""A fantasy that hews uncomfortably close to today’s reality, where facts and the truth are selectively recognized at increasingly subjective whims . . . . The specifics of Mania are the stuff of bleeding satire, but the novel’s guiding concept cuts close to the bone with no anesthesia. Shriver isn’t one to tip-toe around her subjects. She still knows how to poke the bear. In this case, the bear is us.” — Boston Globe Set in a parallel yet all too familiar near past, a brilliant subversive novel about a lifelong friendship threatened by culture wars, from the New York Times bestselling author. In an alternative 2011, the Mental Parity movement takes hold. Americans now embrace the sacred, universal truth that there is no such thing as variable human intelligence. Because everyone is equally smart, discrimination against purportedly dumb people is ""the last great civil rights fight."" Tests, grades, and employment qualifications are all discarded. Children are expelled for saying the S-word (“stupid”) and encouraged to report parents who use it at home. A college English instructor, the constitutionally rebellious Pearson Converse rejected her restrictive Jehovah’s Witness upbringing as a teenager, and so has an aversion to dogma of any kind. Made impotent in the university classroom, she’s also enraged by the crushing of her exceptionally bright children’s spirits in primary school. Fortunately, she enjoys the confidence of a best friend, a media commentator with whom she can speak frankly about her socially unacceptable contempt for the MP movement. Or at least she thinks she can . . . until one day the political chasm between the two women becomes uncrossable, and a lifelong relationship implodes. With echoes of Philip Roth’s The Human Stain, told in Lionel Shriver’s inimitable and iconoclastic voice, Mania is a sharp, acerbic, and ruthlessly funny book about the road to a delusional, self-destructive egalitarianism that our society is already on.

Mania

""Impossible to put down. . . . Who, in the end, needs to talk about Kevin? Maybe we all do.” — Boston Globe Acclaimed author Lionel Shriver's gripping international bestseller about motherhood gone awry Shriver’s resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them reverberates with the haunting power of high hopes shattered by dark realities. Eva never really wanted to be a mother—and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails. Like Shriver’s charged and incisive later novels, including So Much for That and The Post-Birthday World, We Need to Talk About Kevin is a piercing, unforgettable, and penetrating exploration of violence, family ties, and responsibility.

We Need to Talk About Kevin movie tie-in

'Seldom is a book as funny, important and timely … I was laughing out loud at the same time as my blood was running cold' JOHN CLEESE ‘Viciously funny… an exhilarating satire’ THE TIMES 'Merciless… a welcome distraction' ECONOMIST, Best Books of 2024 What if calling someone stupid was illegal?In a reality not too distant from our own, the worst thing you can call someone is 'stupid'. Everyone is equally clever, and discrimination based on intelligence is 'the last great civil rights fight'. Exams and grades are discarded and you don't need a qualification to be a doctor. When best friends Pearson and Emory find themselves on opposing sides of this new culture war, their relationship begins to fracture. And soon, Pearson’s determination to cling onto the 'old, bigoted way of thinking' begins to endanger her job, her safety and even her family… Hilarious, deadpan and scathing, MANIA is a frighteningly plausible glimpse into what the world could become – or is already – from the pen of a master storyteller.

Eva havde egentlig aldrig næret noget dybt ønske om at blive mor – og i særdeleshed ikke mor til en dreng som Kevin, der i en alder af femten myrdede syv af sine skolekammerater, en lærer og en kantinemedarbejder i en rædselsvækkende massakre. To år senere forsøger Eva at forstå tragedien gennem en række breve til Kevins far, Franklin. Her myldrer rå, smertelige og foruroligende minder om sønnens opvækst ind og ud mellem hendes modstridende følelser omkring moderskabet og de skyldtyngede overvejelser om, hvorvidt hendes egne brister har formet Kevin i en morders billede. HVAD MED KEVIN? er en moderne tragedie om en mors afmægtige forhold til sit eget barn i et land af overflod, hvor den eneste mangelvare er en følelse af formål med tilværelsen.

Hvad med Kevin?

In een reeks alternatieve scenario’s schetst Shriver de mogelijke gevolgen van het zelfmoordpact van een ouder Engels echtpaar. ‘Tot de dood ons scheidt’ van Lionel Shriver gaat over echtgenoten Kay en Cyril, allebei gezonde, vitale vijftigers, die een verbond sluiten met elkaar. Onlangs is Kay’s vader na tien jaar tergend langzame aftakeling (eindelijk) aan alzheimer overleden – en zo’n mensonterend einde willen ze zichzelf, elkaar en hun eigen kinderen besparen. Over dertig jaar, op de avond van Kay’s tachtigste verjaardag in maart 2020, zullen ze samen uit het leven stappen. Cyril is huisarts en zorgt dat de benodigde pillen alvast in de koelkast staan, en ze gaan door met hun drukke, leuke levens in de geruststellende wetenschap dat zij het einde ervan netjes hebben geregeld. Naarmate hun gezamenlijke deadline nadert, begint er echter iets te knagen. In een reeks alternatieve scenario’s, allemaal met een onverwachte twist, schetst Shriver allerlei mogelijke, onverwachte gevolgen van het zelfmoordpact van Cyril en Kay. ‘Tot de dood ons scheidt’ is een pageturner waarin we nooit hoeven te treuren om overleden personages, omdat deze in het volgende hoofdstuk weer springlevend terugkeren.

Tot de dood ons scheidt

In ‘Bezit’ van Lionel Shriver maakt een vrouw een zeer persoonlijk huwelijkscadeau voor haar beste vriend – om vervolgens te ontdekken dat diens jaloerse verloofde haar uit hun leven wil bannen. Een man van middelbare leeftijd die onder het juk van zijn vader leeft, komt erachter dat de veiligheidscontrole op het vliegveld niet de beste plek is om eindelijk eens op je strepen te gaan staan. De ooit hartstochtelijke relatie van een artistiek stel uit Brooklyn wordt verwoest door hun aankoop van een bouwvallig huis. Worden eigendomsverhoudingen de grote politieke en maatschappelijke kwestie van de eenentwintigste eeuw? Bestsellerauteur Shrivers track record als haarscherpe, visionaire schrijver doet vermoeden van wel.

Bezit

Laat je meeslepen door de prikkelende en moedige kijk op religie, politiek en maatschappij door Lionel Shriver. ‘Tegendraads’ is samengesteld uit de vele columns, essays en opiniestukken die Lionel Shriver schreef voor gerenommeerde Engelse en Amerikaanse media over een breed scala aan onderwerpen: religie, taal, literatuur, Brexit, het schrijverschap, ziekte, de dood, en ‘last but not least’: het belastingstelsel. Elk stuk in ‘Tegendraads’ weerspiegelt standpunten of gevoelens waardoor ze ‘hel en verdoemenis’ over zich heen kreeg, zoals ze opgewekt uitlegt, en die haar meer dan eens met ‘cancelen’ hebben bedreigd, lang voordat het begrip in zwang was. Geen heilig huisje is veilig voor een van de scherpste geesten van onze tijd. Een schrijver die gekoesterde platitudes en eenduidige denkwijzen fileert, in zowel haar romans als haar non-fictie.

Tegendraads

Bijtende satire over een alternatief Amerika waar de cultuuroorlogen zijn doorgeschoten, en waar over verschillen in menselijke intelligentie bij wet niet meer mag worden gepraat. In een alternatief maar verontrustend realistisch Amerika mag er niet meer worden gerept over verschillen in menselijke intelligentie, op straffe van cancelling of erger. Toetsen, cijfers, beroepskwalificaties doen er niet meer toe. Studenten kunnen achteroverleunen, want ze zijn automatisch verzekerd van een diploma. Dat ze overigens toch niet meer nodig hebben. Pearson Converse, docent Engels aan een universiteit, is allergisch voor dogmas. Ze kan de aantasting van haar gezag in de les nauwelijks verdragen, laat staan het feit dat het hele land naar de verdoemenis gaat. Een bijkomend probleem: Pearson is beslist niet op haar mondje gevallen. Met alle gevolgen van dien voor een levenslange vriendschap, haar carrière en haar gezin.

Waanzin

From the Orange Prize-winning author of WE NEED TO TALK ABOUT KEVIN comes a grimly comic tale of bad ideas and good intentions. With a deft, droll touch, Shriver highlights the hypocrisy of lofty intellectuals who would "save" humanity but who don't like people. Eleanor Merritt, a do-gooding American family-planning worker, was drawn to Kenya to improve the lot of the poor. Unnervingly, she finds herself falling in love with the beguiling Calvin Piper despite, or perhaps because of, his misanthropic theories about population control and the future of the human race. Surely, Calvin whispers seductively in Eleanor's ear, if the poor are a responsibility they are also an imposition. Set against the vivid backdrop of modern-day Africa, Game Control is a wry, sardonic conspiracy story about bad ideas and good intentions.

Game Control

The first essay collection from one of the most acclaimed writers of our time. ‘This trenchant, unrepentant collection reminds you that she’s a brilliant writer… Order a copy in case she’s cancelled by Christmas’ THE TIMES (Book of the Year) ‘You may disagree with Lionel Shriver’s bracing journalism, but her right to spark disquiet goes to the heart of the freedom of expression issue’ Rachel Cooke, OBSERVER ‘Mutinous essays about modern politics and culture… An independent mind and a sense of humour are dangerous things to possess. The spiky, politically incorrect novelist Lionel Shriver has them in abundance’ THE TIMES ‘Testament to the fierce intelligence of a writer who wants us to think more, probe more, challenge more — and who also makes it fun’ THE SUNDAY TIMES Novelist, cultural observer and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces ‘under-expressed, unpopular or downright dangerous’ points of view, she regularly deplores the conformity of thought and attitude that has overtaken society. Bringing together thirty-five works curated from her many columns, features, essays and op-eds for the likes of the Spectator and Guardian, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly sceptical, cutting and contrarian but also frequently moving and vulnerable, this collection showcases her piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care and taxes. Though some of the more divisive essays in Abominations have ‘brought hell and damnation down on my head,’ as she cheerfully explains, she also offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. Readers will find plenty to challenge them here, but they may also find many nuanced and considered insights with which they agree. Abominations was a Times Book of the Year in the Literature category on 26.11.2022

Abominations

The new novel from the Orange Prize winning author of ‘We Need to Talk About Kevin’. It all hinges on one kiss. Whether Irena McGovern does or does not lean in to a specific pair of lips in London will determine whether she stays with her disciplined, intellectual partner Lawrence or runs off with Ramsey, a hard-living snooker player. Using a parallel universe structure, we follow Irina's life as it unfolds under the influence of two drastically different men. Lawrence is Irena's partner of nearly ten years. Ramsey is the ex-husband of a sometime friend, a once-a-year acquaintance to whom Irena has never paid a great deal of attention. Where Lawrence is supportive and devoted; Ramsey is flighty and spontaneous. Lawrence is emotionally withdrawn to the point of repression; Ramsey is fiery and passionate, but volatile. The contrasts between the two men have ramifications for Irena's relationships with friends and family, for her career as an illustrator, and more importantly, for the texture of her daily life. This love is about trade-offs. Both men in Irena's dual future are worthy of her affection but deeply flawed. The answer is that there is no perfect answer: one of the things that draws us to our mates is what is wrong with them. The Post-Birthday World is written with all the subtlety, perceptiveness and drama that made We Need to Talk About Kevin an international bestseller.

The Post-Birthday World

Following the success of We Need to Talk About Kevin this is a stunning examination of inheritance, literal and psychological: what we take from our parents, what we discard, and what we are stuck with, like it or not. After having escaped for years to London, Corlis McCrea returns to the grand Reconstruction mansion where she grew up in North Carolina, now willed to the three grown children following the death of their parents. All three want the house. Fiscal necessity dictates that two must buy a third out. Just as she was torn as a girl, the sister must choose between her decent younger brother and the renegade eldest—the black sheep who covets his legacy in order to destroy it. The adult siblings re-enact the deep enmities and loyalties of childhood, as each bids for a bigger slice of the pie.

A Perfectly Good Family

The first novel from the Orange Prize-winning author of We Need to Talk about Kevin is a compelling and provocative story of love and how we suffer for it. Still unattached and childless at fifty-nine, world-renowned anthropologist Gray Kaiser is seemingly invincible—and untouchable. Returning to make a documentary at the site of her first great triumph in Kenya, she is accompanied by her faithful middle-aged assistant, Errol McEchern, who has loved her for years in silence. When young graduate assistant Raphael Sarasola arrives on the scene, Gray is captivated and falls hopelessly in love—before an amazed Errol's eyes. As he follows their affair with jealous fascination, Errol watches helplessly from the sidelines as a proud and fierce woman is reduced to miserable dependence through miserable dependence.

The Female of the Species

The first ever story collection from the inimitable Lionel Shriver ‘Genius’ Stylist ‘Phenomenal’ Observer ‘Brilliant’ The Times In her first ever story collection, Lionel Shriver illuminates one of the modern age’s most enduring obsessions: property. A woman creates a deeply personal wedding present for her best friend; a thirty-something son refuses to leave home; a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. This landmark publication explores the idea of "property" in both senses of the word: real estate, and stuff. Immensely readable, it showcases the biting insight that has made Lionel Shriver one of the most acclaimed authors of our time.

Property

The extraordinary new novel from the Orange Prize winning author of ‘We Need to Talk About Kevin’. What do you pack for the rest of your life? Shepherd Knacker is bored with his humdrum existence. He's sold his successful handy-man business for a million dollars and is now ready to embark on his 'Afterlife' – a one way ticket to a small island off the coast of Africa. He tries to convince his wife Glynis to come with him, but she laughs off the idea as preposterous.There's no way she'll let Shepherd uproot the family to some far-flung African island. When Glynis is diagnosed with an extremely rare and aggressive form of cancer, Shepherd's dreams of an exotic adventure are firmly put on hold. He devotes himself to caring for his sick wife, watching her fade before his eyes. Shepherd's best friend Jackson knows all too well about illness. His sixteen year old daughter has spent her life dosed up on every treatment going while he and his wife Carol feed their youngest daughter sugar pills so she won't feel left out. But then Jackson undergoes a medical procedure of his own which has devastating consequences … So Much For That is a deeply affecting novel, told with Lionel Shriver's trademark originality, intelligence and acute perception of the human condition.

So Much for That

From the Orange Prize-winning author of WE NEED TO TALK ABOUT KEVIN comes a bold and savage story of the intersection of politics and human relationships, set in turbulent Northern Ireland. Having abandoned Philadelphia for the life of an international nomad, Estrin Lancaster has a taste for hot spots. She now finds herself in Belfast, a city scarred by twenty years of ritualised violence. As the former purveyor of his own bomb-disposal service, Farrell O’Phelan courts the company of destruction. Technically a Catholic, he shuns allegiance of any kind. For these two, normal life is anathema; love is a trap. What ensues is an affair between two loners who are beset with a fear of domesticity and a hunger for devastation.

Ordinary Decent Criminals

A best fiction book of 2021 for The Times‘Hilarious… Fiery phrases spit and crackle. Disgust expands and bursts into belly laughs… a very funny book’ Sunday Times ‘Thought-provoking, timely, and extremely funny’ Metro ‘Shriver said that her favourite novels are those that pack both an intellectual and emotional punch. With Should We Stay or Should We Go, she’s added triumphantly to their number’ The Times ‘Witty and thought-provoking’ Woman’s Weekly ‘I think Shriver’s novels are wonderful… fun, smart and, perhaps because of their author’s unconventional political views, unlike anything else you’ll read’ Financial Times ‘Entertaining and poignant’ Daily Mail ‘Very moving… Shriver has the magic ability to make the reader invested in the fate – fates, I should say – of her characters’Daily Telegraph ‘Wickedly witty’ Spectator ‘Decidedly timely’ Scotsman ‘This sharp-elbowed satire is also a brusquely tender portrait of enduring love’ Washington Post ––––––––––––––––––––––––––––––––––- Determined to die with dignity, Kay and her husband Cyril – both healthy and vital medical professionals in their early fifties – make a pact: to commit suicide together once they’ve both turned eighty. A lot can change in thirty years, however… By turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril. Do they honour their agreement? And if not, will they live to regret it? ‘Some books become so popular that the lucky author can thereafter churn out any old cobblers, confident in the knowledge that it will be published and find an audience. Lionel Shriver never took that easy route’ Irish Independent

Should We Stay or Should We Go

‘When feminism has become the politics that dare not speak its name, it is refreshing to find an author who will bring such renewed vigour to the gender wars’ Guardian “Love me, love my game,” says professional tennis player Willy Novinsky at twenty-three. Tennis has been Willy’s one love, until she meets the uncannily confident Eric Oberdorf. Low-ranked but untested, Eric, too, aims to make his mark on the international tennis circuit. They marry. But their life together soon grows poisoned by full-tilt competition over which spouse can rise to the top first. Willy discovers that her perfect partner may also prove her most devastating opponent. An unflinching look at the ravages of rivalry in the two-career relationship, Double Fault is not so much about tennis as about marriage—a slightly different sport.

Double Fault

THE BRILLIANT NEW NOVEL FROM THE ORANGE PRIZE-WINNING AUTHOR OF WE NEED TO TALK ABOUT KEVIN. ‘Distinctly chilling’ Independent ‘Unsettling as it is entertaining’ Financial Times ‘It's scaring the hell out of me’ Tracy Chevalier In this eerily prophetic novel from the Orange Prize-winning author of We Need to Talk About Kevin, a once-wealthy family faces the prospect of ruin. This apocalypse is financial – the dollar is in meltdown, America’s national debt far beyond repayment. It is 2029.The Mandibles have been counting on a sizable fortune filtering down when their 97-year-old patriarch dies, but now their inheritance is turned to ash. Each family member must contend with disappointment, but also — as the effects of the downturn start to hit — the challenge of sheer survival. Recently affluent Avery is petulant that she can’t buy olive oil, while her sister Florence is forced to absorb strays into her increasingly cramped household. As their father Carter fumes at having to care for his demented stepmother now that a nursing home is too expensive, his sister Nollie, an expat author, returns from abroad at 73 to a country that’s unrecognizable. Perhaps only Florence’s oddball teenage son Willing, an economics autodidact, can save this formerly august American family from the streets…

The Mandibles: A Family, 2029–2047

Big Brother is a striking novel about siblings, marriage, and obesity from Lionel Shriver, the acclaimed author the international bestseller We Need to Talk About Kevin. For Pandora, cooking is a form of love. Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the “toxic” dishes that he’d savored through their courtship, and spends hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn’t recognize him. In the years since they’ve seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It’s him or me. Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.

Big Brother

When her father dies, Kay Wilkinson can’t cry. Over ten years, Alzheimer’s had steadily eroded this erudite man into a paranoid lunatic. Surely one’s own father passing should never come as such a relief. Both medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Determined to die with dignity, Cyril makes a modest proposal. To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they’ve both turned eighty. When their deal is sealed, the spouses are blithely looking forward to another three decades together. But then they turn eighty. By turns hilarious and touching, playful and grave, Should We Stay or Should We Go portrays twelve parallel universes, each exploring a possible future for Kay and Cyril. Were they to cut life artificially short, what would they miss out on? Something terrific? Or something terrible? Might they end up in a home? A fabulous luxury retirement village, or a Cuckoo’s Nest sort of home? Might being demented end up being rather fun? What future for humanity awaits—the end of civilization, or a Valhalla of peace and prosperity? What if cryogenics were really to work? What if scientists finally cure aging? Both timely and timeless, Lionel Shriver addresses serious themes—the compromises of longevity, the challenge of living a long life and still going out in style—with an uncannily light touch. Weaving in a host of contemporary issues, from Brexit and mass migration to the coronavirus, Shriver has pulled off a rollicking page-turner in which we never have to mourn perished characters, because they’ll be alive and kicking in the very next chapter.

From the Orange Prize winning author of We Need to Talk About Kevin, this is the novel Lionel Shriver wrote directly afterwards. The Post-Birthday World is an unflinching account of the choices that unfold before us and what our decisions really mean. Irina McGovern’s destiny hinges on a single kiss. Whether she gives into its temptation will determine whether she stays with her reliable partner Lawrence, or runs off with Ramsey, a hard-living snooker player. Employing a parallel universe structure, Shriver spins Irina’s competing futures with two drastically different men. An intellectual and fellow American, Lawrence is clever and supportive, but rigid and emotionally withdrawn. A British celebrity, Ramsey is passionate and spontaneous, but jealous, undereducated, and prone to pick arguments. Their contrasting characters will colour her other relationships, her career, and the texture of her daily life. If love is always about trade-offs—if every romantic prospect is flawed—how can we ever know whom to choose?

‘A gutsy, heartfelt novel’ Sunday Times ‘[Shriver’s] best novel yet’ Independent on Sunday ‘A surprising sledgehammer of a novel’ The Times ‘Shriver is brilliant on the novel shock that is hunger… glorious, fearless, almost fanatically hard-working prose’ Guardian ‘Lionel Shriver's Big Brother has the muscle to overpower its readers. It is a conversation piece of impressive heft’ New York Times ‘Shriver is wonderful at the things she is always wonderful at. Pace and plot. . . . Psychology’ Independent ‘The latest compelling, humane and bleakly comic novel from the author of We Need to Talk about Kevin’ Evening Standard ‘Her best work… presents characters so fully formed that they inhabit her ideas rather than trumpet them’ New Republic When Pandora picks up her older brother Edison at her local Iowa airport, she literally doesn’t recognize him. The once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? Soon Edison’s slovenly habits, appalling diet, and know-it-all monologues are driving Pandora and her fitness-freak husband Fletcher insane. After the brother-in-law has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: it’s him or me. Rich with Shriver’s distinctive wit and ferocious energy, Big Brother is about fat: why we overeat and whether extreme diets ever really work. It asks just how much sacrifice we’ll make to save single members of our families, and whether it’s ever possible to save loved ones from themselves.

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

A new edition of one of bestselling author Lionel Shriver’s early novels, reissued 25 years after first publication—an engrossing commentary on the intersection of politics and human relationships, set in turbulent Northern Ireland. For ten years, Estrin Lancaster has fled Philadelphia. From the Philippines to Berlin, she’s been a traveler without a destination, an expatriate without a motherland. In each of the cities Estrin favors, she manages an apartment, a job, a lover, and never tarries past the first signs of ennui. Her latest destination is Belfast, in Northern Ireland. After twenty years of ritualized violence, this city, too, is exhausted—a town where when one more bomb explodes in the city center, old ladies blow the dust off their treacle cakes and count their change. Here the lanky and spiteful Farrell O’Phelan, former purveyor of his own bomb-disposal service, technically Catholic but everyone’s aggravation, wrangles through the maze of factions in the North by despising every side. Farrell’s affair with the curious Estrin is nonetheless a meeting of two loners; like hers, Farrell’s marathoning around the planet has become a running in place. In deadlocked Northern Ireland, it has become harder and harder to believe that anything is happening at all. A grand tragi-comedy—one of the earliest displays of the ambition and intelligence that has since earned Lionel Shriver worldwide acclaim—Ordinary Decent Criminals is about conflict groupies, people terrified of domesticity, who stir up anguish in their lives and their countries to avoid the greater horror of what lies closest to home.

A striking new collection of ten short stories and two novellas that explores the idea of property in every meaning of the word, from the acclaimed New York Times bestselling author of the National Book Award finalist So Much for That and the international bestseller We Need to Talk About Kevin. Intermingling settings in America and Britain, Lionel Shriver’s first collection explores property in both senses of the word: real estate and stuff. These pieces illustrate how our possessions act as proxies for ourselves, and how tussles over ownership articulate the power dynamics of our relationships. In Lionel Shriver’s world, we may possess people and objects and places, but in turn they possess us. In the stunning novella ""The Standing Chandelier,"" a woman with a history of attracting other women’s antagonism creates a deeply personal wedding present for her best friend and his fiancée—only to discover that the jealous fiancée wants to cut her out of their lives. In ""Domestic Terrorism,"" a thirty-something son refuses to leave home, resulting in a standoff that renders him a millennial cause célèbre. In ""The ChapStick,"" a middle-aged man subjugated by service to his elderly father discovers that the last place you should finally assert yourself is airport security. In ""Vermin,"" an artistic Brooklyn couple’s purchase of a ramshackle house destroys their once-passionate relationship. In ""The Subletter,"" two women, both foreign conflict junkies, fight over a claim to a territory that doesn’t belong to either. Exhibiting a satisfying thematic unity unusual for a collection, this masterful work showcases the biting insight that has made Shriver one of the most acclaimed writers of our time.

Acclaimed author Lionel Shriver—author of the National Book Award finalist So Much for That, The Post-Birthday World, and the vivid psychological novel We Need to Talk About Kevin, now a major motion picture—probes the mystery of charisma in a razor-sharp new novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present. “Shriver is a master of the misanthrope. . . . [A] viciously smart writer.” —Time

The New Republic

From the Orange Prize-winning author of We Need to Talk About Kevin‘Enjoyably abrasive… a compelling read… sardonic and elegant’ Evening Standard ‘Scabrously funny… few authors can be as entertainingly problematic as Shriver’ Guardian ‘With laugh-out-loud and sad moments, it’s a pinpoint-sharp novel’ Woman and Home ‘A satire on fitness zealotry with a side serving of culture-war intrigue… diverting’ Financial Times ‘Darkly funny… Shriver is so good at making wry observations about human behaviour and this is particularly witty on the dynamics between couples who have been together a long time’ Good Housekeeping ‘Shriver is an exuberant novelist, fertile in ideas, robust in argument and disdainful of economy… She writes bold and fearless comedy and delights in slaughtering the sacred cows of the stupid times we live in. Few novelists now raise a laugh. Shriver does so time and again’ Allan Massie, The Scotsman ‘Mischievous Lionel Shriver takes aim at the narcissistic modern cult of exercise. When Serenata’s usually sedentary husband, Remington, takes up exercise and engages an attractive personal trainer called Bambi, the couple’s lives are turned upside down.’ The Times Best Books for Summer 2020 All her life Serenata has run, swum, and cycled – but now that she’s hit 60, all that physical activity has destroyed her knees. And her previously sedentary husband Remington chooses this precise moment to discover exercise. As he joins the cult of fitness, her once-modest husband burgeons into an unbearable narcissist. When he announces his intention to compete in a legendarily gruelling triathlon, Serenata is sure he's going to end up injured or dead – but the stubbornness of an ageing man in Lycra is not to be underestimated. The story of an obsession, of a marriage, of a betrayal: The Motion Of The Body Through Space is Lionel Shriver at her hilarious, sharp-eyed, audacious best.

The Motion of the Body Through Space

From the Orange Prize winning author of We Need to Talk About Kevin this is a novel about what it takes to make it in music. How charisma is worth its weight in gold. And how jealously can grow until it has eaten away at a musician’s heart. He has that thing that they’d all pay for but can’t buy: on stage and off, the 19-year-old rock drummer Checker Secretti is electric. When he plays with his band The Derailleurs, the natives of Astoria, Queens clamour for a piece of him. But charisma comes at a price. A Salieri to Checker’s Mozart, the fiercely envious fellow drummer Eaton Striker is eager to sow discord among the Derailleurs, that he might replace the exasperatingly popular goody-goody in the close-knit neighbourhood’s affections. An examination of the passion, the jealousy and the friendship of young musicians trying to break out, Checker and The Derailleurs is also about cycling, rock lyrics, glass blowing, the marriage of convenience, and—most of all—the mystery of joy.

Checker and the Derailleurs

‘This early stocking filler of a novel … is a brutal treat’ Daily Mail From the award-winning novelist and short story writer, Lionel Shriver, comes a literary gem, a story about love and the power of a gift. When Weston Babansky receives an extravagant engagement present from his best friend (and old flame) Jillian Frisk, he doesn’t quite know what to make of it – or how to get it past his fiancée. Especially as it’s a massive, handmade, intensely personal sculpture that they’d have to live with forever. As the argument rages about whether Jillian’s gift was an act of pure platonic generosity or something more insidious, battle lines are drawn… Can men and women ever be friends? Just friends? Described by the Sunday Times as ‘a brilliant writer’ with ‘a strong, clear and strangely seductive voice’, Lionel Shriver has written a glittering examination of friendship, ownership and the conditions of love.

The Standing Chandelier

In a provocative novel addressing contemporary immigration by the sharply observant Lionel Shriver, a New York family takes in a Honduran migrant—who may or may not be the innocent paragon she claims to be. Gloria Bonaventura, a divorced mother of three living with her 26-year-old son Nico in a sprawling house in Brooklyn, decides to participate in a new city program that would pay her to take in a migrant as a boarder. Liberal to the extreme, Gloria is thrilled when sweet, kind, helpful Martine arrives. But Nico is skeptical. A classic live-at-home Gen Zer with no interest in adulthood, Nico resents any interruption of his “hovercraft repose.” As the months go by, Martine endears herself to both Nico’s sisters, while finding her way into Gloria’s heart and even, briefly, Nico’s. But as Martine’s disturbingly dodgy compatriots begin to show up, Nico conceives a dark twin hostile to both his mother’s altruism and the “migrant crisis” in general—and turns out to be anything but a reliable narrator himself. Based loosely on a program New York City Mayor Eric Adams floated but did not initiate, A Better Life is Lionel Shriver at her best: smart, funny, and sensitive to the moral nuances of perhaps the most divisive issue of our times.

A Better Life

A scalpel sharp political satire from the Orange Prize winning writer of We Need to Talk about Kevin. Edgar Kellogg has always yearned to be popular. Leaving his lucrative career as a lawyer for the sexier world of journalism, he’s thrilled to be offered the post of foreign correspondent in a Portuguese backwater with a home-grown terrorist movement. Barrington Saddler, the disappeared larger-than-life reporter he’s been sent to replace, is exactly the outsize character Edgar longs to emulate. ‘The Daring Soldiers of Barba’ have been blowing up the rest of the world for years in order to win independence for Barba, a province so dismal, backward and windblown that you couldn’t give the rat hole away. So why, with Barrington vanished, do the terrorist incidents suddenly dry up? A droll, playful novel, The New Republic addresses weighty issues like terrorism with the deft, tongue-in-cheek touch that is vintage Shriver. It also presses the more intimate question: What makes particular people so magnetic, while the rest of us inspire a shrug? What’s their secret? And in the end, who has the better life – the admired, or the admirer?

Avec une plume plus incisive que jamais et un humour ravageur, Lionel Shriver livre un roman explosif sur un couple de sexagénaires en crise, dressant au passage un portrait mordant de nos sociétés obsédées par la santé et le culte du corps. Un beau matin, au petit-déjeuner, Remington fait une annonce tonitruante à son épouse Serenata : cette année, il courra un marathon. Tiens donc ? Ce sexagénaire certes encore fringant mais pour qui l'exercice s'est longtemps résumé à faire les quelques pas qui le séparaient de sa voiture mettrait à profit sa retraite anticipée pour se mettre enfin au sport ? Belle ambition ! D'autant plus ironique que dans le couple, le plus sportif des deux a toujours été Renata jusqu'à ce que des problèmes de genoux ne l'obligent à la sédentarité. Qu'à cela ne tienne, c'est certainement juste une passade. Sauf que contre toute attente, Remington s'accroche. Mieux, Remington y prend goût. Les week-ends sont désormais consacrés à l'entraînement, sous la houlette de Bambi, la très sexy et très autoritaire coach. Et quand Remington commence à envisager très sérieusement de participer à un Iron Man, Serenata réalise que son mari, jadis débonnaire et volontiers empoté, a laissé place à un être arrogant et impitoyable. Face à cette fuite en avant sportive, leur couple résistera-t-il ?

Quatre heures, vingt-deux minutes et dix-huit secondes

Une réflexion sur notre rapport à la vieillesse et sur l'art délicat de préparer sa sortie. Ils l'ont décidé depuis longtemps. Pour ne pas disparaître dans l'indignité, la sénilité, la misère d'un système de santé défaillant, Kay et Cyril mettront fin à leur vie le jour de leurs 80 ans – ensemble. Depuis lors, la petite pilule attend sur les étagères du frigo, dans une boîte à savon. Mais l'échéance approchant, le vieux couple ne voit plus la chose du même œil. Tandis que la date fatidique approche, douze fins potentielles s'ouvrent à eux. Douze options possibles. À prendre. Ou à laisser.

À prendre ou à laisser

Qu'est-ce qui peut conduire un jeune garçon privilégié au pire ? À la veille de ses 16 ans, Kevin pénètre dans l'enceinte de son lycée et abat neuf personnes. Sa mère, Eva, revient sur l'enfance de son fils, ce qu'elle a fait, mal fait, pas fait... Dans une série de lettres, Eva s'interroge. Quel est ce Mal qui ronge l'Amérique ? Et eux, ses parents ? Quelle responsabilité portent-ils ? Il n'est jamais trop tard pour parler de Kevin...

Il faut qu'on parle de Kevin

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