dollar budgets and dance routines. Thanks to social media, we now have a whole Twitterverse of amateur comedians riffing around the world at all hours of the day—and many of them even get popular enough online to go pro and take over TV. In his “smartly structured, soundly argued, and yes—pretty darn funny” (Booklist, starred review) Planet Funny, Ken Jennings explores this brave new comedic world and what it means—or doesn’t—to be funny in it now. Tracing the evolution of humor from the caveman days to the bawdy middle-class antics of Chaucer to Monty Python’s game-changing silliness to the fast-paced meta-humor of The Simpsons, Jennings explains how we built our humor-saturated modern age, where lots of us get our news from comedy shows and a comic figure can even be elected President of the United States purely on showmanship. “Fascinating, entertaining and—I’m being dead serious here—important” (A.J. Jacobs, author of The Year of Living Biblically), Planet Funny is a full taxonomy of what spawned and defines the modern sense of humor.

Planet Funny

The hilarious instant New York Times bestseller, The Hunger Pains is a loving parody of the dystopian YA novel and film, The Hunger Games. Winning means wealth, fame, and a life of therapy losing means death, but also fame! This is The Hunger Pains. When Kantkiss Neverclean replaces her sister as a contestant on the Hunger Games—the second-highest-rated reality TV show in Peaceland, behind Extreme Home Makeover—she has no idea what to expect. Having lived her entire life in the telemarketing district’s worst neighborhood, the Crack, Kantkiss feels unprepared to fight to the death while simultaneously winking and looking adorable for the cameras. But when her survival rests on choosing between the dreamy hunk from home, Carol Handsomestein, or the doughy klutz, Pita Malarkey, Kantkiss discovers that the toughest conflicts may not be found on the battlefield but in her own heart . . . which is unfortunately on a battlefield.

The Hunger Pains

'This well-written page-turner is the definitive biography of the genius of Robin Williams, whose life redefines the highs and lows of the American dream' - Steve Martin From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed. But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent. Robin by Dave Itzkoff shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives.

Robin

From Bustle columnist and Twitter sensation Sophia Benoit, this “charming and often laugh-out-loud funny” (Vogue) memoir-in-essays explores the ins and outs of modern womanhood—from finding feminism, the power of pop culture, and how to navigate life’s constant double standards—perfect for fans of Shrill and PEN15. Like so many women, Sophia spent her formative years struggling to do the “right” thing—to make others comfortable, to take minimal and calculated risks, to live up to society’s expectations—only to realize that there was so little payoff to this tiresome balancing act. Tired of trying so hard, Sophia finally let go of the crushing pressure to be perfect. She navigates the highs and lows of the dating world (high: being a beta tester for Bumble; low: hastily shaving her legs before a hotel hookup and getting blood all over the sheets), and walks the line between being a “chill” girl and making sure her boyfriend’s nonchalance about altitude sickness doesn’t get him killed. She learns what it means to be a feminist, how to embrace her own voice, and when to listen to women who have been through more and have been doing the work longer. With topics ranging from how to be the life of the party (even when you have crippling anxiety), to an ill-fated consultation with a dietician who deemed Sophia’s overindulgence in ketchup a serious health risk, to a masterful argument for why no one should judge you for having an encyclopedic knowledge of reality TV, Well, This Is Exhausting is not only “one of the funniest books you’ll read this year, but it’s also one of the most important” (Shondaland).

Well, This Is Exhausting

I Am Not Sidney Poitier is a comic tour de force from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure (adapted into an Oscar-nominated film). The sudden death of Not Sidney Poitier’s mother orphans him at age eleven. He is left with a name no one understands, an uncanny resemblance to an Oscar-winning actor, and serious amount of shares in the Turner Corporation. Percival Everett’s novel follows Not Sidney’s tumultuous life, as the social hierarchy scrambles to balance his skin colour with his fabulous wealth. Maturing under the less than watchful eye of his adopted foster father, Ted Turner, Not Sidney learns to navigate a world that doesn’t know what to do with him. Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature. Read Percival's Pulitzer Prize-winning novel James in paperback now.

I Am Not Sidney Poitier

The Sunday Times top 10 bestseller. Laugh along with Michael McIntyre as he lifts the curtain on his life in his revealing autobiography. This audio edition is hilariously read by Michael himself. Michael’s first book ended with his big break at the 2006 Royal Variety Performance. Waking up the next morning in the tiny rented flat he shared with his wife Kitty and their one-year-old son, he was beyond excited about the new glamorous world of show business. Unfortunately, he was also clueless . . . In A Funny Life, Michael honestly and hilariously shares the highs and the lows of his rise to the top and desperate attempts to stay there. It’s all here, from his disastrous panel show appearances to his hit TV shows, from mistakenly thinking he’d be a good chat show host and talent judge, to finding fame and fortune beyond his wildest dreams and becoming the biggest-selling comedian in the world. Along the way he opens his man drawer, narrowly avoids disaster when his trousers fall down in front of three policemen and learns the hard way why he should always listen to his wife. Michael has had a silly life, a stressful life, sometimes a moving and touching life, but always A Funny Life.

A Funny Life

The Instant New York Times Bestseller A practical guide to taking control of your mental health for today, tomorrow, and the days after, from the #1 New York Times bestselling author and beloved entertainer. ‘There’s a moment at the end of every day, where the world falls away and you are left alone with your thoughts. A reckoning, when the things you have been pushing to the background, come forward and demand your attention.’ Written by Daniel Howell, in consultation with a qualified psychologist, in an entertaining and personal way from the perspective of someone who has been through it all—this no-nonsense book gives you the tools to understand your mind so you can be in control and really live. Created with exclusive audio features, it is split into three chapters for each stage of the journey: This Night - how to get through your toughest moments and be prepared to face anything. Tomorrow - small steps to change your thoughts and actions with a big impact on your life. The Days After - help to look after yourself in the long term and not just survive, but thrive. You will laugh and learn—but most of all, this book will assure you that even in your darkest times, there is always hope. You will get through this night.

You Will Get Through This Night

“Road Dogs is terrific, and Elmore Leonard is in a class of one.” —Dennis Lehane, author of Shutter Island and Mystic River “You know from the first sentence that you’re in the hands of the original Daddy Cool....This one’ll kill you.” —Stephen King Elmore Leonard is eternal. In Road Dogs, the PEN USA Lifetime Achievement Award winner and “America’s greatest crime master” (Newsweek) brings back three of his favorite characters—Jack Foley from Out of Sight, Cundo Rey from La Brava, and Dawn Navarro from Riding the Rap—for a twisting, explosive, always surprising masterwork of crime fiction the San Francisco Chronicle calls, “a sly, violent, funny and superbly written story of friendship, greed, and betrayal.”

Road Dogs

The first in what will become the quintessential list of the best of live British comedy, AN AUDIENCE WITH BARRY CRYER brings you up close and personal with one of bastions of British comedy in this live recording of his sellout comedy tour. Available for the first time as a downloadable audio file. The AN AUDIENCE WITH… series will bring you a succession of live performances by some of Britain's best-loved comedians, opening with Barry Cryer, one of the stalwarts of Radio 4. The quintessential grumpy old man, Barry Cryer's standup combines the quick wit of Radio 4 with the charm and class of the 'Great Men of Comedy'. He has been a regular panelist on I'm Sorry I Haven't a Clue and Just a Minute, the latter of which he also chaired. In 1998, Barry wrote his autobiography, You Won't Believe This But…, which has been broadcast on Radio 4. Barry is also famous for having written gags for some of the legends of British comedy, including Morecambe and Wise, Tommy Cooper, Stanley Baxter, Dick Emery, Dave Allen, Les Dawson, Bob Hope, Kenny Everett, Sir Harry Secombe, Billy Connolly, Jasper Carrot and Richard Pryor. With a CV that reads like the 'Who's Who of British Comedy Greats', Cryer's unique blend of old-school gentility and cutting edge intellect facilitates an audience-base that spans generations.

An Audience with Barry Cryer

The brand-new adventure from the beloved author of The Hundred Year-Old Man Who Climbed Out of the Window and Disappeared.Victor Alderheim has a lot to answer for. Not only has he heartlessly tricked his young ex-wife, Jenny, out of her art gallery inheritance, but he has also abandoned his son, Kevin, to die in the middle of the Kenyan savanna. It doesn’t occur to Victor that Kevin might be rescued and adopted by a Maasai medicine man, or that he might be expected to undergo the rituals expected of all new Maasai warriors – which have him running back to Stockholm as fast as you can say circumcision without anaesthetic. Back in Stockholm, Kevin’s path crosses with Jenny’s – and they have an awful lot to talk about, not least a shared desire to get even with Victor. So it’s convenient when they run into a man selling revenge services, who has an ingenious idea involving Victor’s cellar, a goat, some forged paintings, four large boxes of sex toys, and a kilo of flour …

Sweet Sweet Revenge Ltd.

The definitive guide to the vibrant and inventive language of the East End, featuring history, trivia and anecdotes. Cockney rhyming slang originated as a secret code among the thieves of London's East End. Adopted by costermongers and market traders, it fast became a vibrant patois that defined a community, confused the police and evolved to include ever more colourful rhyming phrases. Constantly updated and added to ever since, and fostered by Londoners citywide, it has long enlivened the streets of one of the world's most quirky and fascinating capitals. Cockney Rhyming Slang explores the origins and meanings of both commonly used and lesser-known phrases, taking in traditional slang as well as modern additions. Combining history, trivia, quotes and anecdotes, it is the definitive guide to cockney rhyming slang for locals and language lovers alike.

The Language of London

'If I could work my will,' said Scrooge indignantly, 'Every idiot who goes about with "Merry Christmas" on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart.' A Christmas anthology from legendary historian and Christmas Cracker compiler, John Julius Norwich. This year go carol-singing in the Cotswolds with Laurie Lee or attend church with a grumpy Samuel Pepys. Make plum puddings for bemused French villagers with Elizabeth David; go present shopping with Virginia Woolf or eat far too much with Agatha Christie. Celebrate Christmas at Chatsworth, in the workhouse or marooned in the ice with Shackleton ... For the last forty-five years, the arrival of John Julius Norwich's latest Christmas Cracker has become as essential a part of the Christmas experience as holly and mistletoe. In An English Christmas the legendary popular historian has finally gathered all the best writing about this strangest and most memorable time of year into one book and his brilliant eye for a story is evident on every page. Vividly evoking all the good things about the festive season, this unexpected anthology is just as entertaining about its darker aspects. Eight-year-old Princess Margaret's thank-you list jostles with moving letters home from the trenches. Sherlock Holmes solves his trickiest case. George Orwell writes about indigestion; Jane Austen about reluctant socialising and Thomas Hardy about the old folk belief that all animals kneel at midnight on 24 December. There are ghost stories, games and bizarre recipes. Diary-entries, recipes and letters sit alongside poems and short stories. An English Christmas could convert any Scrooge into an instant enthusiast. (P)2017 Hodder & Stoughton Limited

An English Christmas

How easy is it to fall off a log? Where is the middle of nowhere? Do we really have no bananas? The readers of OLD GIT magazine are a batty, befuddled, potty-mouthed bunch, who seem to spend a significant chunk of their spare time corresponding with the publication's popular letters page. DO ANTS HAVE ARSEHOLES? is a very funny, very silly collection of questions and answers taken from this column, none of which has any basis whatsoever in fact. A must for all those who relish a heady mixture of shaggy-dog stories, toilet humour and utter lack of insight.

Do Ants Have Arseholes?

This funny and beautifully observed book pulls together humorous stories, funny quotes, quips and anecdotes about this small but remarkable country. While the Scots are proud of their friendly reputation, loud about their many contributions to the world – such as whisky, penicillin and television – and fiercely protective of Scottish delicacies such as haggis and Irn Bru, they are also celebrated for their famously dry and dark humour. Featuring wit and wisdom from writers such as Armando Iannucci, Compton Mackenzie, Stanley Baxter and Neil Munro, this light-hearted book celebrates Scottish wit at its best while looking at the culture, folklore, politics and sport that make up Scotland. This funny and beautifully observed book pulls together stories, quotes, quips and anecdotes from Scots talking about Scotland and others from all over the world relating what they most admire about the country that Harry Potter author J. K. Rowling described as ‘one of the most hauntingly beautiful places in the world. The history is fascinating, the men are handsome and the whisky is delicious. But don’t eat the macaroni pies.’ Featuring wit and wisdom from writers such as Armando Iannucci and Compton Mackenzie, Stanley Baxter and Neil Munro, the sometimes dubious delights of Scottish cuisine are discussed, along with the culture, folklore, politics and sport that will help us to understand just what makes Scotland tick.

The Wicked Wit

The Wicked Wit of Scotland

A further collection of entertaining short stories to complete the author’s trilogy of world-wide adventures. His intriguing tales are spiced with lively encounters and astute observations, full of humour and wit. His fascinating historical facts are particularly enlightening, and will have you saying, ‘Really? I didn’t know that.’ Each story will leave you wanting more: Teachers’ ghostly prank with a bizarre twist. Sampling local whiskey at a village distillery on the fabled Mekong river in Laos. Two cultures collide when Russian rugby league players invade Wigan, and to complete his experiences, he was proclaimed Emperor of China.

Sir, where's ' toilet?

Jonathan Swift's 'A Modest Proposal & The Benefits of Farting Explained' is a satirical masterpiece that tackles societal issues through absurd proposals and humorous anecdotes. The book consists of two separate essays, with 'A Modest Proposal' suggesting that impoverished Irish families should sell their children as food to the wealthy, critiquing the English exploitation of Ireland. 'The Benefits of Farting Explained' explores the taboo subject of flatulence with a mix of scientific reasoning and witty humor, challenging societal norms. Swift's writing style is sharp, ironic, and thought-provoking, making readers reflect on the absurdity of the world. Both essays showcase Swift's mastery of satire and his ability to critique politics and society with clever allegories and biting commentary. Jonathan Swift, a renowned Irish author and satirist, was known for his sharp wit and criticism of societal issues. His background as a clergyman and political activist likely influenced his writing, allowing him to use humor to address serious topics. 'A Modest Proposal & The Benefits of Farting Explained' is a must-read for those interested in satire, social commentary, and literary classics.

A Modest Proposal & The Benefits of Farting Explained

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